Big Apple Food Adventures: Del Posto

    Where do I start with Del Posto? We first came here on our last trip to NYC. I’d heard about the incredible lunch deal. This is top-notch dining, but if you go for lunch, the price really drops! I remember it being a special meal, and thought that it would be nice (and economical) to go this trip. 

It was as perfect as perfect can be. Aside from the food, this place makes you feel special. The atmosphere is rich and luxurious. There are dozens of wait staff. Everyone treats you like royalty and there are all of these special touches: the basil scented hot towels, the complimentary amuse-bouches (white asparagus wrapped in prosciutto, grilled polenta squares with yummy stuff on top).

And then at the end more sweets. Even though they are treating everyone in the restaurant the same… it feels like you’re getting special treatment. And that was good.

I mean, it can be a little over the top, in an amusing way. The ladies got little stools to rest their purses on… and we both thought it was hilarious when we had our dishes cleared and our dinner napkins replaced by dessert napkins…

We opted for the Captain’s Table, six courses, decide by the waiter after asking you about some of your food preferences. $95. We added to this a beautiful Italian bottle of wine ($60) and I was impressed that the very competent and warm sommelier recommended one of the more reasonably priced bottles on the menu (which suited me).

Each dish was beautiful and memorable.

My better half liked this one the best though: perfect little bread rolls, a combination of a baguette and a grissini. Served with whipped butter shaped to imitate a burrata, this tasted like a creamy cloud. He said he could eat it all day.

So happy they brought us lobster… Delicious. With a deep-fried artichoke heart. Homemade raviolis swimming in truffle butter (photo at the top) were unbelievable and luscious.

Love that we got a second pasta dish: homemade orrichiete with lamb.

Halibut, one of my favourite fish to eat.

Aged beef, with a salt spice crust, grilled romaine and two bites of little potato hashbrownie sort of things.

A light dessert, but then with extra goodies which I didn’t take a photo of (chocolates, cookies).

Love this meal. Loved the service. Loved the experience. Happy happy happy.

Del Posto Menu, Reviews, Photos, Location and Info - Zomato

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Theatre Review: Sunset Boulevard, Palace Theatre, NYC

Before the performance, Glenn Close announced that she had been sick and that her voice was not at full strength but there was nowhere she’d rather be than with us tonight. She is obviously a classy actor and woman, and her performance, a return to her Tony-winning performance from about a decade ago, was amazing. She is charismatic and commands the stage, and portrays the rather monstrous Norma Desmond with menace and lunacy. I am as immune to the starmaker machinery as anyone else, and found it exciting to see a famous actor performing in a lead role on stage.

But as for the rest of the musical, my expression was not unlike that of Norma above: hand on my brow, clutching my dress. What a dog of a show! The music, aside from the two hit songs, is monotonous and repetitive. Like, really repetitive. The opening number is a killer, and not in a good way. Characters repeating back and forth, in a sort of dialogue, the exact same musical line. It is lite classical? Children’s songs? Slowed down Gilbert and Sullivan? I wasn’t sure, but it was not the rich, complex and orchestral pieces raved about by some reviewers. It was cloying and often annoying (to use the same simplistic rhymes and cadences as much of the book).

The story is just as bad. As valiant the actors were, and as beautiful as their voices were, I couldn’t muster up any interest or sympathy for the writer who comes under Norma Desmond’s spell. He seemed lacking in willpower. Too cynical to chase success. Why root for him to fall in love with the more appropriate ingenue?

Having the full orchestra on stage was distracting. My better half said that he wants to be transported by a musical, not see the mechanics, not see the conductor on stage moving the pieces. The cast mainly climbed up and down stairs, or performed, static, in front of the orchestra. There were mystifying bits with people running around simulating headlights of cars, and the various projections just confused me as to what they were, rather than helped the story along.

All the worse off, since we saw Hello Dolly the same day in a matinee performance. But I think it would have failed under any circumstance. This musical was definitely not ready for its close-up, nor a close-up analysis.

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Theatre Review: Waitress, Brooks Atkinson Theatre, NYC

I’ve always like Sara Bareilles. She has a beautiful voice and I think her songwriting is interesting and distinctive. So, seeing that she was starring in her own show, Waitress, which seems to have had some success already on Broadway (and with Jessie Mueller originating the role), was a good excuse to go.

I thought she did a great job in the role. The cast were wonderful. I liked the music, a lot, and found that the musical motif that continued through the show made sense. I thought the staging felt fresh, with the cast sometimes moving around their own set pieces, with musicians stepping forward onto the stage, a simple but malleable set.

Christopher Fitzgerald, in a comic role, and an original cast member, I gather, had the audience eating out of his hand, so much precision and timing in every moment of his performance. I’m sometimes put off by performances as showy as this, but he was just so funny, it worked.

I enjoyed seeing Chris Diamantopoulos, after remembering his manic role in the TV show Episodes… and he’s a fellow Canadian.

I thought the story was serviceable. Sometimes I wish that in adapting a script (this one from a movie), the creators would be satisfied to be inspired by the source material, and not follow it exactly. That one of the characters is married to someone disabled and decrepit was kind of weird and jarring. Will Swenson, in a thankless role, conveyed a feeling of actual domestic violence. But you could feel the discomfort from the audience too. Marrying such fantasy (pies, pies, pies!) with flashes of a reality of domestic violence didn’t really work for me. There were clashing visions of romance and love: the drudgery of marriage that requires extra-marital affairs to be bearable; a love at first sight that makes an affair acceptable even though the marriage sounded OK; a comic romance composed of meet-cute moments. I guess this all came from the movie, but I found it rather strange.

In any case, I loved the music, I loved Sara Bareilles and the whole cast, and it was a very enjoyable night out. I’m glad we saw it!

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Big Apple Food Adventures: Barn Joo 35

Most people who I told that we were staying in Koreatown for a few nights in NYC didn’t know where it is. Well, I’ll tell you. Right below the Empire State Building. On W 32nd between 5th and 6th is the epicentre, and it kind of stretches a few streets north up to W 35th. But how to choose a restaurant, when it seems like there are hundreds of them?

Zomato doesn’t seem like it’s made a lot of inroads here in NYC: some of the new restaurants aren’t even listed, and many restaurants don’t have very many votes or reviews. I turned to Yelp and chose the top-rated of Korean restaurants in the area, with nearly 450 reviews and 4.5 stars! Barn Joo 35 calls itself Korean tapas, combining Korean food with more contemporary ingredients and styles.

I loved it. It was happy hour so I ordered a bunch of dishes for $5 each (and a beer and a cocktail). The spicy chicken wings had a delicious sauce and were nice and crispy. The truffle fries were very delicious… and a generous portion. On reflection though, I would have passed these up so we could have eaten more of the unusual dishes on the menu. On the other hand, the tuna salad on toast (with fresh tuna) was pretty awesome.

Sadly, we only had room for one more dish before rushing off to the theatre. But what a dish it was. Cold bibimbap with sashimi (photo at the top). This is such a simple dish, and you can find it at all Korean restaurants. But this combination of bits of sashimi and roe and seaweed and vegetables and spice. It was absolutely incredible.

It’s very possible I’ll be coming back here to try more dishes before I leave town. Highly recommended.

Barn Joo 35 Menu, Reviews, Photos, Location and Info - Zomato

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Theatre Review: Hello, Dolly! Shubert Theatre, NYC


Oh, thank heavens for husbands. That’s what I say.

Mine – handsome, considerate, charming and organised – booked us for front row tickets to see Bette Midler in Hello, Dolly! for a Wednesday matinee. We were nervous about that old myth that stars are more likely to take a Wednesday matinee off, and give the show to their understudy. But we needn’t have worried.

This show was such a delight. Pure entertainment. We gave Bette at least a few standing ovations during the show (and at the end of course). She was spry, funny and charismatic, everything that Dolly should be. I didn’t feel like it was Bette playing Bette… but Bette playing Dolly, where every once in a while, her famous smile or a set of expressions would peak through.

The cast, already nominated for Tony Awards, was outstanding. David Hyde Pierce with perfect comic timing. I loved the joyous enthusiasm of Gavin Creel as Cornelius Hackl. It took a while to recognise Taylor Trensch at Barnaby Tucker but we did! He played Bok in the production of Wicked we saw, I think five years ago, his blond mop of hair recognisable. Kate Baldwin as Irene Molloy had such presence and made the song ‘Ribbons Down My Back’ a showstopper. And I particularly liked Beanie Feldstein as Minnie Fay: charming and hilarious.

The sets were amazing. The costumes stupendous. The cast looked like they were having a whale of a time, and while some might find the front row a little too close, I found it thrilling. Bette even looked at me during one of her songs. Yaaass!

It’s really interesting to see such a great musical with a great cast and big budget. I didn’t know where to look in some numbers as I wanted to see what each cast member was doing; I was so transported into the show that I forgot the construction of the show (dance number, comedy number, second act opening) and unlike other shows we’ve seen this week, and enjoyed, no song or moment or plot idea seemed weak. It was classic, and so much fun, I shed a tear of joy at the end.

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Big Apple Food Adventures: Tsurutontan Udon Noodle Brasserie

I’ve wanted to go to this restaurant ever since I read this review in the New York Times. Sounded very, very intriguing. It’s the first of the chain outside of Japan. I love noodles. What’s not to like? I didn’t really know what to expect.

My brother, visiting NYC a few weeks before I could, said he went here and ordered the regular udon and thought that it was… regular (and overpriced).

Uh oh. After finishing a Monday night 5 rhythms dance, I rushed over to their location, knowing that they’re supposed to close at 10:30pm and I’d arrive at 10pm. Would they let me in? Yup, no problem, and no rush either. This place is beautiful: a big stylish complex with multiple areas to sit. It looks fancier and cooler than any ramen or noodle bar I’ve ever been to, that’s for sure.

Mindful not to order something too regular, I decide to go with the hot and sour soup udon. I’ve always liked this flavour combo from Chinese cooking. The bowl was huge though slightly an optical illusion as the base of the bowl is smaller. Could I tell that the noodles are freshly made with ingredients flown from Japan? I’m not sure. They were delicious though, slightly chewy (in that freshly made sort of texture). But I was too busy concentrating on how delicious the broth was to focus on the noodles: perfect little exotic mushrooms, a few pieces of crisp deep-fried eggplant, various other goodies in a generous egg-drop broth that tasted slightly sour and slightly spicy but without strong flavours.

As you can see, I thought this dish was wonderful, and washed down with a little glass of sake, pretty perfect. As for the cost, $20, everything in NYC seems super-expensive to me, even without considering the current poor exchange rate with the Australian dollar. So, I’m just going to eat my way through the city for now, and not think about the cost…

Normally, I wouldn’t have room for dessert, but how could I resist the water cake? I love this: a perfectly round clear ball of jelly, that tastes of… nothing. But with some sweet brown sugar syrup, and then some mochi powder on top, with a side of matcha ice cream: I love this dessert. Weird-arse Asian desserts appeal to me.

TsuruTonTan Udon Noodle Brasserie Menu, Reviews, Photos, Location and Info - Zomato

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Men’s Clothes in NYC: Resale, Consignment, Thrift & Outlet

A post on this topic in Paris is my top-viewed blog posting ever… So, an entry about browsing for secondhand and cheap clothes (my natural state of being) in the Big Apple would seem to be in order. But in a few weeks here (in May 2017), I’m finding the shopping so good, I might just amend my Paris post and say: just come to NYC.

Let’s cut to the chase then. I stumbled across Crossroads Trading without even trying (24 W 26th Street). It’s a consignment store, rather than a charity store, and as I started to browse, I was like: WHUT? This is really high quality stuff at bargain basement prices. So, even though I have already bought too many clothes in NYC, my haul is above. An H&M t-shirt that I had just looked at the week before, new and on sale ($15 + tax), was in a different colour combo that didn’t work. So, for $10 (without tax), I get a slightly different colour combo and design that works perfectly. When I was in Paris, I was slightly obsessed with this brand called The Kooples. Stylish with a young flair, but luxe. I never bought anything because it was too expensive but lusted after it. So, WTF? A really interesting fitted black dress-shirt with an interesting treatment and finish. Half-price from $28 for $14. Very elegant narrow collar. These are about US$175 new… The brand Rag & Bone interests me; it seems to combine athletic gear with a high-end simplicity. I snagged a casual sweatshirt, extra-small but fits me fine for $28. Their website says these are $250 new. Seriously. And this piece was not even worn. It’s not second-hand. It’s new. Finally, although I remain mystified by the NYC brand Theory, and why everything is so expensive (and this is after dropping by their store in the Meatpacking district), I’m not averse to trying out a plaid long-sleeve shirt for $18.50, that fits perfectly, and would retail for $200.

Of course, this might just have been a moment of luck. I visited their Brooklyn location in Williamsburg and didn’t find a thing, but I’ve very happy with my bargains from their Manhattan locale. … In fact, I was so happy that when I passed Buffalo Exchange, minutes away, which I’ve heard about, and looks huge, I couldn’t even bring myself to go in. Maybe next time.

Housing Works thrift shop in Gramercy. Probably closed down by the time you get here. Sorry!

Meanwhile, at the start of my trip, I was in the elevator going up to my room in the cool Jane Hotel, just south of  the Meatpacking District, and a cool geek girl, heading up to an office function on the rooftop bar complimented by fluoro pink corduroy jacket. She showed off her shiny gold Gucci sneakers, and told me she’d gotten them at the Goodwill store in the Village and that it was her favourite shop, and she also found items for her male flatmate there.

First, I checked out one at 7 W. 14th Street. This one is really downmarket, and some of the clothes were stained or damaged. The sign of a really mediocre thrift store is that I don’t recognise any of the names of the labels. Not even cheap brands. I really couldn’t find anything here.

I’m tenacious so I thought I’d try the one that she’d recommended in the Village at 44 W. 8th St. The men’s section is in the back corner. Everything is sorted according to colour, but for the life of me, I couldn’t figure out the pricing system. Lots of cheap brands: Uniqlo, H&M, Mossimo, American Eagle, Old Navy, J. Crew. Nothing in order of size either, and no labels, so really hard to see what was on offer. I did see a pair of Theory pants, not my size, but that would be a good deal for someone.

I even had a look in a Goodwill shop in Brooklyn, a huge one where there’s a separate section of the building to drop off donations. A much bigger selection but still pretty basic stuff.

So, the winner of the thrift stores is: Housing Works. I found one in the West Village at 245 West 10th Street and now I see they’ve got 13 shops spread throughout the city. And they do really great work, so any purchases are going to a great cause. This was really high-quality name brands including some ultra-expensive stuff and other more affordable clothes, yet a small, manageable section of men’s clothing.

If that Hans Copenhagen t-shirt had been in a small instead of a medium, it would have been mine, baby! As it was, I found an interesting colour-blocked dress shirt, with nice fabric and a perfect fit. $15 and the labels were torn out so I have no idea where it’s from.

I’ll pretend it’s from somewhere really good. Apparently, they have another store where you buy clothes by the bag. $25. Stuff it full.

Then I found another Housing Works shop in Gramercy, but it’s closing down in a month. This had a much bigger selection but was of a bit lesser quality. Still, it was worth a look, so I wonder whether the other ones are also worth a look (I also took the opportunity here to donate a rainjacket and some old crocs sandals that I’ve managed to replace while here).

It’s 25% off because it’s closing down, and while this shirt from Folk is plain, it’s of a beautiful material, and I remembered how expensive this company is. Marked at $35 (so the folks here know which donations are of quality, and which aren’t) and with the discount it was $26. I’m liking it. Especially since new season long-sleeve shirts on their website are going for about 130 pounds ($US170).

A shot of the interior of the store is aabove, by the way. So, that was 157 East 23rd, and I was heading down to the Village for a drink. On the same street is another Goodwill and a Salvation Army store (low-quality, nothing interesting), but I did see a pretty interesting shop, a thrift shop from the City Opera company at 222 east 23rd. Apparently, it’s been around for 35 years!

Disappointingly, the men’s selection was limited. Not terrible but nothing special. However, the women’s selection looked pretty crazy and unusual. I’d think it would be worth a look if you’re a chick (though probably with unusual taste, rather than a younger vibe).

Afterwards, heading down 1st avenue, there were even more thrift stores. Cauz for Paws at 333 East 1st raises money for animal shelters (yay!) and there was another of whose affiliation was unclear. The city seems full of thrift stores, really, though probably requiring a bit of luck, determination and patience to find treasure among trash.

But there’s more than thrift stores in NYC. There are consignment stores! At Eleven Eleven at E. 11th, you have to be buzzed through a locked door. The men’s section is way in the back, a small room crammed with stuff, and they’ve also gone with sorting clothes by colour, rather than size. The labels are a little better here but it was still hard to browse and see what they had on offer. Better quality stuff than Goodwill, but probably not as good as that Housing Works thrift shop.

I love that Tokio 7 has a shopfront that looks it could be in Japan. It’s a big store, and you look for the labels to tell you whether the clothes are for women or for men, as they’re different colours. I kind of like this approach, that they’re all mixed up in the store.

And then: labels! They’ve got price tags on all their clothes that you can clearly see the designer, size and price. Hurrah. This makes it easy to see the uh-mazing clothes they have on offer. Super-designer, super-expensive, but as it’s a consignment store, if it’s been there long enough without a buy, the prices start to come down. I didn’t see anything that I had to get, but I loved browsing in this shop, to check out their stock. Gucci, Prada, Rick Owens, Margiela, Yamamoto: it’s all here.

INA was an unexpected visit, with some time to kill before a show started. At 207 W 18th Street, it’s pretty vast. This place strikes more of a balance. The prices aren’t quite as high as at Tokio, but it’s still upmarket with Rag & Bone and Theory and other deluxe designers. I’d been to their store years ago on Prince Street and remembering it being a bit small. There was a pretty cute Steven Alan shirt (he’s an interesting NYC designer) but when I tried it on, I saw it had been put on the wrong rack: it was a woman’s shirt.

It was so cold and rainy that day, I bought a scarf, which I’m happy with. It is from a label for which I’ve encountered the same problem before, so generic a name that nothing comes up with a web search. The brand is ‘And A’ which means that anything with ‘and’ and the letter ‘a’ comes up. Sigh.

I stopped by La Vie at 632 Hudson Street two times. This is also pretty fun to look at, but definitely out of both my budget and lifestyle. It’s the most expensive and luxurious of all the consignment stores I’ve been to. This selection looks like it’s just come off the runways! I’m sure they are much cheaper here than retail but still…

As for the big discount clothing stores, I’d have to say that I don’t understand Nordstrom Rack. They seem to have a wide selection of good brands, but no particular great deals. Century 21 on the other hand is a favourite store to visit. The one down at the World Trade Center is a scary zoo of people, so busy, but it does have a section with the most deluxe of designers (I can’t afford them, but I love looking at what they have to offer).

I prefer browsing at the quieter ones, say the one near Lincoln Center. I also visited the one in Brooklyn, on Albee Street, and realized that most of the stock is exactly the same. If they only have mediums at one store and not small, it’s probably the same situation at another branch.

The advantage of going to multiple branches is just that there is SO much to look through, you can take your time, and different things will pop out. I also like about Century 21 that the clothes are sectioned off according to designer, so once you figure out who you like, and who suits you, you can zoom in there. I always get cheap underwear (a limited selection, but Calvin Kleins or 2xist for $6 or $7 each is pretty good if you can find a design you like) and possibly plain t-shirts or undershirts; and then treat myself to a new dress shirt (this time, an interesting number from Moods of Norway – $60, a good deal I think – can you tell I’m into colour blocking these days?). But you can get it all here: athletic gear, polo shirts, high fashion and middle of the road.

What else? If I stumble across other stores (or bargains), I may add to this list, but readers, why not add your own comments here? Tell us your favourite places to shop in NYC for men’s clothes. What a paradise for shopping. Not only sample sales (got a great pair of pants from a Scotch & Soda sale) and seasonal sales, but as I’ve mentioned above: consignment, discount, used and thrift. Amazing.

In the meantime, see my blog posts on used menswear in Paris and Rome

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Big Apple Food Adventures: Prune, East Village

Prune seems to be a bit of an institution in the East Village, serving up Modern American cuisine. It’s tiny and packed; it reminds me of bistros in Paris, and similarly, some of the tables are so close together, you have to move them out of the way for someone to go in and sit next to the walls!

We polished off a lovely bottle of red wine (mostly French wine on the menu) and managed an appetizer and main each. Though I ate at least half of Karyn’s morels on toast. What a fun dish. How often does one get to eat morels, anyways?

I had razor clams. I’ve had these before, possibly in Asian restaurants. I find them so cool and unusual: a long, thin clam. Served up beautifully with citrus-dressed fresh herbs. Loved it.

For the main, K had a rustic dish of half a chicken in broth. I had pigeon. It could have been freshly killed on the East Side (just kidding). Beautiful flavour, dense texture, and like them mushrooms, served on some buttery toasted bread. Interesting.

We got some tasty leeks on the side too, though probably not necessary. We were filled up, without any room for dessert.

Great service from a friendly, cute waiter. Outstanding company. What a great introduction (for me) to the NYC dining scene. Unusual menu offerings in a fun atmosphere, it gives you the feeling that you won’t get this food and experience anywhere else.

Prune Menu, Reviews, Photos, Location and Info - Zomato

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Theatre Review: Amélie, Walter Kerr Theatre, NYC

Considering which musicals to see, Owen encouraged me to see Amélie as he guesses that it’s not successful enough to ever tour or be put on again… and yet, the chance to hear Philippa Soo sing (famous from Hamilton) is a good reason, and I also wanted to see Adam Chanler-Berat, who I’d seen in Next to Normal years ago.

It was a miserable rainy day, 10 degrees Celcius or thereabouts, and it rained the WHOLE day, and I got to the theatre at 9:40am to get a rush ticket. I was successful, and also successful in that I wouldn’t have wanted to wait outside longer than that in that weather! I got a limited view seat for $40 and it was I think 5 rows back, all the way to the side, but the view was not bad at all, particularly for a Saturday evening show at 8pm (no intermission)!

I quite liked the movie, though I remember the finer details of the plot only sketchily. They came back as I watched the performance, and I think that it helps to enjoy the musical to have affection for the material on which it was based. The reviews for this show have been quite harsh, but as an attempt to showcase a starry-eyed dreamer, too much in her own imagination, I think there was some good potential. Some reviewers found the efforts too evident, and too sentimental. I thought that there was some nice whimsy.

And yes, it was wonderful to hear Soo’s amazing voice, and Chanler-Berat’s too. The songs are all very pleasant, not particularly memorable but not terrible. The supporting cast do a good job and the set is lively and colourful; it is very much a romantic proposal: to fall in love with the story, and the vision of Paris that it creates.

There were a few really terrible songs. A complete quandary of a song about… figs, I think, sung by the feeble-minded son of a green grocer, a storyline from the musical that gets lost. An Elton John imitation, linked to an idea of Amélie imagining herself as Princess Diana, was equally confounding. The random number, way too close to the finish, where three of the women cast members expound on their men problems felt like it could have been from another musical. Still, I thought that this musical had potential, cut a few songs, add a few more, try to keep the magic… but it seems it will close after only being on Broadway for a few months. So long Amélie!

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Theatre Review: Pacific Overtures, Classic Stage Company, NYC

I was very happy to score a cheap ticket ($40) to this show through the app TodayTix. My brother saw it recently and enjoyed it. I was curious. I was introduced to Sondheim many years ago when I lived in London. I’d heard this was one of his strangest and least produced. The first production apparently was Kabuki style…

And it is strange. A tale about Japanese isolationism in the 1800’s? While occasionally you could feel an analogy with the Orange Monster’s Plan for a Wall, the play doesn’t really try to be particularly political. It’s mostly farce, and the tale unfolds with some heartbreak, some loss, diplomatic meetings and quite odd group numbers, which is not unusual for Sondheim.

What struck me was hearing his familiar melodies and orchestrations applied to a different setting… though not one, but two songs were about a relationship between women and observers or consumers, a romanticization of sex work in one piece, where the madame in charge of geisha girls sees a new market opportunity and another with British sailors ogling a local girl, which seemed much another version of ‘Pretty Women’ from Sweeney Todd.

Another song, about a boy in a tree, observing the diplomatic meeting, was classic Sondheim, some sort of commonplace analogy and a way of speaking about something else. Not finishing the hat in this case, but being in a tree, and what does he see and from whose perspective do we ever know the truth? If I’m feeling charitable (and the music was gorgeous), I think this is interesting; though if I was grumpy I might have rolled my eyes. Unless you’re swept away by the larger story, it doesn’t come across as deep and complex as it might.

It was really exciting to hear Ann Harada up close, with wonderful comic timing; to hear and see George Takei, basically playing George Takei, that unmistakeable voice seems always with the same cadences to me, and so wonderful: a full cast of talented Asian-American actors.

Apparently, the original show is much longer, and this has been edited and shaped down, with songs cut, and especially transferring the whole shebang to a sparse stage with modern dress. Still, I wouldn’t have been really up for an Asian costume party. Some white guys, even Sondheim, writing about Asian history puts me in a questioning frame of mind. It’s wonderful to see an all-Asian cast. But the songs seem a bit of silly stereotyping: one with characters trading Haiku poems; another about… oh, bowing, tea, kimonos, Asian sort of stuff, I gathered… But I was very glad to see this piece of Sondheim history, which I can’t imagine I’ll have the change to experience again…

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