Book review: Alice Munro’s The Progress of Love

The Progress of LoveThe Progress of Love by Alice Munro
My rating: 5 of 5 stars

I’ve decided to get all of Alice Munro’s work and go back and read them all … eventually. Previous to this one, I finished ‘Something I’ve Been Meaning to Tell You’ from 1974, and have skipped ahead by two books to 1982 and ‘The Progress of Love’. My new way of reading Alice Munro is to read a story, and then go to the excellent blog ‘Mookse and Gripes’ where I can read some excellent reviews and analysis by two of their writers. The blog tells me that ‘The Progress of Love’ was just before Munro started publishing her better-known work. Myself, I’m surprised at what a difference I found between these stories and the previous ones, which I can’t say I liked as much. Pretty much immediately, from the first story, I was back in the Munro world that I knew and admired.

What I love about these short stories is that they give me a complex view on the characters, and then going backwards and forwards in time, these moments are illuminated where decisions are made that perhaps change everything. There are profound moments of hope, disappointment, expectation. And I feel a sense of wonder and emotional weight, where I may or may not understand or relate to what is happening, but it feels interesting and significant.

What I didn’t like or connect with is realising that Munro’s careful descriptions of the characters’ wardrobes and clothes are lost on me, as I just can’t picture what she’s talking about nor would know what she’s trying to say, by telling us that the characters are wearing those clothes. She often seems to comment on her women’s characters’ shape and waist size, which is uncomfortable. And after the news from last year of how she was already a bad mother (prioritising her writing and career over being a good mother) and then wouldn’t show any empathy or sadness that her daughter was sexually abused by her partner, I have to say that any stories that explicitly deal with relationships between mothers and daughters are uncomfortable to read now.

Still, I think Munro’s stories are mysterious and masterful and this collection is an excellent example of that. I’m glad to have read it.

View all my reviews

Posted in Book Review | Leave a comment

2025 in lists: Musicals, theatre, concerts, books and exhibitions

A work in progress (at least during 2025) …

Musicals and theatre

  • Hamlet Camp, Carriageworks: A kooky idea with engaging pros telling the story. I loved the autobiographical poems that opened this, our friend Claudia provided a wonderful different energy to the production, and the evening was both skillfully and carefully created and chaotic! Absolutely loved it. 
  • Jesus Christ Superstar, Capitol Theatre: An incredible cast assembled to sing the shit out of this old musical, with the orchestration and direction making it feel contemporary. It’s jarring to compare this music to Lloyd Webber’s other musicals: songs here that have been in my head for decades. But the staging was pretty hectic, and I would have liked to here more variation in the singing (I think only Paynter, as Jesus, gave us some quiet moments). Great to see the production so well received. It’s an entertaining show. 

Concerts

  • Tom Odell, Sydney Opera House. I wasn’t familiar with Odell’s music but we always trust our friend Steven, when he asked if we wanted to come. Backed by the Metropolitan Orchestra, these pop songs were given incredible orchestrations and Odell is a real artist and musician: his voice is a beautiful instrument – emotional, powerful and with its own character. Loved the concert. I am now a fan. 

Books

  • Alice Munro’s The Progress of Love. See my review here.

Exhibitions

 

Posted in Book, Concert, Exhibition, Theatre/Show | Leave a comment

2025 in lists: Movies

Stay tuned…

Movies: seen on TV, probably on a streaming service, or on an airplane

Movies (seen in the cinema)

Posted in Film | Leave a comment

2025 in lists: Television

A work in progress. 

Television

    • Squid Game, Season 2: I can’t believe that so many people all around the world watched such a violent show in Season 1, which purported to say something important about the gap between the rich and poor, and the nature of human survival, but didn’t, really. It was fascinating to watch, culturally, and the characters, language and rhythm were are quite interesting. But season 2 is a strange watch, so violent, and without moving the story along much. I will be resentfully watching Season 3 when it comes out. 
    • Missing You: I was drawn in by seeing this was, for a time, the #1 show in Australia in Netflix and also because I liked Rosalind Eleazer’s acting in Slow Horses. And the first episode had lots of promise with interesting characters and the promise of a decent thriller. But then none of the characters acted in a way that I felt was authentic. It was basically a thriller with lots of plot points and mysteries, and moving the characters around a chess board, feeling by the end, hollow. 

Documentaries and Reality Television

    • Great Pottery Throw Down, Season 8: This looks like it’s going to be a good season!

Posted in Television | Leave a comment

2024 in lists: Musicals, theatre, concerts, books and exhibitions

Musicals and theatre

  • An Evening With: The First Ten Years, Hayes Theatre: What a night! Chockful of Hayes Theatre’s most talented and established performers in a celebratory concert and cabaret.
  • & Juliet: This was awfully fun, and we had to see it when it came to Sydney! I mostly left with admiration for Max Martin’s songwriting! Husband LOVED it and it was a great night. 
  • Tell me on a Sunday: A little-known one-woman show by Andrew Lloyd Webber, I found the orchestration and story pretty old-fashioned, and a depressingly male view of a young independent woman (breaks up because of being cheated on, hooks up with a Hollywood producer who treats her as a trophy wife, gets involved with another cheater, and then a married man). But Erin Clare has it all: a beautiful voice, acting chops and physical beauty. She’s a dynamo and made the show enjoyable. 
  • Reuben Kaye’s Apocalipstik at the Enmore Theatre, part of the Sydney Comedy Festival. This man is witty, intelligent, funny and political, in all the right ways. The last time we saw him was at the Seymour Centre, a small venue, and he hugged everyone coming in! So, I love his … personal touch … and glad to see him playing to such big audiences these days!
  • No Pay? No Way!, Sydney Theatre Company: An Australian adaptation of an apparently classic Italian comic play, I didn’t expect to enjoy this as much as I did: fantastic performances, cracking dialogue, and very, very funny. So glad we saw this. 
  • Ride the Cyclone, Hayes Theatre: I wanted to like this more than I did, as it’s Canadian and the cast were very charming, but I found the story a bit shambolic and silly. Still: not a bad night out. 
  • Patti LuPone: A Life in Notes, Sydney Recital Hall: I found it as entertaining to hear the crowd’s adoration for her, mostly old queens like me, but some straight women too (and no doubt other genders and sexualities). I also liked the way she sang to all the people around her, including those up at the sides. She’s a legend. And a trooper. I expected to not like ‘Ladies who Lunch’ as much as I did, because I’ve heard it so many times. But she’s done it so many times, she singing and acting up a storm with each word, perhaps each syllable. 
  • Dracula, Sydney Theatre Company: Kip Williams’ production of Dracula with the formidable Zahra Newman playing ALL the roles, I was blown away. This is modern staging and techniques that bring classic material to life. I suddenly understood the old myth of Dracula is more than comic books and the Count on Sesame Street, but an exploration of our battles between our darkest desires and conventionality.
  • Little Women, Hayes Theatre: Beautiful songs and amazing performances: Shannen Alyce Quan and Lawrence Hawkins were standouts to me. And I liked the modern set (or lack of set). I somehow wasn’t engaged in the storytelling, which seemed old-fashioned and young, but one of the things I love about Hayes is that they put on interesting older musicals to allow us to see the merits and drawbacks!
  • Golden Blood, Sydney Theatre Company: How great to see diverse playwrights nurtured and promoted, and I’ve certainly never seen a play about Singaporean (k dealers, gang members, orphans) before. 
  • Titanique: I really didn’t expect that I would love this show as much as I did but it is seamless, absolutely hilarious, beautifully acted with a cast who seem like they’re having a ball (and each have exquisite singing voices). I think I’ll come back and bring friends. 
  • Dear Evan Hansen: I loved seeing this on Broadway so much, but would I like the Australian version 7 or 8 years later? The answer is YES. I think the music is amazing, the storytelling in the songs complex and it still feels contemporary and alive. The Aussie cast were great and we saw Lawrence Hawkins, the understudy, playing Evan and what a star he is. I’m usually not glad to have the understudy but this time, I was very happy. 
  • Oscar: We see ballet so seldom, I don’t even have a category for it here. I’m glad we made the effort to get to this ballet commissioned from Christopher Wheeldon. A ballet with gay love and gay themes showed me images and shapes I’d never seen before. Weirdly we had homophobic people in the row in front of us who talked uncomfortably over various scenes, and looked at their phones often during the performance. Sigh.  
  • August: Osage County, Belvoir: I can’t say enough how blown away I was by this. The writing of the play is complex and funny and dark and emotional. The acting was a tour de force. Absolutely amazing. 

Concerts

  • The Human League, Enmore Theatre: I discovered that I knew fewer of their songs than I thought, and I thought Phil Oakey was quite shouty and they didn’t have the mikes high enough on for Susan Ann and Joanne. But I adored hearing ‘Human’, ‘Fascination’, ‘Don’t you want me?’ and ‘Together in Electric Dreams’ live. And what a specific demographic. All 50 to 60 year olds, and a smattering of their kids.
  • Rickie Lee Jones, the Factory: I last saw Rickie Lee 8 years ago at the same venue. I think this one had an even better vibe: the crowd loved her. Her voice is as unique and strange as ever. And those songs! What a songwriter. I find it strange that with such a different life experience to me, and yet I find her musical so touching emotionally. I cried when she sang ‘Horses’. 
  • History of House with the Soweto Gospel Choir and DJ Terminator: Completely unexpected, in a spiegeltent, with classic house music and other house-adjacent music being sung by the Soweto Gospel Choir on top of beats from DJ Terminator. Wow. 
  • The The, Sydney Opera House. I was obsessed with The The as a 16 year old and would not have believed that I would see them nearly 40 years later. Matt was in fine voice and the new songs were also great. I really enjoyed this. 
  • Troye Sivan, Something to Give Each Other Tour, Sydney Opera House Forecourt. Still a bit blown away with how good this was. A no more spectacular setting possible. The crowd was young, dressed up and ready to party. The videography was great, matched with choreography in big, graphic shapes that could be seen from the highest steps (where we were, sitting comfortably on chairs). Troye and his team know how to show images and make beautiful music. 

Books

  • Robertson Davies’ The Deptford Trilogy. A Canadian classic that I’d never read. The reason, I remembered, as a young, cocky university student, was that I was interested in reading about more contemporary experiences, and these books, stretching back to World War I, didn’t appeal. But what did I know? Coming back to the books now, I was simply delighted by the storytelling and characters and the shifting points of view. While the book cover touts a mystery to be solved, I wasn’t driven forward by that anticipation: I was just enjoying the story. I can’t return the book to the friend that lent it to me without recording one of the sentences here that made me laugh: ‘You’re all mad for words. Words are just farts from a lot of fools who have swallowed too many books.’  And now that I no longer live in Canada, it was a pleasure to revisit the Canadian cities and towns, from Peterborough where I went to university (and where Davies was a newspaper editor) to Vancouver, where I was born and where the English theatre troupe plays in during their tour.
  • Stuart Barnes’s Like to the Lark. Vulnerability in poetry lends itself to the free-verse confessional, so it’s a wonderful juxtaposition (for me, at least) to see such playfulness of form matched with the open heart and a deep pool of emotion. Of course, there’s much more in this collection, and I think the other reviews here do the work justice. It’s engaging, innovative and a very contemporary voice. Bravo, I say.
  • Sharon Olds’ Stag’s Leap. 
  • Thomas Kevin Dolan’s ‘Little Fag: A Journey of Self-Acceptance and Healing‘.
  • George Orwell’s Animal Farm: A friend, James, gave me this as a gift, as it’s his favourite book. It was a strange experience reading it as I knew so much of it already from popular culture, but I don’t think I’d actually read it before. It is a chilling reflection of politics. While it may have been portraying Stalin, Trotsky and Lenin, current world leaders are using the same techniques of control and corruption.
  • Josh Stenberg’s nibs & nubs. My pal, Josh, has published his first poetry collection. Find it here.
  • Edith Wharton’s House of Mirth. Because I loved two of Jennifer Egan’s books SO much, when I read that this is one of her favourite books, I thought I’d give it a try. About a woman trapped by social conventions and expectations during the Gilded Age, it is beautifully written, and while it is set in such a different time, some themes seemed as relevant today: the social machinations and cruelties, the expectations on women. I found it a timeless disturbing trap, the way Wharton’s heroine internalises values that don’t serve her, and in the end, I found it a depressing read because of it.
  • Michael V. Smith’s Queers like me: Many, many years ago, I spent a season in Vancouver hanging out with two other young gay writers, Michael and George Ilsley. I love that we all went on to have books published and I love that Michael is still writing honest and intimate poetry like in his latest collection.
  • Rebecca F. Huang’s Yellowface: Read my review and some comments here.
  • Gina Chick’s We Are the Stars. Stevie’s best friend. It’s an amazing book and story and fascinating to how Australia has been discovering what an extraordinary person Gina is.
  • Min Jin Lee’s Pachinko: I enjoyed this so much. The early parts have the power of fable. The writing is beautiful. The storytelling is amazing. And highlighting the terrible prejudices and oppression faced by Koreans in Japan, a story that needed to be told. And now we’re watching the TV series!
  • Alice Munro’s Something I’ve Been Meaning to Tell You: I did write a review, mainly to say that it’s interesting to be able to read each Munro story and then check out online what others think of it too. This says how deep and complex her stories are, and as an old friend asked, can you really review Munro? Or just go back to the stories and learn more.
  • Kenneth Morgan’s Australia: A Very Short Introduction: As my pal James is getting one of these published (on authoritarianism), I thought I’d check out a few. This was an interesting and digestible summary of the land I’ve adopted as home.
  • Han Kang’s The Vegetarian. I wanted to read why Kang has been so lauded, and I found out why. This book was short, dark, intense, moody and affecting. I didn’t love it because it was uncomfortable to read, and I tend to like books that sweep me away (and possibly uplift me) but I respected the book very much.

Exhibitions

  • The Art of Banksy: “Without Limits”. I’m so glad I got off my (sometimes) lazy arse and took myself to this exhibit. I’d read a lot about Banksy over the years and seen various images, but never really paid that much attention. I think he’s a really interesting artist, capturing movement and gesture, and most of all, protest, primarily in stencil-based images. And I admire that he’s travelled to Gaza and Ukraine, making art there, and funding a boat to rescue refugees in the Mediterranean. 
  • Dark Spectrum: As part of the Vivid Sydney lights show, they opened up an underground space, and filled it with a light show and soundtracks. The disused tunnels from the underground train system are quite cool, but there are parts that were most recently car parking, and that’s not so cool. And strangely, the lights look better through videos than in person. Oh well, it got us out of the house. 
  • Thin Ice, Virtual Reality, Australian Museum: I’ve only had snippets of VR before, so 20 minutes of a recreation, by Tim Jarvis, of Shackleton’s Antarctic trek, with a strong message about climate change, was incredible. Really. 

 

Posted in Book, Concert, Exhibition, Review, Theatre/Show | Leave a comment

2024 in lists: Television

Television

    • The Crown, Season 6. We finally finished the last season of the Crown. While I appreciated the acting, particularly of Elizabeth Debecki and Imelda Staunton, it all felt a little too intrusive to me, the fact that many of the people portrayed are still alive, and the series is proposing stories about them which may be true (or not at all). Couldn’t miss watching it after watching and enjoying the other seasons, though. 
    • Fellow Travelers. Familiar with gay history, while I was looking forward to this show, I was also apprehensive. Would they get parts wrong? Could they tell such complex social histories well? I was very impressed all in all, with a real jigsaw puzzle of timelines that worked, and the two lead performances, which were compelling (and of course, they were very handsome). We really enjoyed this. 
    • Berlin. I watched 3 episodes and they were so bad that I wondered why House of Paper (Casa del Papel) was so good. But I remember: a great premise, magnetic characters, suspense and smart storytelling. None of which Berlin has. Of note: weird music video sequences with the characters excessively happy and mugging for the camera. Or Bruce, flirting with Keila, and saying he likes to ask himself whether his female objects of desire shave their pubic hair. Or not. WTF? 
    • Deadloch. We were superfans of Iceland’s Trapped and the amazing series ‘The Bridge’ so a Tasmania-set parody, with not just similar but almost exact recreations of the suspenseful and mournful music, the red herrings, the partnership between opposites, the quirky minor characters: all of this delighted me at almost a subconscious level. A good thing, since I also found the farce too much: that most characters spoke with the same voice and the same slang; that nearly all had an obsession with talking about genitals, shit and lesbians. That the episodes were a bit too long and that the characters’ quirks overstretched beyond farce to bloody annoying and utterly illogical. But overall: quite amusing. 
    • Boy Swallows Universe. The last episode was so weird and implausible that I had to look up what others were saying and they agreed (including a review of the book, which explains why they put it in the TV show). But it wasn’t so bad that it cancelled out a fair bit of enjoyment: a real sense of place, a milieu that I was unfamiliar with, some cracking Aussie dialogue, and great performances. The juxtaposition of a boy’s adventure tale with such violence of gangland mafia and drug addiction and dealing was jarring though.
    • Everything Now. Somewhere around 1991, I saw the movie ‘Flirting’, an Aussie coming-of-age story, and I loved it. The awkward main character and the sophisticated love interest, played by Thandiwe Newton. So, I always remembered her. Her daughter, Ripley Parker, only 23, is the creator and main writer of ‘Everything Now’, which I watched initially to check out the lead actor, Sophie Wilde, since she came for a reiki treatment! And I love the show. It’s like a more sophisticated and real version of Sex Education. The performances are amazing and the script complex. I thought it was really, really good TV. 
    • Sex Education, Season 4: I really did enjoy the early seasons of this show. I was charmed by the characters and happily shocked by how frank and open the show was about issues around sex and identity for young people. But this season, there are new characters and they and the old ones EACH get a storyline and the formidable Gillian Anderson spends the whole season in post-natal depression. It was a series of issues more than stories – bullying, transgender identity, religion and queer identity, asexuals, post-natal depression, sibling rivalry, sex counsellor rivalry, coercive behaviour, the cost of top surgery, adoption, a cancer scare, disability and accessibility, addiction, the loss of a parent. I was bored and disappointed. 
    • Expats: Having loved Lulu Wang’s gentle and moving film, The Farewell, I was primed to see this, in a setting that I’ve observed but not seen portrayed on TV: expat life in Hong Kong, with Filipino maids and wealthy Westerners. I loved parts of it, especially the feature-length episode focusing on the maids. Such diversity portrayed: different cultures, different languages and different classes. But I didn’t love all the series. 
    • Three Body Problem. Having read the book, the first one at least, I was very curious how they’d adapt it (and I loved Game of Thrones). Like the book, the science part is so complex that you just have to go with it. But I’m glad they tried to humanise the story, as I found it mighty impersonal and mental in the book. And like the book, it was disappointing to watch eight episodes with little resolve or idea of what’s going to happen next. 
    • Supersex. We thought that this would be like the Spanish series, Veneno, unapologetic about sex and sexual identity and infused with Latin passion. And some of the actors are very charismatic, including the lead. But I found this series more and more tawdry. So much focus on the brother, an unlikeable violent drunk, and a message becoming clear that straight male sexuality is pretty much uncontrollable: we lost our patience and liking for this. 
    • Baby Reindeer: Did that really just happen? I kept asking how this was brought to TV, how the writer would show not just his traumatising experiences, but his host of bad decisions. But I read Netflix asked if he wanted to do it, based on some of his stage shows, and he is an artist, a confessional artist. A harrowing watch and I think useful for the world, to see the sexual assault of a man and the aftermath. It’s quite a trick though: with the word ‘comedian’ in the description, you’d think it would be funny, but there was really nothing funny about this. 
    • Mary and George: Julianne Moore was amazing and Nicholas Galitzine held his own but this series didn’t grab me as much as it should have. A dark time, the early 17th century.
    • Star Trek Discovery, Season 5: I really only watched this because husband likes Star Trek, but even he didn’t find this season very good. The characters are one-note and often preachy, and they seemed to spend a lot of time telling each other how great they were. And these random new characters! Meh. 
    • This is Going to Hurt: I’m late to this party but had read great reviews and was pulled in from the first episode. It had a constant tension about it, like The Bear, only in a hospital rather than a restaurant. And instead of pretty food, it was gory, graphic medical scenes. I think I was shocked to figure out that the biggest discomfort for me as a viewer, worse than seeing the failing, underfunded health system and life-and-death scenes was how Adam, the protagonist was so unlikeable, that sharp, dark British humour covering up vulnerability, grief, honesty and often kindness. Overall, quite an amazing show. 
    • Hacks, Seasons 1, 2 & 3: We missed the Hacks phenomenon when it started but after numerous recommendations from friends, we checked it out. I really love it. TV is filled with odd couples, but I’ve never seen a combination like this. The episodes are short, sharp, funny and engaging. 
    • The Sympathizer: When the book came out, it was one of my favourites of that year. How would they turn it into a TV series? Very, very well, I discovered. Loved the lead. Loved Sandra Oh. Loved Robert Downey Jr chewing the scenery. Loved the design of it all. And like the book, it reminded me that I really didn’t know much about the Vietnam War and its aftermath and found this story and education complex, gripping and amazing. 
    • Drops of God: A look at the cultures of two of my favourite countries, France and Japan; a story about taste and tasting and the pleasures of degustation; a family drama; a mysterious contest: there’s a LOT here in this series based on a manga. I liked it for the most part. It was entertaining and unusual. 
    • Pachinko, Season 1: Having just read the book, I thought I’d check out the TV series, and it keeps enough of the book that it is recognisable but really changes things up to make it an epic TV series. I’m obsessed with the acting in this, and the sad, beautiful music. Bring on Season 2. 
    • Pachinko, Season 2: Still moving along nicely. Some harrowing emotional scenes. I find I can’t watch this show quickly. It’s too intense. 
    • Shōgun: Similarly, I’m loving the scope and scale of this. It has the mythic qualities and political rivalries of Game of Thrones, but was based more on an idea of reality. Loving it. 
    • Only Murders in the Building, Season 4: Much as I love the three leads, as some of the guest stars, this season was TOO MUCH. As most of the guest stars from previous seasons were still featured, to then add big celebrities to the mix, from Ron Howard and Eva Longoria to Melissa McCarthy and Kumail Nanjiani, made the season overstuffed.
    • Slow Horses: What a discovery. Those scenes between Gary Oldman and Kristen Scott-Thomas! I loved the first season, being introduced to the characters and concept. Found the second season not as engaging but loved the third: I love the character of Standish and am glad she gets something to do, and they fleshed out the other characters nicely. But I wasn’t as charmed by Season 4. Still, I do like those show a lot and am glad they’re making another season (or two). 
    • My Brilliant Friend, Story of the Lost Child: Having read all the books, and watching the first three seasons, of course I had to watch the last. But my reaction was confusing. I remember welcoming being drawn into a world that I’d known nothing about: political, historical and cultural. I remember a number of moments in the other series where I was really drawn in and fascinated, particularly by the central friendship. But I found the last series hard to watch and hard to connect with: watching the feminist author build part of her life chasing a mendacious philanderer, the violence that the characters inflict upon each other, rebellious children. I had to watch it, of course, for a sense of completion but am still a bit confused by it, particularly since many critics loved it. 
    • The Sticky: While I loved the concept of this and to see a TV show set in working class Québec, I found this a little too slapstick and don’t think there’s enough material to stretch it into a 2nd season (which is why the end was so unresolved).

Documentaries and Reality Television

    • Queer Eye, Season 8: We’ve been faithful watchers of this reboot from the beginning, and while husband cried pretty much every episode, I was unmoved. I didn’t fall in love with the heroes as I usually did, and I often disagreed with various decisions. I used to love Tan’s fashion advice but have somehow become bored with it. Karamo’s therapy: shout it out! shake it out! doesn’t work for me at all. So, I’m likely to take a permanent break from this one when it comes back without Bobby (who did all the heavy lifting anyways).
    • Great Pottery Throw Down, Season 7: British reality shows astonish me. In North America and Australia, people are generally after fame and making monetary deals, and the winners get $$$ and merchandise. So, to see a group of nice, interesting, kind people, doing what they love, in front of quirky judges, for the chance to win … a ceramic trophy and a bunch of flowers, is such a down-to-earth and humble experience. And I love Rose, the kiln technician. It’s got to be one of the most positive representations of transgender people on TV, because it doesn’t focus on her identity. She just does her work, brilliantly, while everyone treats everyone else with respect, kindness and support. 
    • Blown Away, Season 4: I’ve always loved this show, as the material is so beautiful and it’s a pleasure to learn about what makes a great piece. This season, with a new host, has the most breakages and the largest pieces yet. It’s harrowing!
    • Great Canadian Pottery Throw Down, Season 1: As a Canadian playing with clay, already a fan of the pottery throw downs, and from Vancouver, where the series was filmed, this was a LOT of fun for me to watch. 
    • Physical 100, Underground: When I was a kid in Vancouver, Canada, they used to have a show called ‘Battle of the Network Stars’, where they’d take attractive actors from the current popular shows and have them compete in athletic races, like a school sports day. I liked it. Those were the days I discovered superhero comic books, and there was this interesting framework about whose particular powers or attributes would allow them to win battlers against others. Flash forward to 2024, and this is what I remembered watching this Korean athletic competition. There is something interesting about seeing contests between firemen and secret service agents and weightlifters and wrestlers, and a category not known when I was a child: crossfitters. It’s also really interesting to see the Korean culture. I don’t think this show would work in the Western world: the egos and competition would be unpleasant to watch. But these Korean athletes, at the top of their game, often, are so humble, and kind to each other. At the same time, episodes could really drag on. We were glad when it was over.
    • Survivor USA, Season 46: I’ve always found the storytelling in this series outstanding, so much so that while I didn’t really fall in love with many of the players this year, I still loved the story.
    • Masterchef Australia, Season 16: A new set of judges after Jock’s sad demise and we’re still watching. I didn’t watch every episode, but tuned in, and still found the show inspiring for my own cooking, and enjoyed watching everyday Aussies cooking up a storm.
    • Great Pottery Throw Down, Season 4: I love this show and have even convinced husband to watch it with me. We were behind in watching them, and what a lovely surprise this was. The first season with Siobhan, I found her extra charming, and being filmed in lockdown, the potters had a special bond. They were a really lovely and talented bunch and a joy to watch. 
    • I am: Céline Dion: I did expect, as a documentary, that this would tell the story of Céline Dion, but as I read somewhere, the makers expect you to know her story already. So, this is a story of Céline Dion suffering from Stiff Person’s Syndrome. I frankly didn’t love it. 
    • The Boyfriend: I knew something about gay culture in Japan so was fascinated to see how far it has come. A gentle look at mostly young gay men living together in a reality TV house, with the possibility of romance, I found the contrast so stark between Western reality TV with the participants wanting to be celebrities, and these men who seemed quiet and modest and unassuming and somewhat tortured. I only watched the first two episodes and the finale, but I think I figured out all the important parts!
    • Hollywood Con Queen: A quick three-parter, three hours, and while The Guardian found it terribly boring, I found it fascinating to be hearing directly from someone who my husband clearly says has a narcissistic personality disorder (rather than the sociopathy that Harbinder is accused of). How audacious the scam was, how needy and crazy the perpetrator: I thought it made for gripping viewing. 
    • Ali Wong: Single Lady: Does comedy go under reality television? I remember Wong’s previous specials as making me laugh more. I’m still shocked and pleased that she goes THERE. Speaking openly about sex and desire, Asian-American identity and desire, the body and its horrors. But this one was too sharp for me. Everything seemed to be about how unlikable and demanding she is OR her sexual partners being not right for her.  
    • Survivor USA, Season 47: How did they manage to fit in another season of Survivor this year? Regardless: I love it. It’s unusual that the person we wanted to win from early on actually won, and this was a surprisingly enjoyable and entertaining season.
    • Dessert Masters, Season 2: Watching pastry chefs at the top of their game, making desserts that make me salivate, is enjoyable, and I found this season to have a lighter tone than the last, or perhaps I’m getting used to it. The contestants are game to participate, supportive of each other, and have lots of tricks up their sleeves.

Posted in Television | Leave a comment

2024 in lists: Movies

Movies: seen on TV, probably on a streaming service, or on an airplane

  • Maestro: First film of 2024. Choices are always to be made in telling someone’s complex life but I enjoyed this interesting telling of the famous composer and conductor and found Carey Mulligan and Bradley Cooper watchable and magnetic. 
  • Saltburn: Some critics are apparently asking, ‘What was the point?’ but I couldn’t keep my eyes from the screen. This was never boring. 
  • Good Grief: A fan of Schitt’s Creek, I really wanted to like Daniel Levy’s debut film, but it asks too much of a viewer, to feel for these characters and to explore grief when we’re given so little to work with: pretty images of Paris, tons of pornographic signs of wealth, a sad, sad soundtrack, and various themed songs. The dialogue rang false to me, though the two sidekicks did their best with what they were given. 
  • Nuovo Olimpo: A romantic, nostalgic film, set in Rome, about a short, passionate gay romance and then decades of melancholy. I loved it. 
  • No Hard Feelings: Jennifer Lawrence and Andrew Barth Feldman: I kept waiting for the movie to fall apart but I thought the acting perfect and charismatic and that the film was very, very funny. I needed a light film to watch during a Sydney heatwave and this was a good one. 
  • A Haunting in Venice: And why not? A Hercule Poirot mystery set in a murky, wet and atmospheric Venice, with a wonderful cast. I liked the intrusions of the supernatural and most of all, Venice. And that moustache. 
  • The Lobster: Whoah. I liked Poor Things so much, I thought I’d check out the Lobster. Amazing premise. Hilarious scenes and to start with, some sharp satire, I thought. But then it totally loses it’s way when I was hoping for a strong finish. 
  • Tár: As usual, Cate Blanchett is magnetic. And what a story. A cerebral entry to the world of classical music, to start with, and then … a story that takes the typical story of an abusive, powerful womaniser, and makes him a her. Raising interesting questions along the way. 
  • Talk to Me: Horror films aren’t my thing but I’d heard about how successful this Australian film was, and I think Sophie Wilde, the lead, is an amazing actor. And I loved this: a good premise, good storytelling, creepy as hell. 
  • American Fiction: I knew the basic premise, about writing and publishing and identity politics, so I did not expect such an engaging, human story about one charismatic Black family. I really, really loved this film.  
  • Deadpool: We saw this in advance of seeing Deadpool and Wolverine, and while I can see the appeal, I didn’t *love* it. It was better watched in parts.
  • Argylle: I thought this was going to be a spoof of a spy movie starring Henry Cavill, rather than a spoof of a spy movie with a major focus on a woman who writes spy novels. I kept waiting for it to make me laugh or intrigue me or interest me and husband noticed I was just not that into it. 
  • But I’m a Cheerleader: Hearing this was a cult queer hit, I was profoundly disappointed (and bored) by this simplistic satire of a gay conversion centre. No shade, complexity or wit. I thought the gays were supposed to have good taste. 
  • May December: Such material to work with and I found much of the film intriguing. But dramatic music and pretty images (and analogies about monarch butterflies) seemed to sometimes substitute for better storytelling. 
  • Past Lives: Saw this in the cinema when it came out but watched it again on TV with husband. I love it. It’s a very understated film, filled with emotion, about how we connect with people, and our past and present, and the different worlds and cultures that can live within us, simultaneously. 
  • The Iron Claw: As a boy, I remembered seeing the Von Erichs wrestling on TV and there was something electric about them. So, I remember afterwards reading about the many tragedies that struck the family. A film about the family was somewhat hard to watch though Zac Efron, bursting out of his body with muscle, gives a soulful performance. 
  • Will & Harper: I found this engaging, emotional and often hilarious. I valued the chance to spend time with an older trans woman who has transitioned late in life and I can’t help but think how important this film is. I hope it reaches many people.
  • Gladiator: As preparation to see Gladiator II, and I’d never seen it. Russell Crowe had a ton of charisma, I liked the classic story and the soundtrack, and yup, I was entertained. 
  • Opponent: The snowy environment of northern Sweden and refugee hotels is so quiet and still and yet filled with the tension of a Iranian refugee and his family, waiting to be approved, shuttled from room to room, and the protagonist, played by the amazing Payman Amadi, struggling with his sexuality and his role as a father and husband. Quite interesting. 
  • Dune, Part II: Beautiful filmmaking and great acting, though I found three hours a little long on the small screen and I kept forgetting the myth and storyline. Luckily, Husband has read the books. 

Movies (seen in the cinema)

  • All of Us Strangers: A good first pick for a film seen in the cinema for 2024. Though is this categorisation silly. I basically hived off movies from television and theatre, because we saw so many last year, but then most of those were on streaming services. In any case, I thought Andrew Scott’s acting was so beautiful in this. Paul Mescal is always watchable. And Claire Foy and Jamie Bell: also fantastic. An interesting melancholy meditation on loss and feeling you never fit in. A slow pace, like Haigh’s Weekend, and I got mixed up with the plot, perhaps getting so emotionally involved, I sort of drifted off into what I wanted to happen then what the story was telling me. 
  • Next Goal Wins: My mate Tom from England, who is a sports fan, booked in for this and then couldn’t make it to Sydney to see it. So Stevie and I saw it at the outdoors cinema on the Harbour, with a meal beforehand at the specially built restaurant! Couldn’t have been a more spectacular setting to see this fun film. The story and plotting was shaggy, but we enjoyed it just fine (I see pretty mediocre reviews though; honestly, most films I just want to generally be entertained so am less critical than I used to be). 
  • Poor Things: I don’t think I’ve seen a similar film and I couldn’t take my eyes off it. Everything about it – the sets, the music, the odd filming techniques, the acting, the costumes and particularly the script, the funny wordplay of a baby’s brain become adult – I loved it. Still a bit speechless. The weirdest hero’s journey ever.
  • Deadpool & Wolverine: With mediocre expectations, having watched Deadpool, and not loving it, we saw this in 3D at the Imax cinema, and I thought it was amazing. A funny, tight script, great pacing and I was really, really entertained. That is one ugly dog though. 
  • Gladiator II: I was so entertained by this. Usually, with a film with action scenes, say, a superhero film, I roll my eyes occasionally at the script or the excess CGI or activity. But I was fully engaged with this: the spectacle and actors and I thought Paul Mescal had great presence and charisma. 
  • Wicked, Part I: We were huge fans of the musical and I thought, how can you go wrong with this musical and that cast? Any expectations were surpassed. They turned the magic of the stage into the magic of the movies. Those voices could not be more pretty. The crowd scenes and dancing. The expanded songs. It was incredible. 

Posted in Film, Review, Television | Leave a comment

Alice Munro’s Something I’ve Been Meaning to Tell You

Something I've Been Meaning to Tell YouSomething I’ve Been Meaning to Tell You by Alice Munro
My rating: 4 of 5 stars

I’m slowly buying all the Alice Munro collections that I haven’t got on my shelf (except for the collected works, as I reckon all those stories will be in the other books). I started with this one, and I started reading it and knew that I had read it before, but long ago. So, it was interesting to think of how little I would have understood of the world at the time compared to decades later, and how I would have missed the complexities of the infidelities, untruths, withholding information and betrayals. I also think it’s interesting how Munro’s work is so loved that it can change the way you read it. Online, there are blogs (very good ones) that discuss EVERY story, and I found it useful and pleasurable to read a story and then read others’ interpretation. This also taught me that it’s not a great idea to read them before going to bed and to not read a complete story in a single sitting! With one of the stories with a very unreliable narrator, I knew that something was wonky in the telling of the story but didn’t realise it was mostly in her mind, until it was pointed out to me by the blog (mookse and gripes, it’s very good). Anyways, now to start the next!

View all my reviews

Postscript (28 Dec 2024): First of all, check out this very, very negative review in the New York Times, perhaps before they had bylines for the authors. What a pan!

And the next book that I am reading by Munro is The Progress of Love (1974). I can’t yet articulate why but I’m responding much better to this collection then Something I’ve Been Meaning to Tell You (1986). I mean, it’s true. Twelve years can make a difference and perhaps Munro’s writing improved or perhaps just became closer to my sensibilities, born in 1969. I’ll report if I figure it out!

Posted in Book, Books, Review | Leave a comment

Come dine with me: Kuon Omakase, Sydney

For a few years, I did a lot of food blogging. It was a fun way to share my passion for eating! And the website Zomato gamified it, so the more reviews I did, the higher I would rank on their list of Sydney food reviewers. I thought it was pretty fun. And there was even a period where I’d get invited to events and even some special meals.

But life moves on. Restaurants are doing it tough. And they shouldn’t be offering free meals or deals unless it really helps them. Zomato basically closed down and food reviews have migrated to Google reviews, which seems smarter, easier and democratic. Some reviewers, like Does My Bomb Look Big In This? – my favourite food reviewer – now post reviews on Instagram and Facebook, rather than on a traditional blog.

As for us, we eat out much less frequently, and from the COVID lockdowns and onwards, have become passionate about cooking at home (and making pretty great cocktails). So, a meal has to be pretty special to inspire me to do a blog post, and my meal at Kuon Omakase, in Darling Square, for my 55th birthday, was very special. I also liked pretending that it’s my restaurant, Quan Omakase, but Chef Aki explained Kuon means in Japanese ‘a long period’, or as Google tells me today, an ‘eternity’.

I’d heard about the restaurant since it opened, four years ago, I think, but with only 12 seats, I knew that we’d need to plan it carefully (you can make reservations on the first Tuesday of the month for the next month). I got the reservation in early June for 7 July. Hurrah. We grabbed the early sitting, at 5.30pm. We arrived and were seated (the second last couple to arrive, I was happy we weren’t the last).

Chef Aki prepares or finishes each course, in front of you, and then lays it on the counter, where one of the two lovely and efficient servers then move it in front of you.

The Seiyo Shoro Chawanmushi, with shaved Australian truffle, and little pieces of lily root and mochi was a divine start. It smelled so good!

The sashimi was latchet, wrapped around thin spears of vegetables, which you then smear with monkfish liver and wrap it in a sheet of nori: a perfect bite. That liver was so good!

The appetizer plate, Hassun, was pretty mind-blowing, as each element was so refined and so delicious. Miso cured black cod (my favourite), baby eggplant, steamed abalone, a tiger prawn, gingko nuts, mackerel roe and tamagoyaki (a very delicate version of the egg omelette where white fish was whipped into the eggs before it was cooked).

The tempura was so good, that I’m sad that we missed going to the Kuon Tempura outpost, which has recently shut down. Fried in some super expensive sesame oil, imported from Japan, these were so light and crisp. I’ve never had scampi tempura, which was amazing, though the scallop and mushroom tempura were of the same calibre. Oh, and served with a curry salt, which we were warned would be addictive, and it was!

The sunomono course was the tiniest firefly squid. Almost too cute to eat. With those little seaweed pearl things and some other seaweed.

And then, what followed was Omakase Sushi, with Chef Aki moulding each piece of rice by hand, for each sushi, for each patron. I was very excited to try Yamaguchi Tora Fugu (pufferfish) for the first time, tasting to me a bit more like raw squid than a fish. Husband didn’t like this one!

Next, ‘Ara’ Hapuka.

And the first of the three tuna pieces, which Callan Boys in the Sydney Morning Herald described far better than I ever could: ‘marinated ruby-red akami (lean meat from the tuna’s back); luscious, highly marbled otoro (from the fattiest part of the belly) and chutoro, a pale-pink, medium-fatty cut with a flavour that pings every pleasure receptor.’ This first one was the chutoro.

Boafish. What’s that? Google tells me it is Stomias affinis, a long deep-sea fish that looks a bit like an eel!

The next one was previously hanging in a fridge that you can see on coming into the restaurant. A work of art, really.

I think the dry-aged salmon was husband’s favourite.

Next the lean ‘akame’ tuna. Check out the colour on this.

I can’t see the octopus sashimi on the menu. Perhaps it was an extra little gift to us!

The next one was a highlight for me. We were offered the choice of uni (sea urchin) from Tasmania or Japan. We opted for one of each. My family are big fans of uni but I’ve not caught on, until this one: this perfect creamy bite of the ocean.

The next one I think was the imperador, which I particularly liked, though I might have swapped the photos of this one with the boafish. I’m not sure!

The last one was perhaps my favourite: sea eel (anago). Charred with a blow torch before serving.

We finished with a perfect bowl of miso soup, Hojicha tea (by chance, I bought a home supply of this not long ago) and a refreshing dessert, Anmitsu, which the birthday people got a candle in it. I liked the special attention which was on top of service which I thought was so wonderful and gracious. There were 4 birthdays out of the 12 of us that sitting!

In case you’re interested, the meal was AUD$230 each, to which you could add special supplements (the Japanese uni counted as one, our neighbours to the right had wagyu beef and extra sushi courses). I did the sake pairing, and the waitress explained where each one came from, and they ranged from dry to sweet to one warm one and a yuzu-infused one as the final dessert pairing. I loved them all!

It all reminded me of a few special meals in Japan, in particular getting up very early to go to Tsukiji fish market, and then lining up at the small sushi bar that I’d researched and chosen. The freshest seafood. Personal service. And the skills of the chef on display right in front of you. I thought it was very, very lovely. As we left, Chef Aki ran after us outside to shake our hands before we left. The other photos that I’ve seen of him don’t capture his ebullience but I think husband captured him well, as he was skewering some gingko nuts!

Hope you enjoyed dining with us!

Posted in Asian, Food n' Grog, Review, Sydney | 1 Comment

Book Review: Rebecca F. Huang’s Yellowface

I’ve been meaning to read this book for ages. The premise is so, so good.

Quite a while ago, a friend posted on Facebook (Hi Harsukh) that she just didn’t get the book, and I wondered why, with it seeming to be so straightforward, she didn’t get it.

This was in my mind, actually, the whole time I was reading this, as I was thinking: well, I think I know what the point is, what she’s getting at. And then less and less. And then by the end, I felt: that did NOT come together for me.

So, while the author may have been trying to create commentary or satire on diversity in publishing and what it’s like to be a young, ambitious author, everything is spelled out so clearly and simply, with a narrator that is unreliable in an uninteresting way and both repulsive and one-dimensional, that I was left very unsatisfied.

The rich themes just didn’t take off and I wasn’t grabbed by the writing. And this isn’t because of the author’s identity or the themes. What I love about some books is how I’m pulled into an unexpected world because of how much I love the writing and characters, say Jennifer Egan’s Candy House or Alice Munro’s sometimes similar protagonists, a world away from my life, times and identity but fascinating.

I found a number of prominent positive reviews, a mixed one (in the New York Times!) and two reviews that said it better than what I could.

‘Yellowface,’ a satire of race and publishing, falls into its own trap.
Some books have unreliable narrators. The narrator of R.F. Kuang’s new novel is just unbelievable. Review by Zoe Hu

And

The Diversity Elevator: On R. F. Kuang’s “Yellowface”
Jul 13
Written By Terry Nguyen

The comments on Ms Hu’s article are perhaps better satire than in Yellowface, criticising the Washington Post for finding an Asian-American PhD student to write the review, without acknowledging the very strong writing and arguments of the review, or (cringe) some comment on how Chinese people are historically racist.

In any case, I don’t write and post book reviews so often these days, but I thought doing one on Goodreads would allow me to repost it here to my blog, let my friend know, ‘I hear ya’, and write on a topic I’m interested in!

YellowfaceYellowface by Rebecca F. Kuang
My rating: 2 of 5 stars

Oh, I so wanted to like this book.

As a gay Chinese-Canadian writer, I’ve been very interested in questions about diverse voices, and how we tell our stories, and who has the ability, or right, to tell stories by inhabiting characters outside of our identities.

And the marketing of this book is astonishing: great cover, great title, great pitch.

What I have to say is that the book is very readable. Even while repulsed by the protagonist, the book jumps along quickly, in short chapters, and I read it in record time (for me, these days, since I read at a far slower pace than in my younger days).

But I kept waiting for the book to tell me something I didn’t know. Writing is a challenging career. Some diverse voices are being celebrated. People are racist. People are bad friends. Social media is poisonous.

I waited and waited, as the literary thriller slash satire turned into a ghost horror story. Then. Is that all there is?

Other reviewers have written more insightfully than me about the book, such as Zoe Hu in the Washington Post and Terry Nguyen in the Cleveland Review of Books, and I don’t think it’s terrible (except perhaps the continued lazy signalling of the protagonist’s cultural insensitivity by repeated references to Chinese food as greasy) but I wanted better, and I suppose I am jealous that a book could be so successful when it’s not that good.

View all my reviews

Posted in Book, Book Review, Review | Leave a comment