Restaurant Review: La Pesa (Milanese food in Darlinghurst)

I had this on a list of restaurants to try after reading Terry Durack’s very positive review in the Sydney Morning Herald in June 2010. But it took me over a year to get there and not a minute too soon!

My pal, D., arranged dinner for six. I knew the restaurant was Italian but forgot it was Milanese. I’m liking this trend of restaurants that specialize in a specific region, rather than a whole country or indeed a whole cuisine. We were greeted with tiny glasses of complimentary prosecco, a nice way for us to lead into the wonderful negronis that they serve.

Saturday and the place was busy, and we were looked after by quite a few different waiters.

We were brought an amuse-bouche, a tiny (and I mean small, perhaps a centimetre across) reproduction of a fried egg – with smoked salmon. Cute. They arranged for us to have a mix of the appetizers – they were each and every one interesting and tasty, though I *loved* the chicken liver paté.

We all ordered differently for our mains. S. found his pork neck braised in milk the best pork he’d ever tasted, and I think D. gave his beef cheek with vanilla mashed potatoes high ratings. M’s pork cutlet looked superb but he wished it came with a sauce. S. teased me about ordering $35 meatballs, but c’mon. Look at these.

I was pleased with my choice. The meatballs were like none I’ve tasted, rich and dense, and the soft polenta bed was gorgeous.

The wine list was a bit pricey but we still managed to polish off a few bottles, and didn’t have any room for dessert. Still, we were brought two complimentary tiramisu (very nice, indeed).

So far, I’ve described the bringing of free things, as well as the good, if not great, food. But here’s the thing. Every person who served or interacted with us was charming and professional and went beyond the regular call of duty, refilling water and wine glasses, removing the glasses during the first course to make sure we had more room, checking to see if all was OK, and bringing us free things on a busy Saturday night. It made the good food even better, the cozy atmosphere even more charming and it made me certain to return.

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Restaurant Review: Sunflower Cafe – Taiwanese

Sunflower Cafe
Ground Level, 147 Broadway, Ultimo, Sydney
 

A quick Sunday lunch and I wanted to check out this unusual little strip of restaurants on Broadway, not far from the Broadway shopping centre (or a short hike up from Railway Square). I’ve always been intrigued by the Indonesian place called Shalom and the Spicy Szechuan cafe, recommended by friends. Bling Bling Dumpling was empty when we passed it, but it’s got a good name.

However, just before noon, the Sunflower Cafe specializing in Taiwanese food was the only one open, so we decided to try it out. Half the menu has crepes, both savoury and sweet, and with Asian themes (i.e. Japanese eel, green tea). Does anyone know if crepes have been adopted into Taiwanese cuisine?

We went for the more traditional fare. A starter of bean curd wasn’t what I was expecting, neither bean curd sheets, nor a lighter tofu. These were hard, slightly rubbery strips of bean curd in a simple soya sauce. Taiwanese sausage turned out to be the pink-red sausage that my mom used to buy at the same time as buying char siu (barbecued pork) or roast pork belly. Slightly sweet, it reminded me of home.

We ordered two mains (too much for lunch with the starters). Rice and beef brisket. I’ve rarely had a beef brisket that I didn’t like, and this was perfect – I liked the extra spicy bits of meat on the rice, and the pickled veg – the flavours felt authentic. The spicy dumplings were not particularly nice. Crude and doughy, like the frozen ones I buy sometimes in Chinatown for home use, but the sauce was more garlic than chili, and I found the flavour a bit off.

S. loved his mango smoothie, even when it gave him brain freeze. My cold sweet green tea latte was just fine.

I reckon this strip of restaurants mainly appeals to students from the University of Technology Sydney (UTS), so it’s relatively cheap (ours was about $40 for the two of us, and we did order a lot), filling, and tasty. It also tastes and feels authentically Asian – except for the weird artwork featuring white Americans from the 50s and the letters c-r-e-p-e-s coming out of a a cartoony surreal backdrop.

Service was efficient and friendly. Order at the cash register. Pay in cash only.

Glad I went. Wasn’t tasty enough to go again – though perhaps I should go back for the Japanese eel crepe…

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Excavating and archiving

I’m scanning my film negatives onto my computer. This is no small task. My father was a photographer – he started off with social pages for his university’s yearbook. This lead him to owning a camera store. He taught my brothers to take photos. They were photographers for their high school yearbooks, and also knew how to develop film by hand. I remember the sweet and toxic smells of the chemicals in the small darkroom in our basement.

I learned how to take photos as well, but never to develop them. I did an outdoors education program during high school that encouraged us to take slides to be used for slide shows. Instead of doing Grade 12 at high school, where I could have taken photos for a year book, I instead headed off on a scholarship to an international college. In the meantime, the first automatic cameras were produced, and of course, my father, who loved gadgets and new technology, got ones for the family. When I left for college, I had my handy automatic camera (a pentax, I think) and lots of film.

The negative aspects of my photographer persona (which I would have never considered at that age): the way I used my camera as a shield and a way to stand apart from actually participating in events or life; the way it was developing nostalgia within me at an early age and the need to keep and record and archive and hang on, sometimes, for too long; and finally a sweet but needy generosity (as learned from my family), to make extra copies of photos to give to the people who were in them, to have negatives on hand in case people wanted them. Although kind and giving, there is such a thing as being too nice. I learned eventually that I might have had unvoiced desires for those favours to be returned to me, and that at times, constantly being of service to others did no favours to me, and that sometimes people didn’t want or care about that service.

Yet, at the same time, I can look back and marvel at the records of lives that I created, the amusement of capturing funny moments, the enjoyment of viewing the world with an artist’s vision. I can allow myself to indulge in nostalgia without getting caught up in it, and if I find time, and expecting nothing in return, it will be fun to share some of those photos with people who are in them, since it is so much easier these days to send photos electronically or post them to facebook.

Still, it’s an odd set of emotions that come up looking through so many years of my history (until the negatives stopped, and became computer files). Couldn’t I have had eyeglasses a little more stylish? Did I really date that guy? How did I get from there to here? Here’s a photo of L, when we just met, before the tragedies, a year of small resentments and never keeping in touch. Here’s R, before I figured out how damaged and unpleasant he was. Here’s K, still with that full mane of hair, and a shining smile. I’m glad we’re still in touch. There are photos of people who have come back in touch through facebook, others who are on facebook but I haven’t connected with, and rather a lot more, particularly some of the international students, who have disappeared into their lives and who, I wouldn’t need to be in regular contact with, but would love to know where they are. But I guess that’s a lesson I learned slowly, me who had the ability to keep in touch with everyone I’d ever met, for so many years. Sometimes, we let go.

 

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Restaurant Review: Caffe Sicilia

Caffe Sicilia, a fairly new restaurant on Crown Street in Surry Hills, confused me. When I first read about it, an Italian restaurant specializing in Sicilian food, I was interested. The reviews were good. When I saw that it had taken over from the Thai restaurant, Yai (a perfectly decent Thai restaurant but I wondered how they could manage to pay the rent of such a large space in Sydney’s centre), I was impressed. The place has completely transformed: into a bistro that could be found in Paris or Rome, and when summer arrives, when they can leave the entire front of the restaurant open to the weather, it will be glorious.

But reviews from friends in the area were mixed. Each rave review was matched with a negative one. A few friends had recently raved about it, but then when I told them I was going on a Monday night, they revised their review: lunch is terrific, they said, the dinner menu is completely different.

Still, I was game. I was hoping for a great meal. Why would you ever go to an eatery without expecting it to be satisfying? But the food wasn’t the problem. We were seated at our table for two, right next to the sidewalk, underneath a slightly too-hot heat-lamp. The waitress, possibly Eastern European, was efficient, and trying to do her job well. But asked us if we were ready to order only minutes after we’d received the menu. We decided to order wine, and asked advice, but she needed to refer us to an Italian waiter, who was decidedly unimpressed when I told him that I wanted a recommendation from among the $50 wines. We were asked three times if we were ready to order… when we were not ready – and it’s not as if the restaurant was busy and needed to turn a table.

Our appetizers were a soft goat’s cheese drizzled with honey and with almond flakes, and whitebait fritters, round disks of fish-flesh served with a home-made aioli. Both were good, though not special (and both about $15). The wine, which we were assured was very good by the waiter, was drinkable and plain. OK but possibly not OK for $50 (none of the wine on the menu, including Australian, was for less than the high-40s. Really an expensive list). My companion had the special of the night (mains were generally $20-25), John Dory fillets, rolled, crumbed and fried with an eggplant mixture. It looked spectacular. But he said it was only OK.

My main, however, was fantastic. A ‘swordfish tart’, instead of a pastry crust, a thin layer of swordfish made into a crust and hidden beneath, a perfect combination of sweet, rich, soft eggplant and tomatoes. So, the olive garnish was the same as the free olives we’d gotten for the table. This was a tasty and unusual dish!

We passed on dessert, but then were given a box with a muffin and a brioche to take home with us. I didn’t try the brioche but the muffin, with a sweet cream cheese filling, was delectable.

The promise was there. With service a bit more charming and  a reasonable wine list, I think we could have been pleased with a fun night out, eating regional Italian cuisine, homestyle and honest. But with awkward and abrupt service, overpriced wine, and only 1 out of 4 dishes outstanding, the $140 bill for the two of us felt too much. I’ll probably try it for lunch, to see if my mind can be changed. Otherwise, it’ll be two, rather than three, strikes and they’re out.

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1992 Application Photo

I’m archiving again. I’m kind of always archiving. I used to have the excuse that it was because I was a writer, and I needed to hang onto that sort of thing. Now, I know how to both indulge that instinct when useful, and curtail it when it’s not. This last week, the project has been to scan photo negatives into my computer. Some friends seem horrified at the idea of throwing away negatives, but I think the quality is degrading anyways, and that they’re simply not useful in this form. If on the computer, they can now be recalled and shared, but still in negative form… well. The scenarios for needing a high quality print from an original negative are slim – it’s not like I’m a professional photographer. So, I think the computer images will do just fine. And while they really don’t take up that much space, in some ways, they do feel like baggage from the past, from a different time and technology, a different mindset. It feels good to process and clear them out.

I just scanned all the photos from my time at Expo 92 in Seville, and in this stack was a group of negatives labelled “application photos”. From the clothes, I would suspect this is from just when I arrived back in Canada from Spain: the purple shirt that was slightly too big but I was so proud of (from Noa Noa in Denmark), and the tan coloured jeans, likely from Mango in Spain – just a glimpse of the clothes horse that I have since become… I still have my long hair, but tied back in a ponytail to try and look clean and tidy.

What I’m amused by is that there is nearly a whole roll, twenty photos, of me IN THE EXACT SAME POSE. Neither I, nor the photographer, thought that if I was trying to take photos to get just the right one that perhaps varying the pose, the background, or the distance would give a wider range of photos to choose from. But no, I am smiling slightly more, or slightly less, I’m leaning back against the concrete wall of a university building, a bit awkwardly, my hands are clasped in front of me – I still do that. I can’t quite remember what I was applying for though! A scholarship, I think, one of the Commonwealth ones to study at a university overseas, though I kind of remember using these photos for grad school, and otherwise. It is fun to look back though. Of course I’m reading into it, but I see in that expression a sweet kind of blankness, completely unaware of the life that is to come, but anxious for it and ready to make it happen.

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A few writer friends

On my old website, I had a little list up of some writers that I was friends with at the time…Nice to see that most of the websites still live. In the meantime, I’ve made friends with many more writers than these… who have their own wikipedia and Facebook pages, and websites and blogs. Feel free to add links in the comments section.

  • My pal George Ilsley, published the fabulous novel “Manbug” and has an amazing website.
  • My pal Marshall Moore, author of Concrete Sky, other novels in the works, and many short stories – we’ve somehow ended up side by side in a few different anthologies.
  • One of my first reviews ever was from Jameson Currier, a talented writer of short stories and erotica, and a novel. It was great to finally meet him at the Lambda Awards in New York many years ago. Pay him a visit.
  • Ian Young is probably Canada’s first important gay poet. He kindly sent me one of his books while I was at university and I had the privilege of getting to know him a little. He now sells books too!
  • Steve Kluger is a friend I got to know by e-mail and then finally met in San Francisco in 2005. He wrote the wonderful “Last Days of Summer” and has latest novel is “Almost like being in love.”
  • Mitch Cullin is a friend I’ve never met. His book “Tideland” has been made into a movie. He’s written a ton of books – the last one which I’ve seen great reviews for all over the place.
  • At the time, my old writing buddy, Michael V Smith, didn’t have a website up, but he does now, and has a new book coming out. How cool.
  • John Barton was a great influence on me – he was a terrific editor for my 2nd book of poems, but helped me out on other poems during my career and provided gentle encouragement. And his writing is amazing.

 

Posted in Books, Writing | 2 Comments

Restaurant Review: Beba Y Cene in the Carrington Hotel

Wow. What happened to Annie’s Bar? In my wayward youth, I know I stopped by the back bar of the Carrington Hotel for a drink or two. And it was a trashy place. Fun, but trashy.

Now, completely transformed into Surry Hills chic, it is riding an exciting new wave of food trends: fancy bistro food, Spanish and Latin American cuisine, ‘nose-to-tail’, no reservations… Check out the website here.

But while I like the idea of a busy, buzzy place, I prefer not having to wait, so with my trusted dining friend, J., we had a Wednesday lunch there. There were only a few tables filled, which allowed for personal service, including both the waitress and chef asking us, sincerely, how our food was.

We ordered a white wine from South Australia’s Running with the Bulls vineyard, very tasty, a Spanish varietal I’d never heard of: Vermentillo. Clean and dry. I liked it.

An appetizer/amuse-bouche sort of thing was a paella onigiri. I loved seeing a Spanish word next to a Japanese one (for rice ball) but didn’t expect the perfect crisp fried triangle of paella topped with crispy battered squid. Check this presentation:

It was perfect. Light, crisp, tasty, flavourful, interesting. We followed it up with a tasty chorizo dish with apples instead of potatoes. It gave it a lightness of flavour, and how can you go wrong with chorizo?

And finally, the masterpiece of our too-short lunch. Squid stuffed with Morcilla (blood sausage) with a very flavourful tomato sauce. The squid was slightly firm with a crunch, all about texture, and with a neutral flavour to offset the rich, earthy, slightly creamy and slightly grainy texture of the sausage. With a perfect bright bite of spicy tomato paste. Magnifico!

The cocktails sound fantastico too – I’m thinking I’ll try the ‘Single Mother’ next time I’m in. J. looked up from his food in his pleasure and said this is the kind of place you could just sit in the sun for the whole afternoon and try everything on the menu, it’s so good. I think we’ll do that next time.

And since it had a rave review in Good Living, and seems to me Surry Hills newest hotspot (the chef smiled when I said I’d heard it was packed and said “we’ll see in six months”), I recommend arriving early.

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New Website 2011

When discussing with my pal, Tim, about how to update our other website, our project on sexual racism, I realised that my own website badly needed updating. First of all, while I loved the animation on the front door, I don’t live in the same apartment anymore. And I wanted a way of combining my blog (on blogger) with my website, as I’d heard for years that if you don’t have ‘dynamic content’, then there’s no reason for anyone to visit your page after the first time. But then I realised that the whole world of websites has changed since I first put mine up. It’s funny to think back to that time.

You had a section which described who you were, a few pages with your main activities, a list of links that you liked, and a list of links to your friends. My webpage was exactly the same as everyone else’s.

I used it to promote my books, mainly, but I also put up photo galleries. I’ve always been a photographer, and this was an easy and fun way to share photos with friends. At least I thought it was easy, except that for the early galleries, I had to upload all the photos into a particular format and choose how many would be on the screen. I had to make sure that the thumbnails matched up to the bigger photos, and putting in captions was usually far too much trouble.

That example of photos shows how out-of-date my website became – as I basically moved over to Facebook for communication with friends and acquaintances – the photo albums all moved there and have been so much easier to put up and share!

In the meantime, my nephew and niece are now little kids, and none of us have time to take and post photos of them like I did in their first years of life.

Personal websites really aren’t very necessary these days. People have blogs and twitter accounts these days, and bother much less with a formal website. They’re usually made up of endless streams of thought, photos and videos, and I’ve noticed that sometimes people don’t even introduce themselves – pages and pages of someone’s life and writings but no more than a basic few sentences about themselves and probably not a photo. This anonymity is countered by those who use youtube, twitter and more to get their faces in the public eye.

At one time, a website was the best way to establish a public presence. No longer. At one time, it was a great way to share with families and friends. No longer.

Even the way we access information has changed. I’d carefully created a flowchart of webpages, so that people could start at the front page, and then move onto my other activities – writing and music – but also get back to the “main menu”. But mostly these days if people are searching for information, they google it – or they get referred from somewhere else. So, I don’t have to create a section of restaurant reviews on my website. What’s likely is that someone wanting to know about a particular restaurant will simply find it through a web search, or a link from somewhere else.

So, here I am, in the bright new world of WordPress (the program that will not supply my website’s new architecture), and the new world of 2011 where I’ll try to update my website, get rid of old parts that don’t work or are no longer relevant, combine my blog with my website, and see what happens… before this model becomes outdated in a few years’ time.

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A move to WordPress

I have to admit that I liked the name “Blogger” but since it won’t work to integrate with my webpage, WordPress it is.

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Review: The Last Five Years, a musical at the Seymour Centre, Sydney

Last five years

If you’re a musical theatre queen (hands up!) living in Sydney, why not drop by the Seymour Centre’s downstairs theatre, the newly named Reginald Theatre to catch a really good work put on by a new production company called Stories Like These. You’ve got until 30 July – and from last night’s house (a Friday night), tickets are selling well.

I hope so, because I think it’s a good idea to support good theatre. Years ago, on a trip to New York City, I’d heard a CD in that shop in the theatre district that sells scores and CDs from all of the Broadway shows (name… anyone?). I liked the sound and grabbed it. It was Jason Robert Brown, and a set of songs called “Songs for a New World” – not a show, but instead of collection of songs written for shows, and put together into a review. A few of the songs I adored. Tuneful and soaring and… well, sad. A number of the characters in Brown’s songs are those who have given up their dreams, compromised themselves. There’s a sad sense of loss and betrayal (and occasional bursts of huge take-the-world-by-its-throat confidence). There’s a romance about romance itself.

The themes of the musical The Last Five Years (written in 2001, a show that premiered in Chicago, had a short-run off-Broadway, and has since been performed around the world) fit right into what I associate with Brown. Jamie, a writer, is confident with a career that’s taking off. Cathy is an actress who struggles, and seems stuck in compromise, settling for a not-so-great gig in Ohio, and not wanting to be a hanger-on to Jamie’s rising star. Over five years, Jamie’s story starts at the beginning, but Cathy’s starts at the end and travels, like backwards in time, like Stephen Sondheim’s Merrily We Roll Along. It’s an interesting conceit, and mostly works though if you haven’t read the program notes before, you might find it a bit confusing. I found it more like watching how puzzle pieces fall into place though than having much emotional punch, unlike Merrily, where I found it unsettling and sad to see the characters getting happier and happier, but only through travelling backwards in time.

Generally, though, I liked the songs. I thought they were clever, tuneful and varied, and allowed actors to display an emotional range. The story came together well enough – new love, trouble in love, break-up – a believable enough story (apparently based on Brown’s own life, and he had to change the original script after his ex threatened to sue him). My only quibble is that his songs constantly have the characters calling out to each other, Jamie, Jamie, Jamie, Cathy, Cathy, Cathy… There are only two characters in the play so we know who they are! The repetitions of the name-calling sometimes seems a substitute for a more nuanced way of expressing emotion.

But why quibble? Let’s talk about the performances. I’ve seen Marika Aubrey in a number of cabaret shows and showcases. As soon as she sang her first song, I was impressed with her quiet and sweet intonations. She’s got a gorgeous voice, and I think she interpreted the songs marvelously and showed great acting chops. Rob Mills I’ve seen in Wicked, and still feel sorry for him for having to wear a really unflattering pair of tights. Here, I thought he had real star quality. My partner and I couldn’t keep our eyes off of him. A versatile voice, great performance. I thought both performances were generally flawless. It helped to be backed up by a great set of musicians (loved the cello) and the intimacy of the small theatre leant the air that the actors were really singing emotions and songs, rather than ‘performing’.

Sydney’s not necessarily bursting with musicals, so I try to encourage people to go when they’re on – support local artists, directors, and theatre. And I do recommend this show. It’s a great night out.

Posted in Sydney, Theatre/Concert Review | 2 Comments