My New Keepcup: The Reuse Revolution (again)

I ordered my new keepcup online and it arrived last week. I had one already, but have decided lately I really want a LARGE coffee and so needed a proper large cup to match. I’m completely amused by Keepcup’s website where you can choose the colour of the cup, the band, the top and the plug. It’s a fabulously designed website and interface. Loads of entertainment. I highly recommend custom-designing your own and buying it!

I’m not sure why I ended up with this set of colours, perhaps my recent trip to Sweden?

keepcupThe company, started in 2008 in Melbourne, has gone worldwide and is doing well, and my friend Leah spotted them on sale in Iceland!

I do understand that there is innovation here: it is marketed to match proper coffee machines and become a ‘barista standard reusable cup’, and certainly I never understood good coffee before arriving in Australia from Europe and Canada.

The particular mix of espresso and hot foamed milk done properly is found few other places (Italy has great espresso but they don’t do it like this; Canadian filter coffee is a different kettle of… coffee all together). Australians do seem to be exporting this style of coffee elsewhere…

So, these cups are aimed at ‘proper’ coffee (a latté or flat white perhaps). And they’re very attractive.

On the other hand, when I read their slogan of a ‘reuse revolution’, I despair what a short distance we seem to have come. I wish I had a photo of the plastic mugs we used to lug around at Trent University, with a clip attaching it to our backpacks. I think it was a collaboration with OPIRG, an environmental group, and peer presssure meant everybody had one. We used them for water and coffee and tea, and there was a nifty plastic top that fit snugly to ward off spillage and keep drinks hot. They were kind of ugly, but they worked. Over 20 years later, we’re still trying to get the masses to carry around keepcups and refillable water bottles and the waste continues to pile up around us.

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Shows I’ve Seen – 2012 and before

Mainly as a record for myself, I keep a list of shows I’ve seen – musical theatre, cabaret, dance and plays – big shows and little shows, but memorable for some reason or other. Here’s my archive from 2012 and before:

2012

  • Annie, Lyric Theatre
  • Meow Meow’s Little Match Girl, Spiegeltent, Sydney Festival
  • Babel, Sydney Theatre, Sydney Festival – Amazing Dance and Set and Performance!
  • The Paris Letter, Darlinghurst Theatre
  • This is our youth, Sydney Opera House – I somehow felt that the star power of Michael Cera and Kieran Culkin was perhaps better suited for the screen then the stage. Their performances lacked energy to me. Interesting enough play, but I’d hope for more.
  • Prairie Home Companion with Garrison Keillor at the Hollywood Bowl, Los Angeles
  • Porgy and Bess, NYC
  • Empire Circus at Spiegelworld, NYC
  • New York Music Theatre Festival (NYMF): The Groove Factory, Letter to Harvey Milk, Swing State, Living with Henry
  • Evita, NYC
  • Bebe Zahara Benet’s Creature, XL Nightclub, NYC
  • Fuerza Bruta, NYC
  • Into the Woods, Sondheim in the Park, NYC
  • Sleep No More, NYC
  • Peter and the Starcatcher, NYC
  • South Pacific, Sydney Opera House
  • Legally Blonde, the Musical, Sydney
  • Cirque de Soleil’s Ovo, Sydney
  • A Funny Thing Happened on the Way to the Forum, Melbourne

2011

  • Uncle Vanya, January 1st, Sydney Theatre Company – with a cast that included Cate Blanchett, Hugo Weaving, Jackie Weaver, Richard Roxborough, this was amazing theatre.
  • My Bicycle Loves You – Legs on the Wall (Sydney Festival, Sydney Theatre Company)
  • Wayne McGregor’s Entity – a dance performance at the Sydney Theatre Company as part of the Sydney Festival
  • Taylor Mac’s The Ziggy Stardust Meets Tiny Tim Songbook or Comparison is Violence, Sydney Opera House
  • John Bucchino & Friends in Concert, Australian Institute of Music 
  • Rafael Bonachela & Jacopo Godani’s Shared Frequencies, Sydney Dance Company
  • Orange Flower Water, Darlinghurst Theatre Company – Some interesting bits by one of the writers for Six Feet Under, but ultimately unsuccessful in bringing some innovation, some interesting breath to the theme of infidelity and family breakup. Sentimental ending completely at odds with what came before. 
  • Neighbourhood Watch, Belvoir Theatre – Robin Nevin is incredible and I thought there were interesting things about the play – and it was very crowd-pleasing… but I found the other characters not written as strongly.
  • Margaret Cho: Cho Dependent, Sydney Opera House – I think after seeing about 3 or 4 of her shows, will I still find it as funny as before, as shocking? Answer: yes. First minutes into the show, I’m shocked and can’t stop laughing for the whole show.
  • The Threepenny Opera, Sydney Theatre.
  • Tom Ballard – Singe 1989, Belvoir Theatre – Young comic, funny guy.
  • Gross und Klein (Big and Small), Sydney Theatre – starring Cate Blanchett
  • Richard III, Lyric Theatre – starring Kevin Spacey
  • No Way to Treat a Lady, Darlinghurst Theatre Company – I always love seeing things directed by my pal Stephen Colyer. When I heard it was old-fashioned, I wondered if it was the music or the style, but no: the idea of a gay man, psychologically damaged by an overbearing and unloving flim star mother, who becomes a murderer: that’s old-fashioned!
  • The Dark Room, Belvoir Theatre – I think this might have been the best Australian play that I can remember seeing lately. Great script, great acting, especially Brendan Cowell. Wow.

2010

  • Bash’d: A Gay Rap Opera, The Cultch, Vancouver
  • Robert Lepage’s The Blue Dragon, SFU Woodwards, Vancouver
  • Smoke & Mirrors at the Spiegeltent, Sydney Festival, (Jan)
  • Ballet de Rua (Brazilian Street Ballet), Sydney Opera House
  • Hamlet (Schaubühne Berlin), Sydney Theatre Company
  • Waiting for Godot, with Ian McKellan, Sydney Opera House
  • A Little Night Music (Opera Australia), Sydney Opera House
  • Kiss of the Spiderwoman (Darlinghurst Theatre), Sydney

2009 (Mostly Australia)

  • Wicked, Sydney (December)
  • Streetcar Named Desire (September), Sydney Theatre Company – with Cate Blanchett… Amazing. Sublime.
  • Avenue Q, Sydney (August) – The Australian cast made it their own, and I loved it.
  • Pilobolus Dance Theatre, Sydney (May) – Amazing and beautiful, the vocabulary of dance that I am familiar with was upended and expanded. Very erotic.
  • Lipsynch – Robert Lepage
  • The Twink and the Showgirl – Phil Scott & Vincent Hooper – Parramatta Theatre
  • Gutenberg! The Musical – Seymour Centre (2 different casts)
  • Alan Cumming: I bought a blue car – Sydney Opera House
  • Justin Bond is Close to You (Feb 2009, The Studio, Sydney Opera House)
  • Gatz, Elevator Repair Service Company, Playhouse at the Opera House, (May 09)
  • Dirty Rotten Scoundrels (Vancouver, Queen Elizabeth Theatre, Dec)

2008 and before

  • Spiegeltent, at Sydney Festival
  • My Fair Lady
  • Priscilla
  • Mamma Mia
  • Titanic!
  • Into the Woods (New Theatre)
  • Angels in America Part I (New Theatre)
  • Falsettos (New Theatre)
  • Merrily we Roll Along (university production)
  • The Hatpin, Seymour Centre, Sydney
  • Sweeney Todd (two different productions at the Opera House)
  • Avenida Q (mexico city)
  • Pippin, Kookaburra, Sydney Theatre
  • Cabaret
  • Homebody/Kabul, The Belvoir (08)
  • Stringberg’s the Dance of Death with Ian McKelland (03)
  • Chess, Theatre Royal, Sydney
  • Wicked, Melbourne (08) – fantastic!
  • Little Show of Horrors (08, New Theatre)
  • Kaash – Akram Khan Company, August 2002. Great Dance Performance.
  • Laramie Project, Company B Belvoir.

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Restaurant Review: Cafe Nice, Sydney

It’s hard to imagine the team from Fratelli Fresh doing wrong. They sell beautiful high-quality Italian produce at their stores, and their restaurants ride the wave of Sydney’s embrace of bistro-style cuisine, a step down from formal fine dining but certainly not casual either. Their food, full of flavour, combines European authenticity with a casual and confident Australian flair.

And so it is with their latest restaurant, Cafe Nice, tucked away near Circular Quay above an Indian restaurant. It looks to me like the space was repurposed from a hotel or serviced apartment function room, it has that shape and the boring square recessed lights in the ceiling. Below, they’ve gone all French cafe. I found it somewhat tacky rather than cool-ironic, particularly the pink neon sign, but the food is the important thing.

Our zucchini flower appetizer was delicious as was the pissaladière, caramelised onions with anchovies on a flaky pastry, an alchemic delight. We were trying to avoid a bad sauvignon blanc and asked the waiter what the cheapest French wine (a sav blanc) was like. I could see his face drawing inwards to recall the wine and then try to describe its various flavours, concluding that it was an inoffensive drinking wine, neither here nor there, but good enough. He was right, and we loved his effort and description.

For mains, my pal had steak and frites, I had mulloway with a cauliflower puree, perfectly seared and crispy skin, and full of flavour. This with a gorgeous side of peas.

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The most exciting thing is its location. Circular Quay is filled with really over-priced restaurants, rather a lot with mediocre food. The restaurants in the Opera House Quay are a good fast option (always crowded and buzzy) but sometimes before a show, it’s nice to have a bit more space, and without having to pay extra for it. For me, Cafe Nice is the perfect pre-show meal: tasty, not fussy, reasonably priced and great service. I’ll be back!
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Restaurant Review: Chef & Sommelier, Helsinki

To start with, they’ve got a great logo, the ‘C’ and ‘S’ and ampersand all combining into an organic plant-like shape, appropriate for an organic restaurant specialising on organic ingredients. Our visit to Chef & Sommelier, a charming, tiny and lauded restaurant in Helsinki was a delight. The food was beautiful, engaging and tasty and served up with a lot of passion and charm. Chef Sasu Laukkonen has already been gaining a reputation well beyond his city, his able partner in crime, sommelier Johan Borgar welcomed us at the door and oversee a young staff who are adorable and provided great service.IMG_1635 We elected to have the 9-course meal for 74 Euros each, with matching wine (can’t remember how much that was). Our meal:

  • Amuse-bouche
  • Goose and porcini
    • Potato and onion
    • Rye bread with rosemary
  • Arctic turnip
    • Celeriac two ways (at least) and beef (I think)
  • Pike-perch and artichoke
  • Cheese course
  • Two kinds of Finnish apples
  • Plums and chocolate

No one gave me dirty looks for taking photos of most of the courses, and I was so delighted with the explanations of the food that I tried to respeak them (with middling success) into my iphone voice recorder. The 3rd recording didn’t shut off… so I highly recommend playing this snippet of ambient Finnish restaurant sounds while you’re reading this. It gives you the authentic experience of being there! I’m pretty sure we had a gorgeous little amuse-bouche to start off with: a sunflower bud, parsley root, and deep-fried parsnip served in a little spoon. But I didn’t take a picture, so the visual start of the menu is this thinly sliced frozen goose breast with gizzard and fresh porcini mushroom mousse. IMG_1636 Served with the slightly fruity berry flavour of the Italian nebbiolo, it brought up the flavour of the slightly frozen meat. The combination was evocative and tasty. We felt like we’d arrived in a Nordic country. Next, local potato mashed and flavoured with pressed sunflower seeds, pressure-cooked onion, green cranberries and little potato chippy things. IMG_1637 Was it here that we had the bread? Like every fine restaurant we went to on our Nordic tour, they baked their own bread. Here the bread is put in the oven the moment the customer arrives. Wow. Rye bread with rosemary, apparently an unusual combination with homemade butter, and as you can imagine, delicious. The next dish was one of my favourites: IMG_1638 It was explained that arctic turnip was popular in the 50s and 60s until Finland became a Potato Nation. Served as a fettucine (of sorts) with sage butter and a parmesan created out of almonds and some of the juice of the arctic turnip, it was bitter, earthy and delicious. It was served with an Italian wine from the boot part! IMG_1639 This was a great surprise: lichen, boiled and then deep fried, cranberry, a parsnip I think, and then a lot of delicious wild mushrooms (including black trumpets and chanterelles) with a sauce of hard-boiled egg with pine. It’s all about the vegetables, commented S. The dish was roasted and earthy with a sharp burst of cranberry. S thought the lichen tasted like steel wool but I was lichen’ it. It was served with an ice cold Sancerre from the Eastern Loire, completely natural apparently. IMG_1640 Here we are, so transfixed by the vegetables that I forgot what the meat was: beef? reindeer? The charming waitress with a tattoo of an artichoke on her arm, sparkling blue eyes and a lovely smile explained that 90 kilos of celeriac had been delivered to them. They pickled the root, roasted the celeriac overnight (the little pieces you see next to the meat with cashews and hazelnut on top) and the leaves were made into a sauce. We really felt that the staff seemed part of a family, all chipping in to create this marvelous experience honouring local ingredients with explanations of where the produce came from and how it was prepared (I’ve found out from their facebook page that gorgeous Edith has a food blog).

Johan, who has one of those fantastic deep Finnish voices that hit at an octave much lower than other nationalities (you can here his voice in the background at the start of the sound clip), also explained the mostly natural wines beautifully though my note-taking skills on these were lacking. IMG_1641 The poached pike-perch was served with kale chips and jerusalem artichoke roasted to perfection and creamy on the inside, a bit of dried kale in the sauce. There was not much flavour in the fish, the dish seemed to be about the lightness of the fish matched with the stronger kale and artichoke flavours. IMG_1642 Cheese course (yum) and then two types of finnish apples for the first of two desserts. A cinnamon apple that only tastes good when it’s cooked. It was roasted then boiled and burnt slightly on the outside. The other was vacuum-packed in rosemary oil. The ice cream is made of whey, a by-product of their homemade butter. All served with caramelised sunflower seeds and a sauce from the leftover apples. IMG_1643 Our final dish was sorbets of two types of plums, blue and yellow, from about half an hour away in a place with a Finnish name that I didn’t catch! The ice cream was made of the kernel of plum. The chocolate was made in the basement of the factory of a local department store by a guy with tattoos up to his neck who is a famous photographer. IMG_1644 To sum up, what an extraordinary introduction to fine dining, Helsinki style: some very complicated cooking techniques that were aimed at capturing a simplicity of ingredients; rich, roasted and earthy flavours and vegetables; a touch of dairy and cream; seasonality and local produce. Perhaps if you are a major carnivore, you would be disappointed, my dining companion pointed out, but we found it quite thrilling, different from our usual cuisine so as to be adventuresome and a very special evening. Thanks Finns!

Considering our degustation at A21 matched with cocktails (review to come) and this, we’re recommending Helsinki as destination dining.

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Book Review: Berndt Sellheim’s Beyond the Frame’s Edge

Beyond the Frame's EdgeBeyond the Frame’s Edge by Berndt Sellheim

My rating: 4 of 5 stars

I think what’s interesting about a first novel is how you are introduced to a clear set of the author’s concerns. It is perhaps the book they have been dreaming about for many years. It is hard-laboured with publication hard-earned. They often have an autobiographical slant to them. There is a passion, encapsulated in book form, in what the writer wants to present to the world.

In Berndt Sellheim’s Beyond the Frame’s Edge, there is family drama, romance, dogs, rock climbing, house repairs, coffee and photography, set partly in Sydney but mostly in the Blue Mountains with a strong sense of place.

There is a hero’s journey, that of Adyn, returning to Australia unemployed from New York City, having inherited a family home, and looking for purpose: in love, in activity, in work? It’s not a laboured journey, and indeed not necessarily resolved by the end of the novel, but it was certainly a thread that I followed, as much as the main plot of family scheming and betrayals, I was drawn into the consciousness of this character – who was he and in what direction was he walking?

I found the balance between plot and a wider exploration of the world interesting. The story is constructed deftly, and the narrative propelled. The expression ‘page-turner’ has picked up certain connotations, but indeed, I was happy to turn the pages. I’m unsure whether I felt that some of the antagonists of the story were a bit simple: between the thug and the fundamentalist Christians (a worn trope I find), but perhaps I’m simply uneasy so many thugs and religious zealots seem to be out there, reported in our daily news, living simple violent and bigoted lives.

In any case, the story was certainly engaging enough to hang a book on. But I found myself moreso propelled by how beautiful and engaging the writing was itself, and the broad range of ideas and social commentary. The main voice, of Adyn, is a mix of wry observation (New York’s ‘spastic clutchings of an economic cardiac arrest’) and urgent poetry (‘Near silhouettes of leaf and limb caught in the early light. So precise. So expectant. Some precarious weight of existence…”).

There is the feeling of living through language, of a poet’s economy and rhythm, of a philosophical expansiveness and an heightened awareness of the senses of sight, smell and touch, particularly in describing scenes in the outdoors. It really is gorgeous writing, also because it doesn’t particularly draw attention to itself, but serves the characters and narrative.

I read the novel quickly but was happy that it stayed with me afterwards for a good length of time. I hope it gets a well-deserved readership to mark the arrival of such an intelligent and appealing new voice in Australian literature and novels.

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Restaurant Review: Volt, Stockholm

Restaurang Volt, in Stockholm’s Ostermälm neighbourhood, is clear about its intentions. Its website shows a black and white photo of the four members of its team, three chefs and a manager, ranging from 30 to 32 years old, with a statement about creating a restaurant on their ‘own culinary visions and terms’, ambitious and extraordinary, ‘far from chive cross garnish, white cloths and bowing waiters.’

I’m not entirely sure what a chive cross garnish is, but hey, I’m staying away from it.

Volt Business Card

It was our first introduction to the vaunted new Nordic cuisine and though I’ve read about it, mostly in connection with its most famous proponent, Copenhagen’s Noma, I really didn’t know what to expect. I couldn’t translate the words in advance to my palate. That’s simply because it was new to me. When reading a mission statement such as below, when the whole focus is on ‘Swedish flavours’, unless you know what those flavours are, you’re lost in the woods:

Our cooking evolves along creativity rooted in Swedish flavors. However, we keep a careful eye toward culinary products from all over the earth. Our dishes and accompaniments reflect the changes in season. Natural, small-scale and locally produced products are our theme words.

So, what a great introduction. Volt is mentioned in a few online food guides to Stockholm and rates at #72 out of 1406 of the city’s restaurants on TripAdvisor, but the comments there and the vibe of the website made me want to try it out. This review will be sadly lacking in photographs since it was our first proper meal on land, after a long journey Sydney-Bangkok-Zurich-Stockholm. In fact, I was worried that we might fall asleep, face front into our herring, but how could we not be brought to attention and wakefulness by such great food and service in a cool, small industrial chic setting?

I know it's silly but I took a photo of the wallpaper in the loo. It struck me as cool.

I know it’s silly but I took a photo of the wallpaper in the loo. It struck me as cool.

We opted for the six course menu with matching wines (four courses and nine courses were also available). It was 700 SEK for the food and 600 SEK for the wine (about AUD 215 each). Chef’s choice. Luckily, we received a menu after the meal which reminded of not only of what we ate, but a list of their partners (ranging from ceramics to herbs, bread, illustration and beekeeping), reflecting their philosophy of local products and sourcing.

Our discovery? Nordic cuisine (or at least the nordic cuisine of Volt) had a clean composition, not simple in the techniques or the way it was put together, but a small number of ingredients, each with a distinct flavour that stood out. The course of crab, sunchoke, butter and elderberries for example: a pop of sweetness from the berry, the salt of the crab, the taste of butter rather than as a condiment and some beautiful jerusalem artichoke. I loved this dish, of fennel with almond, sour cream and lard with deep-fried dill. A use of milk products that would be unusual in Australia or Asian cuisine, the fennel tasting of fennel, not roasted or buttery, gently cooked some how and on the side: shaved lard. Yes, lard! As an ingredient, not a method of cooking. This is my kind of country. The dish was served with a cloudy muscat as a matching wine.

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Another dish was veal with vendance roe, hazelnut and cress. You can kind of make out the cress in this photo where the only real thing in focus is the wine glass. I didn’t make notes on the matching wine, but each was explained to us, and carefully chosen, also to match the philosophy of the restaurant. It was excellent.

A little out of focus

The other main (besides the beef) was monkfish with cauliflower, sea buckthorn and butter. So, the vegetables were seasonal: autumn/winter vegetables, and occasionally the taste of the sea with a local bit of seaweed/kelp/something or other.

While there is a protein in most dishes, the vegetables shone just as much, it wasn’t a heavy meal, just right for us to have the six courses and matching wine.

A word on service. Our Swedish waitress had an impeccable American accent, something we noted in Stockholm that we met a number of folks without a trace of what we would consider a Nordic accent… and much more so than in Helsinki or Copenhagen. Wonder why that is?

Here’s the monkfish dish… such beautiful presentation.

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It’s a shame I didn’t get a photo of our final dish, the dessert. I’m not sure how photogenic it was anyways, but boy was it tasty. Blueberries (gorgeous and small and fresh) with buffalo yoghurt and… malt. Very very tasty.

All in all: what an amazing meal, and introduction to a fabulous philosophy and style of cooking, in a super-cool atmosphere with impeccable service. Thanks, Volt!

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Book Review: Tabish Khair’s The Thing About Thugs

The Thing about ThugsThe Thing about Thugs by Tabish Khair
My rating: 5 of 5 stars

First and foremost, Tabish Khair’s novel, The Thing About Thugs, is a great read. Both literary and accessible with beautiful writing and colourful characters, it’s well worth your time.

The Thing About Thugs is also an accomplished act of ventriloquism. Khair’s narrative moves between the voices and thoughts of diverse characters and a narrator, bringing them to life, no simple task as the characters reflect both the highest and lowest ranks of London’s society and beyond. This is what makes the book most interesting: it takes a Victorian murder mystery and melds it with world literature, with a diverse cast of characters from the Indian sub-continent. And rather than being the usual voiceless background characters, to add colonial colour, here, it is their story. They are the main characters.

I like this hybridisation. One of my favourite novels, Fall on your Knees, took the Canadian pioneer novel and melded it with the Canadian multicultural novel to create a fabulous story. Here, this combination of literatures raises questions, subtly, about who is speaking and who has power. Also adding complexity and engagement to the book is the question of perspective and reliability. The main character, Amir Ali, voices one story through his love letters to his object of affection, Jenny. William Meadows, who interviews Ali on his life as a ‘thug’ presents academic notes towards a book. Later in the book are newspaper reports and clippings. The characters are portrayed in the narration but also speak at other times for themselves. Even the narrator himself is suspect. The act of storytelling, and writers writing about themselves being writers, is a theme worn thin in literature, but here I found the exploration of storytelling playful and engaging. When the narrator’s voice actually breaks free of the story completely to muse upon his role, it is poignant. The story is narrated ’not only through claims of knowledge and visibility, which are inevitably based on my knowledge of myself, but also through conjecture, silence, darkness.’

Also amusing is the very key theme of the book, nature vs. nurture, and how we are formed by culture or biology. While there is never a question of who wins the debate in the book, the theme has a nice modern ring to it in this age of genome testing and DNA analysis. The writing itself though is marvellous. In one dinner party scene, readers are successfully drawn back into the physical time and setting amidst the moral debates and concerns of the time where the conversation of the different guests starts to smell itself of its subject matter: ‘the pungent scent of science’, ‘gardens and nonchalant domesticity’ and ‘an odour composed of equal portions of the ballroom and the stable’.

And last to mention is the lovely handing off of the narrator from a focus on one character to another, where the last part of the novel is in the hands of the memorable Qui Hy, a wise and wily old Punjabi woman. To have a scrappy elderly outsider play a heroine’s role feels a wonderful overturning of the structures of power of the time and described in the book. That the book was so satisfying and funny and enjoyable does not take away from its serious literary accomplishment.

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Restaurant Review: Garagistes – Hobart, Tasmania

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We last visited Garagistes in Hobart for a special New Year’s Eve meal as 2011 was turning to 2012. It was a pleasure to return, reminding us of the wonderful meal we had there, and to see that the restaurant is still going strong. We arrived early as there are no reservations, and by 6pm, the restaurant was filled up (and remained so, though there didn’t seem to be line-ups, people would simply show up and replace those that had left). I remembered Katrina, one of the owners, managing the floor with her quiet efficiency, and she in turn remembered exactly where we were sitting on our last visit.

The choice was between a 3 course and 5 course menu, both with matching sake. Of course we opted for the latter ($85 without sake, $125 with) but started with a yeasty bubbly glass of French sparkling wine from Bourgogne. The wine list here is amazing and extensive, focusing on unusual wines and tastes and small producers. If we lived in Hobart, we’d come back to drink more! To being, they presented us with a lovely amuse-bouche, a house-cured meat of some sort, and something creamy on a pickled onion. Hmm, am going to have get more literate to describe the rest of the meal. Baby radishes too!

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I couldn’t resist taking photos of each course… though I really need to get that new iPhone for better quality shots. Along with the food menu, we were supplied with tasting notes for the sake describing the region, sake maker and sometimes the street where the brewery was located on (!) with a briefing on the flavours, some dry, some salty, the ones with mushroom flavours, the one with a note of toasted seaweed. Each of the sakes were beautiful, and different from each other, and made an interesting complement to the food. For example the first sake, Kirei Shuzo ‘Mannen’, a 2012 Junmai (Daiginjo Nama Genshu) was dry and minerally but full of flavour, matching with the very quiet first course, a cacioricotta of ewe’s milk, kohlrabi, broad beans and a bright green oil of lovage. It was clean and fresh, like a walk in a forest with freshly fallen snow: a soft cool-white texture underneath a cool crunch of shaved kohlrabi.

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The second course, served with Miwasakura Shuzo ‘Miwasakura’, a 2012 Junmai (Yamahai Nama Genshu), was sea succulents and dried sea lettuce with a blackcurrant leaf sauce, a green seaweedy mix that without the main focus of the dish, the steamed venerupis clams, tasted sea-green with an ocean pop of sea succulents. But the chewy burst of flavour of the clams, the shellfish juices mixing with the sauce, brought it all together.

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I think the smoked eel, raw trevally, confit duck egg yolk and elderflower bouillon was the prettiest of the dishes (all of them served on lovely grey stoneware provided a neutral, earthy canvas for the food). Served with Mioya Shuzo ‘Yuho Yamaoroshi’, a 2012 Junmai (Kimoto Muroka Nama Genshu), this course was delicate and light.

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Ah, I remembered the next course from our new year’s meal, or at least the meat. Beef from Robbins Island, a windswept corner of Tasmania that supplies Japan with some of its finest Wagyu beef. With tiny bright sour bursts of umeboshi and fermented cabbage (my taste buds confused perhaps, it tasted really smoky rather than sour), we were serve two strips of perfect ‘flat iron steak cooked over coals’. Amazing meat and texture. Served with Okamura Honke ‘Choju Kinkame Cha 70’, a 2010 Junmai (Muroka Nama Genshu) which had much less savoury and mineral notes than the previous sake (fruit/berry tones I seem to recall), this dish was a highlight.

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And to finish, a wonderful dessert in a generous portion. The accompanying sake, Mukai Shuzo ‘Ine Mankai’ was a 2013 Junmai (Genshu) of red rice, a pink colour and made by a female sake maker. I’m wondering if this is the same one we had at Momofuku Seibo a while ago, as female sake makers of red rice sweet sake don’t seem so common. The dessert was a strawberry and beetroot gelato with poached rhubarb milk mousse and ‘marco polo croquant’, perfect slivers of dried rhubarb to add crunch to the milk cloud and berry (not that sweet or overpowering) base. The dessert was a great combination of texture and flavours neither heavy nor too light. You felt like you were definitely getting dessert, but not pushed into having eaten too much! My better half said this was his first, second and third favourite dish of the night!

Off-centre and out of focus, I think I had enough to drink now.

Off-centre and out of focus, I think I had enough to drink now.

I loved the meal. Local produce and flavour, saltiness and smokiness, attention to and a range of texture, and a melding of mostly modern Australian with hints of Asia (or with the sake, glasses of Asia!). My better half was a touch disappointed compared to the last time, but that WAS a very special meal.

We had a nightcap (well, barely night, we go to bed early these days) at Sidecar, Garagistes’ sister bar. A charming little place that serves a range of food along with wine and drinks, the two cheery staff members handling all the tasks (food prep, drink serving, washing the dishes as they went), we couldn’t resist splitting a flan to go with our sweet dessert wines (and an Italian one that tasted of sweet cherries and almonds and the gorgeous Pedro Ximinez figgy one (1985) that you can stock up from Dan Murphy’s). The flan came with a sprinkling of fennel croquante (sugary, crunchy) and was a perfect end to the evening.

Wherever you live in Australia (or from overseas and making an Australian tour), I recommend a spectacular little mini-break to Hobart: a meal at Garagistes and a visit to MONA makes for a wonderful pair of experiences.

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Travel notes: Helsinki

IMG_1577Neither of us had any particular expectations for Helsinki, which is perhaps why it ended up charming us so much (that, and the spectacular weather). My previous experience, a conference from after Christmas and into the New Year, many years ago, gave me the impression only of winter, a truly interesting language and people who were rather quirky, some who looked like very tall elves. A few people who we met in other Nordic countries during this trip told us they hadn’t ever been to Helsinki… nor had plans to do so.

Our first impression was grim. Kallio, described as a hip and cool neighbourhood, at least by our AirBNB host, had big featureless apartment buildings. It seemed a bit Eastern bloc, and when we arrived in the afternoon, we couldn’t find anywhere to eat. We finally had a snack at a bar that had a carpet on each table instead of a tablecloth, returning to our flat past seedy looking bars. Kallio I think would have more charm in the summer (aside from the block of drunks outside the liquor store) with its secondhand stores and hip cafes. Still, our apartment was ridiculously stylish – and cheap! In the meantime, we found it a perfect location from which to explore. A cheap three-day metro pass allowed us to hop on and off the many extremely efficient trams which took us instantly into the city, and later to the Sibelius monument and the Arabia Factory.

The highlight of our trip turned out to be the food, two spectacular meals at A21 and Chef & Sommelier with personal service and amazing food (and also my classmate Tuulia and her husband served us reindeer and cloudberries, Finnish specialties…). Reviews to follow. But both of our days of exploring in gorgeous sunshine with the most beautiful clear blue skies were memorable: breakfast at Cafe Ursula after a walk throught the lovely park, Kaivopuisto, from there walking up to the South Harbour, a visit to the Uppsenski Cathedral with its wonderful golden domes, a ferry trip to Suomenlinna, an island sea fortress, and a visit to the Sibelius Monument, Olympic Stadium and Church in the Rock.

IMG_1280The design of the church in the rock, Temppeliaukion, was very beautiful. I would not have expected a sea fortress to make such a nice few hours. We also loved the Temple of Silence in the centre, a beautiful wood structure to allow a quiet space for anyone right in the middle of a busy downtown area. A visit to Yrjönkatu Indoor Swimming Pool, an old swimming hall with wet and dry saunas, was a fun thing to do as well.

The trip to the Arabia factory was a shopping highlight. The ceramics museum itself was fine but not spectacular, but the small Iittala outlet store (and there were several other interesting stores in the complex) was fantastic. We stored up on souvenirs ending up with savings from a few ‘seconds’, a bulk discount and finally a Tourist Tax Refund. Our gorgeous Alvar Aalto vase will always remind us of Helsinki. Woohoo.

The Design Store in the centre was also fantastic, a government-sponsored space where retail goods were displayed almost as if in a museum, the best and most current of Finnish design curated for the public. A good thing we got there, since we didn’t have time to wander around the vaunted Design District (I would have loved an extra half-day just to poke around!)

All in all, a fantastic three days and nights. We liked the food, shopping, and sites, and were able to explore in beautiful sunshine. And in our few interactions with the locals (and also meeting my classmate’s family), we liked the quiet, introverted and slightly eccentric energy of the Finns. A few days later my Danish friend told me this joke: What’s the difference between an extroverted and an introverted Finn? Answer: the extroverted Finn will be looking at your shoes. Heh heh.

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Travel notes: Stockholm

When the sun came out…

Stockholm was our first destination of our Nordic Tour in September and October 2013, a mere three nights with no great expectations of seeing too much. We just wanted to settle in and get a feel for the city.

This was aided by renting an apartment through AirBNB in Sodermälm, just south of Gamla Stan, the old city. Our lovely bright and airy apartment was homey; it was modern while in an old building; and on a street with cobblestones. I was charmed by the apartment itself as well as the location.

It was funny to think back on my previous visits to Stockholm, spring of 1992, young enough to crash in strangers’ spare beds (this one belonging to Richard, a kind doctor, a friend of a friend of my brother). I can’t remember at all where I stayed in the city, and my strongest impression of the city was of the grounds of a palace that Johnny, another friend of a friend of my brother took me to. I remember being charmed by the old city, but didn’t remember any details. The other trip was a few hours in transit between Copenhagen (I think) and Helsinki (for a conference) with the briefest of visits with Filippa and her family.

So, rather than Stockholm coming back to me, it seemed almost a new city that I had missed most of the first time around! After arrival, we went for a quick walk through the old city and to the harbour. It was absolutely freezing, an early cold snap that felt more like winter than fall. The main strip of the Gamla Stan, Västerlanggatan, reminded us of any terrible tourist street, packed with people and cheap viking helmets and braids. But anywhere away from that street was quite charming. I also realised, walking through it, that the original intention, to find a rental apartment here was misguided. It’s a small, historical and touristic area; no wonder the few listings were booked or super-expensive.

In each of the Nordic cities we visited we chose at least one top-end restaurant to try; in Stockholm, this was Volt (review to come) and was a great first meal in Europe, our introduction to the new Nordic cuisine. Our later attempt at a traditional meal at Pelikan was amusing enough: the building itself, a historic drinking hall was worth the visit. The herring appetiser was, well, herring, and the meatballs were tasty and combined with potatoes, gravy and lingonberries, too much to eat. This means I can now say I’ve tried Swedish traditional food… and that IKEA’s frozen meatballs aren’t too different!

Combining a boat tour with observations of bearded Swedes

Our other activities in Stockholm included an Under the Bridges tour, which was really a good way to get a feel for the city and how it is layed out. The recorded tour was good and it was interesting to how even in a city as old as Stockholm, new neighbourhoods are being developed all the time. We had a jazz brunch at the Sodrateatern on Sunday morning with my friend from Pearson College, Filippa, which was a mere five minutes up the street from our apartment. The food was great (a buffet) and the jazz was good.

After, she took us for a long walk around Sodermälm and we were very charmed, beautiful views of the city and waterways, wonderful historic buildings, a great big yellow church and then funky secondhand stores and cafes. As fans of the Girl with the Dragon Tattoo trilogy, we were charmed to discover that much of the action happens in our neighbourhood. We even had a jaunt down to Steig Larsson’s favourite cafe, Mellqvist Kaffebar at Hornsgaten 78, where a bearded Swedish hipster served us tall lattes, and tiny birds skittered around us trying to get crumbs from our pastry (another fantastic coffee place was Coffice, a place for folks to meet and work over coffee but it was so hip and stylish, it’s worth a visit for tourists). The excursion to Mellqvist allowed us to stop at the Filippa K secondhand store, a small store that resells clothes by one of Sweden’s famous clothes designers; usually it’s pricy so finding their resale store was cool and we both a great wearable souvenir (and better than an Abba t-shirt).

Speaking of Abba, though we planned on visiting the museum, it was closed while we were there. Because of timing, neither did we get into the Nobel museum. We also wanted to book into see the Swedish version of Priscilla, Queen of the Desert… but it wasn’t playing on the nights we were in town. So, our short trip meant a few timing issues. Meanwhile, our long morning walking around Djurgarden, a nice little ferry ride from Sodermälm, was a little flat. It was overcast the whole time, and at the end of the season, things just felt like they were shut up and quiet. It is one of the lotteries of travel, though I think one bright sunny day would have made quite a difference: Stockholm really is physically beautiful but we perhaps didn’t see its best face.

Stockholm was also unlucky to be the city to introduce me to Scandinavian prices. The Australian dollar and cost of living here is so high now, I really didn’t heed the snippets of warnings I’d heard about Scandinavia being expensive to travel in, but $10-$15 for a coffee and a pastry for breakfast and $15-20 for a glass of wine surprised me (and reminded me of their high taxes!) and we the $6 metro ticket to go just a few stops was steep (though I understand it’s better to buy a strip of 9).

Perhaps because we started watching the TV series Vikings, we did notice: Swedes do beards really well. And a number of the men do look like Vikings: tall and strong and bearded with blond or reddish hair. The people in the areas we were walking around were healthy, beautiful and extremely well dressed. Oh, and a significant number of the people we spoke to in shops and restaurants would switch between Swedish and perfect American English, with no trace of accent. Television? Exchange programs? We found it striking (and didn’t encounter it again in Finland or Denmark).

This review has a few complaints but it was, I think, circumstantial rather than a reflection on the city, All in all, it was a gentle start to our tour, perhaps hampered by schedules and weather, but a beautiful city. I’d return during sunnier and warmer weather, grab a ferry out to one of the islands and spend more time wandering around the shops (a brief shopping excursion was fun enough). Also, as our entry and departure point from Europe, the airport really has an awesome selection of chocolate, liquor, and Swedish glass (Kosta Boda).

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