Restaurant Review: Tomislav

Without any planning, S. and I decided to go out to a nice meal. Friday night in Sydney. It’s not always easy to get into places that are popular.

So I had little hopes of getting into Tomislav, a restaurant that I’d wanted to try after reading a great review in the Sydney Morning Herald, and also a good report from my pal, John. The chef is Australian-born, with an Eastern European name, and making inventive Modern Australian food. When I called to make a reservation, the fellow on the phone told me that with the weekend ‘Taste of Sydney’ event on, restaurants were very quiet. We could come at any time.

So cheers. Come dine with us. This meal was spectacular.

I myself had a cocktail with Aperol while we considered the menu, and S. a tasty glass of red, I don’t remember what it was.

The drinks menu was interesting and reasonable.

More importantly, the service was stellar. Both of the people who waited on us seemed genuinely excited to be bringing us fantastic food.

First off, home-made rice crackers, with home-made sour creams and chives. They did explain how they made these, rice paper I think, brused with egg whites and then… Oh forget it. They were light and tasty. The dip was excellent. What a fun way to start the meal.

From there, the menu proposed 4 courses for $80. Since S. and I always share our food, we got double the choices! But I just had to post this photo of how they serve the butter. A perfect quenelle on a stone block. Booya!

For the first course, S. ordered Scamp Carpaccio with Sour Cream and Pumpkin Juice. It’s not so visible here. I thought it was tasty enough. And it is very pretty, no?

However, my order was Poached Hen’s Yolk with foie gras and pickled pink (watermelon) turnips. So, you take a bit of stuff that looks like bread crumbs, and it melts on your mouth from its frozen state into: foie gras. This was so tasty and inventive, I think it was my favourite dish of the night. They explained how they made this too – and boy, is it complicated!

For the second course, S.’s Roast Red Gate Farm Quail with XO sauce and sour cherries

And my choice: grilled Blackmore’s tongue with wattleseed toffee (underneath the tongue) and coconut ice cream. The rich flavour of the tongue and tender texture matched with sweet. I was entranced by this dish.

Similarly rich and tender was my 3rd course, the Ranger’s Valley Beef Short Rib with beetroot and enoki mushrooms, and while it looks like I’m getting drunker and drunker from the poor quality of the photos, it’s that the light was fading and my iphone 3GS doesn’t have a flash (so we started using S.’s flash, and the photos, as you’ll see, become much better)

S. had a dish that was off the menu, and a special that night. Duck. How can you go wrong with duck?

Nice plate, huh? Oh, and we had a side dish of their famous potato chips cooked in duck fat. Suitably crispy.

The final and 4th course was dessert. We had a caramel pudding with yoghurt sorbet… and a milk chocolate cream cake with smoked banana ice cream and hazelnuts.

Oh, and to finish off, a glass of sticky: a french dessert wine called ‘celestial tears’.

One of the most exciting meals I’ve had lately. I can’t wait to try it again!

Jane Birkin, Angel Place, Sydney 16 March 2012

Last night, I attended the strangest concert. Marvelous but unusual.

Jane Birkin is a French icon, the English daughter of a spy and an actress, who came to represent the cool swinging sixties. She landed a lead role in a French film (without speaking French), sang a duet in the film with one of France’s most celebrated songwriters, Serge Gainsbourg, and was eventually his partner for many years, and the subject of a number of his songs. She’s also the mother of Charlotte Gainsbourgh, also a singer and actress.

Dressed in a white shirt and black pants, her curls of hair flying in different directions over the evening, she sang a tribute to her partner who died in 1991. The style of the French chanson: ‘Chanson can be distinguished from the rest of French “pop” music by following the rhythms of French language, rather than those of English’ — so the mixture of spoken and sung, I remember hearing a bit of Gainsbourg’s gravelly delivery on some of his songs. Translated to Birkin, and Birkin of 65 years old, rather than in her youth, the vocal line would jump between pitch and off-pitch, make little swoops into a higher register, and sound as much like poetry and word-play than singing. Once I got used to it, I thought of it as an instrument until itself.

The highlight of the evening was the band! The orchestrations were clean and simple and melodic. The violinist (who turned out an amazing vocal performance at one point), a trumpet/trombone player, a drummer and an amazing jazz pianist created a beautiful backing to the songs. There was something so emotional about the piano playing, I was close to tears a few times. They are all famous Japanese musicians, apparently taking a year off to do this tour with Birkin (who told a rambly sort of tale about how it all happened in one night and somehow relates to the tsunami).

Oddly, Birkin gave the impression of either not being able to say or not knowing the names of her band members. She kept on thanking various members of her entourage by name, as well as Sydney contacts, but even during the musical number when she introduced the band, she seemed to simply shout the short form of their names just before their solos so it was impossible to get the names. It was clear, from her affection and respect for them, that of course she would know their names, but it did seem quite odd to refer to them so vaguely as her ‘Japanese’.

Just to balance out the error, I found their names on the net — and will be looking up their music, particularly the pianist:

Nobuyuki NAKAJIMA – piano
Hoshiko YAMANE – violin
Ichiro ONOE – drums
Takuma SAKAMOTO – horns

But anyways, back to the strangeness. I think the audience was mostly French. There was definitely a feeling of awe and respect from many quarters, and at the same time, Birkin seemed to deflect it; she seemed quite egoless, eccentric from being famous for so many years, but clearly seeing herself as an instrument for paying tribute to Gainsbourg’s songs. During one song, she moved through the aisles of the concert hall, disappeared, and then sang another third of the song from the balconies; her delivery had something both of a grande dame and the young ingenue that she was. I felt some distance from not being able to understand the songs, but there was also an informality that made it feel like a family concert. There was one standing ovation before the encore, another at the end, and a comical but sweet moment when she managed with great effort to tear apart the huge tightly-wrapped bouquet of flowers to give stalks of lilies to the band members.

 

Concerts I Have Been To

At an Eros Ramazotti concert in Oct 08, I was musing at the amazing artists I’ve seen from around the world, and while around the world. I thought I’d indulge myself with a list of concerts of famous, obscure, alternative, and mainstream folks that I’ve seen through the years.

Australia

  • Eros Ramazotti
  • Sufjan Stevens
  • Dixie Chicks
  • Pink Martini
  • James Keelaghan
  • Kylie Minogue (Fever Tour – Aug 2002)
  • Scissor Sisters
  • Polyphonic Spree (I think this was my favourite show ever)
  • Iron and Wine
  • Aengus Finnan
  • The Idan Raichel Project
  • Josh Groban
  • Robynne Dunn
  • kd lang (twice)
  • Rufus Wainwright/Beth Orton (tribute to Leonard Cohen concert)

Europe (+ more)

  • James Taylor (London)
  • Nanci Griffith (London)
  • Ani Difranco (London)
  • Orchestra de la Luz (Expo 92)
  • Celia Cruz (Expo 92)
  • Sarah McLachlan (Expo 92)
  • Lucie-Blue Tremblay (Expo 92)
  • Celine Dion (Expo 92)
  • Ryuichi Sakamoto (London)
  • Shawn Colvin (London)
  • Zizi Possi (Rio)

Canada

  • Men at Work (Vancouver – my first concert ever, I was teased at school because of it, but hey, I loved them)
  • General Public (Vancouver)
  • Suzanne Vega (Vancouver)
  • Bob Dylan (Vancouver)
  • John Gorka (Peterborough)
  • James Keelaghan (Peterborough)
  • Ani Difranco (Peterborough, at least twice, and Toronto, once)
  • Spirit of the West (Peterborough)
  • Holly Cole (Ptbo)
  • Molly Johnson (Ptbo)
  • Stephen Fearing (Ptbo)
  • Angelique Kidjo (Vancouver)
  • kd lang (expo 86)
  • Michel Lemieux (expo 86)
  • David Bowie (Vancouver, Let’s Dance tour)
  • Shonen Knife (Toronto)
  • Bruce Cockburn
  • Jane Siberry (Vancouver)
  • The Flirtations (Vancouver)
  • Lynn Miles (Vancouver)
  • Leah Delaria (Toronto)

2010 – Australia

  • Andrew Bird, January, Sydney Opera House
  • Grizzly Bear, January, State Theatre, Sydney
  • Carole King and James Taylor, April, Hope Estate Winery, Hunter Valley
  • Rickie Lee Jones, Opera House (Vivid), May
  • Jonsi, Enmore Theatre
  • Kurt Elling, November, Sydney Opera House

2011 – Australia

  • The National, Enmore Theatre (January)
  • The Magnets, The Basement (June)

2012 – Australia

  • Beth Orton, State Theatre (January) - I love her music, but was surprised how nervous she was. It took a long time for her to warm up into her own songs.
  • Sam Amidon, Spiegeltent (January) – I kind of liked the dead-pan American humour from the Deep South but my friends thought it was weird. Still, his version of R. Kelly’s ‘Relief’ was amazing.
  • Hans Zinner’s 41 Strings and Bharoocha’s IIII, Sydney Opera House (January) – This piece of music and performance was one of the most exciting events I’ve been to. Amazing orchestral pop performed by dozens and dozens of musicians onstage in a concert venue. Wow.
  • The King’s Singers, Sydney Opera House (February)
  • The Ukulele Orchestra of Great Britain, Opera House (March) - I love their reinterpretations of new and old popular songs, i.e. Teenage Dirtbag, and they’re great performers… But what an unusual crowd. It was like being at a ukulele convention.
  • Bon Iver, Opera House (March) – Hard-fought tickets, a sold-out house and the audience ADORED them. An interesting phenomenon to have such original music create such fandom. It was great, though I wish they hadn’t torn apart their old songs so much.
  • Jane Birkin, Angel Place (March) – see my posted review
  • Angélique Kidjo, Sydney Opera House (April)

 

Restaurant Review, Les Garagistes, Hobart

We planned to be in Hobart for New Year’s Eve and wanted to go somewhere special. S. had read and written down the name of Les Garagistes from an article that mentioned it’s one of Tetsuya’s favourite places to hang out in Tasmania. Being fans of his restaurant, we thought it was a good recommendation – so how lucky I felt to find on their website plans for a special meal to welcome in 2012. Apparently, we were the first to book!

We arrived for 7:30pm into a big cool dark grey space with a handful of long, high tables set up to the right, and a big open kitchen on the right (and at the back of the restaurant, some cured meats, hanging, lit beautifully and peaking through a window, as if artwork.)

Not having done my research, I was surprised to see that Les Garagistes is mainly a wine bar that serves fabulous food, rather than a more formal restaurant. Also: when we received the menu for the evening — mostly European wines (having travelled around tasting beautiful Tasmanian wines, we assumed it would be a Tasmanian-focused wine list). But of course: the restaurant is named after a movement of winemakers from the Bordeaux region, creative and rebellious, and going against the grain of age-old expectations.

Hey, but imagine our excitement reading this menu (as we settled into a glass of Brut Reserve Bereche et Fils):

I think I was too excited to take photos of the ‘snacks’ (which I recall would have included some of those cured meats). But I was on track for the poached crayfish and its mustard, ajo blanco, young almonds, peas and fennel pollen.

Gorgeous! We loved the interplay of textures and the marriage of crayfish mustard to the thickened ajo blanco, typically a soup of almonds and garlic from Spain. The super-fresh crayfish. And the fennel pollen –interesting, I think there was pollen and hay and flowers snuck on to the plates on my last trip to Paris– was as much a gesture as a taste: your hands open in a field, dry and yellow from the hot sun. I thought the contrast of these two signals —ocean, field— was magic.

Love the simple dark stoneware. The plating was beautiful but also not fussy. This was really special. I know abalone from many Chinese banquets but it’s not something most Westerners have tried. I have no idea how they cooked them (usually, they’re stewed at banquets with whole shiitake mushrooms) but these thin slices maintained the best thing about abalone: a slightly chewy texture, tougher than a mushroom, say, but softer than a clam. It might not sound great, but it is. Matched with bitter cucumber, dried morwong (a fish) and sea succulents: whooooo. I’ve seen these sea succulents before, and I *think* I recall someone saying they’re edible, but had never tried them. So much innovation on one plate. And I love that it was served with a cold sake.

I missed getting a photo of ‘richard weston’s vegetables cooked, pickled & salted, pinenut moussse, smoked potato and lovage oil. The spark was in the taste more than the presentation of this dish (which I think was part of the fun, the discovery) – and I love that we learned the name of the Tasmanian producer who grew the vegetables! Instead, we skip ahead to ‘smoked eel and jelly, grilled leek, toasted quinoa, black egg yolk’. Pretty, huh? So, what were we learning about the food: unusual ingredients combined but leaving the food to speak for itself, and attention to texture with a crunch hidden somewhere in the dish.

Hugely entertaining during the evening was watching the team of chefs at work. I don’t think I’ve ever seen so open a kitchen before! The young folk all radiated concentration and care, they moved swiftly but were not rushed. The chef, Luke Burgess, was so low key, it was hard to pick out that he was in charge. They were organised and perhaps I’m projecting, but they looked like they love what they are doing.

Case in point: the whole-roasted hammond wagyu striploin with turnip, summer pickles, and cherry plum juice. We watched the fellow in charge of it raise and lower the grill, and insert a thermometer in and out of various parts of the striploin many, many times. My brother, the meat broker, told me after it was likely to make sure that the meat didn’t get above a certain heat, at which point the amazing marbled fat would run out the meat and be lost.

We watched as he bound together some herbs, and chargrilled them, and then used them to baste oil on the striploin, raising, lowering, and finally into an oven to rest. It was like watching someone tending a baby!

I think I need to quote from the webpage where this meat came from: In the far NW corner of Tasmania, the Hammond family have been breeding Japanese Fullblood Wagyu cattle on their island property, Robbins Island, for the past 20 years. They run 5,000 Wagyu cattle in the operation … raised on isolated pastures with no supplements, hormones, or antibiotics – as naturally as possible, breathing the cleanest air in the world. The cool climate, salt air, and  pristine environment are ideal for raising some of the most tender and best tasting beef in the world.

So basically, S. and I think this was the best meat we have ever tasted. OHMIGOD.

I loved what appeared as a simple dish. A slice of cheese (huebergblumen 2009) –wow, it has a year– with cumquats and mustard seeds, spelt cake. Perfect (and a nice light course to follow that heavenly striploin).

This was kunzea ice cream, anise hyssop sorbet, cherry chiboust and seasonal berries. We looked up kunzea too, a native myrtle tree. And then, not even on the menu, an extra final course:

A green jelly, a marshmallowy sort of thing, cheese? I am by this time in such food heaven (and wine, which I haven’t mentioned but which were uniformly interesting and tasty) that though I managed to take a photo, I look back, and can’t remember much except that I liked it. The meal finished with yet more champagne (Brut Tradition Diebolt-Vallois).

We had no idea that we were being served by one of the owners, Katrina Birchmeier (the third partner, Kirk Richardson, was serving another part of the room), until we asked who was responsible. But beforehand, S. had pointed to her as she leaned over the counter (on tip-toes, as she’s not tall): ‘She’s on top of everything, knows her stuff, and is super-efficient’. Great, personable service: what a privilege to be able to ask her about the wine and food.

You’ll know already that my verdict is good, but I’ll go a step beyond. I’ve made it a point in the last years to eat at a lot of fine restaurants and this combines the best of what’s out there: the emphasis on food rather than formality with locally sourced produce served without fuss but with such innovation and care and knowledge that the diners are the ones that can make the fuss. It was one of the best meals I’ve ever had. And we even finished in time to run down the hill and see the New Year’s Eve Fireworks.

 

 

Books I read in 2011

With a comment or two, if I felt so inclined.

  • Mary Oliver’s New and Selected Poems Volume 2 (Poetry) – some gems, and better in small doses, I was surprised that I wasn’t taken by the work of this celebrated poet.
  • John Rock’s Paseando: Out for a walk (Autobiography) – an interesting and engaging book by a friend – travel tales and more
  • Richard Labonte’s Beautiful Boys (Gay Erotica/Anthology) – I thought this was a good, digestable mix of stories – some more traditional erotica, others less so.
  • Michael Cunningham’s By Nightfall (Fiction) – I’ve read everything that he’s written and I’m not stopping now. Many moments of beauty, but I wasn’t as engaged as previous books.
  • Larissa Lai’s Automaton Biographies (Poetry)
  • Tim Winton’s Cloudstreet (Fiction) – This is Australia, it’s language, it’s heart and bones. They should have made me read this when I landed in Sydney.
  • Carol Shields’s The Stone Diaries (Fiction) – Again. I started it and realized I’d read it before.
  • Adam Gopnik’s Paris to the Moon (Memoir)
  • Alice Munro’s Too Much Happiness (Short Fiction)
  • Charles Merewether’s Ai Weiwei: Under Construction (Art Criticism/Review)
  • Best American Poetry 2011 (Poetry)
  • Dave Eggers’s Short Short Fiction (Fiction)
  • Tim Miller’s Shirts & Skin (Autobiography/Gay)
  • Joanne Harris’s Coastliners (Fiction)
  • Tina Fey’s Bossypants (Autobiography/Comedy)
  • Patrick Gale’s Rough Music (Fiction)
  • E.B. White’s Charlotte’s Web (Fiction/Children’s)
  • Jennifer Egan’s Welcome to the Goon Squad (Fiction) – my pick for the year. Great writing, great story-telling, of-the-moment, funny, touching. The whole gamut. Loved it.
  • Alan Downs’s The Velvet Rage (Psychology) – essential reading for gay men. If it doesn’t help you understand yourself, you’ll recognise your friends!
  • Charlotte Brontë’s Jane Eyre (Fiction) – As a first foray into trying to read a book on an iphone, this was a good choice – with a linear narrative. Always wondered what the fuss was about, and now I know: really beautiful use of language. Jane is a pretty fabulous character too, though I think I really understood her after seeing this year’s film version (which was great).
  • Margaret Atwood’s Year of the Flood (Fiction) – I love that Atwood did a companion novel set at the same time as Oryx and Crake but from a completely different perspective. Inventive, readable, poetic and engaging. That’s how I like ‘em.
  • Dan Disney’s and then when the (Poetry)
  • Chandler Burr’s The Emperor of Scent (Biography/Science) – Review on my blog.
  • Michael Chabon’s Gentlemen of the Road (Fiction) – Review on my blog.
  • Ian McEwan’s Company of Strangers (Fiction)
  • Anita Desai’s The Zigzag Way (Fiction) – Review on my blog.
  • Anne Tyler’s Back When We Were Grownups (Fiction) – I traded in a stack of books at Elizabeth’s used book store, and used them to buy the Burr, Chabon, McEwan, Desai and Tyler… I’d say the Burr was the most engaging! What next, what next?
  • Gail Anderson-Dargatz’s A Recipe for Bees (Fiction) – a Canadian novelist who had a hit with her first book. I found this engaging and quite lovely – and enjoyed the older narrator. I’m a bit tired of the trope of the curmudgeonly, cute and cuddly older narrator (i.e. I did love the story of Water for Elephants, but found the narrator a bit much) and found this speaker much richer and more interesting.
  • Dr. Raymond Moody’s Glimpses of Eternity (Spirituality) – a follow-on to his book about near-death experiences, this one is about shared-death experiences. I’m open to what he presents though didn’t love the way he presented it.
  • Michael Ondaatje’s The Cat’s Table (Fiction) – I finished the first half in the last days of 2011…

Feel free to share in comments your favourite book of 2011.

Books I’ve Read

I first kept this list on my webpage, but then figured that it would be easier to edit (and access) on my blog. So, I started this list on 7 July 2008 (my 39th birthday), and try to keep it up to date when I can, more for me than anyone else!

I’ve kept an informal list of books I’ve read in the last few years though I’ve missed recording a number. I sometimes get this feeling I don’t read enough – but then realise that I actually read a lot, especially on planes and in hotel rooms, with all the work travel I was doing. Now, with less travel, I’m making more of an effort to make time for reading when I’m not on a plane!

Miscellaneous books that I read and loved (before I started keeping this list)
  • Milan Kundera’s Unbearable Lightness of Being (and others)
  • Alice Munro’s Short Story collections
  • Lorrie Moore’s Birds of America
  • Edmund White’s Boy’s Own Story (and others)
  • Favourite poets (of which I’ve usually read a few of their books): Margaret Atwood (Selected Poems 2 is excellent), Mark Doty, Sharon Olds, Patrick Lane, Pablo Neruda.
  • Anne-Marie MacDonald’s Fall On Your Knees
  • Wole Soyinka’s Season of Anomy
  • Salman Rushdie’s novels (particularly Midnight’s Children, Satanic Verses)
  • Paul Monette’s Becoming a Man: Half a Life Story
  • James Merrill’s Changing Light at Sandover
Bolded means that I think your life is less complete without reading this book (or at least that I really really loved the book).

2012

  • Michael Ondaatje’s The Cat’s Table (Fiction) – My god, did I love this. What a great start to the year for reading.
  • Tara Moss’s Split (Crime/Thriller)
  • David Musgrave’s Phantom Limb (Poetry)
  • Barbara Kingsolver’s The Poisonwood Bible (Fiction)
  • Andy Kissane’s Out to Lunch (Poetry)
  • Bernhard Schlink’s The Reader (Fiction)
  • Assaracus, A Journal of Gay Poetry, Issue 6 (Poetry) – Normally I don’t list journals and magazines, but it was a good read and I was honoured to have my poems included in it.

2011

  • Mary Oliver’s New and Selected Poems Volume 2 (Poetry) – some gems, and better in small doses, I was surprised that I wasn’t taken by the work of this celebrated poet.
  • John Rock’s Paseando: Out for a walk (Autobiography) – an interesting and engaging book by a friend – travel tales and more
  • Richard Labonte’s Beautiful Boys (Gay Erotica/Anthology) – I thought this was a good, digestable mix of stories – some more traditional erotica, others less so.
  • Michael Cunningham’s By Nightfall (Fiction) – I’ve read everything that he’s written and I’m not stopping now. Many moments of beauty, but I wasn’t as engaged as previous books.
  • Larissa Lai’s Automaton Biographies (Poetry)
  • Tim Winton’s Cloudstreet (Fiction) – This is Australia, it’s language, it’s heart and bones. They should have made me read this when I landed in Sydney.
  • Carol Shields’s The Stone Diaries (Fiction) 
  • Adam Gopnik’s Paris to the Moon (Memoir)
  • Alice Munro’s Too Much Happiness (Short Fiction)
  • Charles Merewether’s Ai Weiwei: Under Construction (Art Criticism/Review)
  • Best American Poetry 2011 (Poetry)
  • Dave Eggers’s Short Short Fiction (Fiction)
  • Tim Miller’s Shirts & Skin (Autobiography/Gay)
  • Joanne Harris’s Coastliners (Fiction)
  • Tina Fey’s Bossypants (Autobiography/Comedy)
  • Patrick Gale’s Rough Music (Fiction)
  • E.B. White’s Charlotte’s Web (Fiction/Children’s)
  • Jennifer Egan’s Welcome to the Goon Squad (Fiction) – my pick for the year. Great writing, great story-telling, of-the-moment, funny, touching. The whole gamut. Loved it.
  • Alan Downs’s The Velvet Rage (Psychology)
  • Charlotte Brontë’s Jane Eyre (Fiction) – As a first foray into trying to read a book on an iphone, this was a good choice – with a linear narrative. Always wondered what the fuss was about, and now I know: really beautiful use of language. Jane is a pretty fabulous character too, though I think I really understood her after seeing this year’s film version (which was great).
  • Margaret Atwood’s Year of the Flood (Fiction) – I love that Atwood did a companion novel set at the same time as Oryx and Crake but from a completely different perspective. Inventive, readable, poetic and engaging. That’s how I like ‘em.
  • Dan Disney’s and then when the (Poetry)
  • Chandler Burr’s The Emperor of Scent (Biography/Science) – Review on my blog.
  • Michael Chabon’s Gentlemen of the Road (Fiction) – Review on my blog.
  • Ian McEwan’s Company of Strangers (Fiction)
  • Anita Desai’s The Zigzag Way (Fiction)
  • Anne Tyler’s Back When We Were Grownups (Fiction) – I traded in a stack of books at Elizabeth’s used book store, and used them to buy the Burr, Chabon, McEwan, Desai and Tyler… I’d say the Burr was the most engaging! What next, what next?
  • Gail Anderson-Dargatz’s A Recipe for Bees (Fiction) – a Canadian novelist who had a hit with her first book. I found this engaging and quite lovely – and enjoyed the older narrator. I’m a bit tired of the trope of the curmudgeonly, cute and cuddly older narrator (i.e. I did love the story of Water for Elephants, but found the narrator a bit much) and found this speaker much richer and more interesting.
  • Dr. Raymond Moody’s Glimpses of Eternity (Spirituality) – a follow-on to his book about near-death experiences, this one is about shared-death experiences. I’m open to what he presents though didn’t love the way he presented it.
  • Michael Ondaatje’s The Cat’s Table (Fiction) – I finished the first half in the last days of 2011…

2010

  • Jee Leong Koh’s Equal to the Earth (Poetry)
  • Eli Jaxon-Bear’s The Enneagram of Liberation (Spirituality)
  • John Miller’s A Sharp Intake of Breath (Fiction)
  • Dr Arthur Agaston’s South Beach Diet (Diet/Health)
  • Tracy Quan’s Diary of a Jet-Setting Call Girl (Chick-Lit) – The adventures of Nancy Chan. Should I admit that I was looking to see if Borders carried my own book (er… no) and found instead another author named Quan? I’ve read all of her books (three so far) and found them very enjoyable. Taking the Sex-and-the-City genre and making the protagonist a sexy, Asian-American call girl living in the Big Apple – how could I resist?
  • Christos Tsiolkas’ The Slap (Fiction) – I’m elevating this to a recommendation. I’m not in love with the actual writing but Tsiolkas’ characters are wonderfully-drawn, the story contemporary and the momentum of the prose unstoppable – and it’s a great portrait of modern Australia.
  • Tom Cardamone’s The Lost Library, Gay Fiction Rediscovered (Essays/Gay History)
  • Eve Escher-Hogan’s Way of the Winding Path: A Map for the Labyrinth of Life (Spirituality)
  • Gabrielle Roth’s Sweat Your Prayers (Spirituality)
  • Blaine Marchand’s The Craving of Knives (Poetry)
  • On The Line: the Creation of the Chorus Line (Non-Fiction)
  • John Barton’s Hymn (Poetry)
  • J.A.G. Roberts’ China to Chinatown: Chinese Food in the West (Non-Fiction)
  • Paul Kane’s Work Life (Poetry) – Holy Cow, I liked this book of poems. Am going to search out more of his work now.
  • Junot Diaz’s The Brief Wondrous Life of Oscar Wao (Fiction) – The writing in this book is so energetic, I read it in a few days, very impressed. Wonder what the experience is for readers who have no Spanish language background at all as he drops Spanish words and slang into the text regularly.
  • Kevin Killian’s Argento Series (Poetry)
  • Jerome Parisse’s The Wings of Leo Spencer (Young Adult) – A friend published his first novel, a story about angels and families. I don’t know if I’ve ever read a “young adult” book but it was engaging.
  • Roberta Lowing’s Notorious (Fiction) – A friend gave me a pre-publication copy of this to read, by someone I know who organised a poetry reading series. It’s an ambitious thriller, or sorts, that moves between Italy and Poland and Morocco.
  • Kate Story’s Blasted (Fiction) – I went to college (and university) with Kate and was excited to order her first novel – it’s engaging and surprising with some really lovely writing.
  • Chris Adrian’s A Better Angel (Short Fiction) – Loved a story by this guy in the New Yorker. This is a beautiful collection.
  • Steig Larsson’s Girl with the Dragon Tattoo, Girl Who Played With Fire, Girl who Kicked the Hornets Nest (Thrillers) – Completely addictive and enjoyable..
  • Jonathan Franzen’s Freedom (Fiction) – As with the Corrections, I loved it. It’s my 2010 must-read recommendation.
  • David Caleb Acevedo’s Bestiario en nomenclatura binomial (Poetry in Spanish)
  • Sara Gruen’s Ape House (Fiction) – What a disappointment. Water for Elephants really grabbed me, but this had poor writing and, one-dimensional characters. The pain of it increased because of my expectations for it. 
  • Jeannette Winterston’s Lighthousekeeping (Fiction)
  • Ken Wilber’s the Integral Vision (Philosophy) – I think this guy is a really interesting thinker and this made me think about a lot of things…
  • Andrew O Hagan’s The Life and Opinions of Maf the Dog, and of his friend Marilyn Monroe – completely surprising. From the cover and title and marketing, I just wasn’t sure, but my pal Chris said it was good, and by the first page, I could see what a beautiful writer Hagan is. I really liked it.
  • Kimberley Mann’s Awake During Anaesthetic (Poetry Chapbook)
  • Bonny Cassidy’s Said to be Standing (Poetry Chapbook) – Vagabond Press produces these absolutely beautiful chapbooks called “Rare Objects” and they’re publishing usually emerging poets. Great stuff, good to read Bonny’s work as I’ve heard her read before.
  • Stuart Cooke’s Corrosions (Poetry Chapbook) – Ditto above, and *great* to read Stuart’s work as I haven’t really heard him read before. Interesting range of poems here.
  • Benjamin Law’s the Family Law (Humour/Family) – Very enjoyable, great voice, great writing from a young, gay Asian writer from Brisbane
  • Graeme Aitken’s The Indignities (Fiction) – A fun, gay romp through Sydney, circa 2004.

2009

  • Anne Enright’s The Gathering (Fiction) – Booker winner, and she went to my international college, many moons ago. I can see why people had trouble with it – as I see it hasn’t gotten universally great reviews. There’s something unsentimental and hard about it, but it’s also an amazing book.
  • Mark Haddon’s The Curious Incident of the Dog in the Night-Time (Fiction) – Now this is the type of book that readers like – engaging, original, accessible. Both gritty and sweet. I can see why it was a best-seller, and enjoyed it myself.
  • Reading Six Feet Under – TV to Die For (Cultural Studies) – not for everyone, academic analyses of different themes in the TV show, but it allowed me, with pleasure, to revisit the best TV show ever.
  • Alice Sebold’s The Almost Moon (Fiction) – it didn’t grab me, or was this just because The Lovely Bones was so unforgettably good.
  • Dorothy Porter’s The Bee Hut (Poetry) – a beautiful short collection, published posthumously and including some of the last poems of this very original voice.
  • Norman Doidge’s The Brain That Changes Itself (Science) – thought about this for weeks, talked about it with friends for weeks. Still affecting the way I view the world.
  • Lorrie Moore’s Collected Stories (Short Fiction)
  • Tara Moss’ Fetish (Crime/Thriller)
  • Robert Bly’s translation of Rumi, The Kabir Book (Poetry).
  • Haruki Murukami’s Dance Dance Dance (Fiction) – Wow, does this man have an interesting mind. Really enjoyed it.
  • Henry James’ The Aspern Papers (Fiction) - since I was passing through Venice, I took a friend’s recommendation to read this slim book set in Venice. Now I can say I’ve read some Henry James…
  • Tim Winton’s Breath (Fiction) - A lot packed into this short novel.
  • Second Person Queer (Essays) – Finally read this anthology that I was included in. A few great pieces, not sure whether the idea works as a whole book.
  • James Robert Baker’s Adrenalin (Fiction) – Phew. A wild ride, read on the high recommendations of friends who are huge fans of his. A piece of gay history.
  • David Ebershoff’s the 19th wife (Fiction) - Interesting topic. Didn’t like it as much as the Danish Girl.
  • Tim Winton’s Dirt Music (Fiction) – God I loved this book. Great introduction for me to a premier Australian writer.
  • Dashiell Hammett’s The Maltese Falcon (Crime) – read for a literary salon which I eventually couldn’t make it too. Darn. Could see it was the model for much of what followed – but didn’t love it.
  • Dorothy Porter’s Monkey’s Mask (Poetry/Crime) – also (re)read this for the salon. Amazing book. Quick read!
  • Michael Ondaatje’s In The Skin of The Lion (Fiction) – I read this aloud to my partner – an interesting experiment. When are they going to make a movie of this?
  • Kate Atkinson’s When Will There Be Good News? (Crime Fiction) – A nice surprise, as I loved her first novel, to see she’s turned to crime… and with a great story and characters. sweartogod.
  • Anne Enright’s Yesterday’s Weather (Short Fiction) – Enjoyed them. Now curious to read her Booker Prize winning novel.
  • Edmund White’s Hotel de Dream (Fiction)
  • Tom Cho’s Look Who’s Morphing (Short Fiction)
  • Ken Wilber’s Grace and Grit (Philosophy/Biography) – I’m loving this book as I read it and it’s changing the way I think about spirituality, enlightenment, disease and the new age movement.
  • Levitt and Dubner’s Freakonomics (Culture/Non-Fiction). A great read. Fun and insightful and challenging.
  • Alice Munro’s Lives of Girls and Women (Fiction). I’m a huge fan of Alice Munro – and it was interesting to read one of her early books.
  • Best American Poetry 2008 (Poetry) – My pal John introduced me to this series years ago. I really like this year’s collection. Some stunning work.
  • Salman Rushdie’s The Enchantress of Florence (Fiction) – completely adored this.
  • Best Gay Poetry 2008 (Poetry) – some amazing work in here
  • The Kite Runner (Fiction) - Good story but I didn’t love the writing itself. Maybe I expected too much because of the hype.

2008

  • Markus Zusak’s The Book Thief (Fiction)
  • Sara Gruen’s Water for Elephants (Fiction)
  • Sean Horlor’s Made Beautiful By Use (Poetry)
  • Lorna Crozier’s Whetstone (Poetry) Stunning.
  • Sharon Olds’ Blood, Tin, Straw (Poetry)
  • Miranda July’s No One Belongs Here More Than You (Short Fiction)
  • Alex Boyd’s Making Bones Walk (Poetry)
  • Fiona Tinwei Lam’s Intimate Distances (Poetry)
  • Anne-Marie MacDonald’s Fall On Your Knees (Fiction)Reread it to see if I still liked it as much. I did.
  • Margaret Atwood’s Moral Disorder (Short Fiction)
  • Jes Battis’ Night Child (Fantasy)
  • Kazuo Ishiguro’s Never Let Me Go (Fiction)
  • Elizabeth Bishop’s Eat Pray Love (Memoir)
  • Alain de Botton’s Essays on Love (Fiction)
  • Sarah McDonald’s Holy Cow (Memoir)
  • Keirsey’s Please Understand Me II (Personality Test)
  • Nam Le’s The Boat (Short Fiction)
  • Brian Rigg’s A False Paradise (Poetry)
  • Augusten Buroughs’ A Wolf at the Table (Memoir)
  • Sarah McDonald’s Holy Cow (Memoir/Travel)
  • Candace Bushell’s Sex and the City (Fiction/Journalism)
  • Martin Harrison’s Wild Bees (Poetry)
  • Alan Weiss’ Getting Started in Consulting (Business)
  • John Gould’s Kilter (Short Short Fiction)
  • A.M.Homes’ Things You Should Know (Short Fiction)
  • Eduardo Galeano’s Memory of Fire (History/Fiction)
  • Paulo Coelho’s The Alchemist (Fiction)
  • Raimond Gaita’s Romulus, My Father (Biography) - Loved this book as a portrayal of immigrant Australia. Great characters, great storytelling.
  • David Marr’s The Henson Case (Non-Fiction) – A clear, lucid account of the Bill Henson controversy
  • Kevin Hart’s Flame Tree: Selected Poems (Poetry)
  • Colin Carberry’s Ceasefire in Purgatory (Poetry)
  • Michael Ondaatje’s Divisadero (Fiction) – Great finish to the year. What a beautiful book.


2007

  • Alain De Botton’s The Art of Travel (Philosophy)
  • Henri von Doussa’s The Park Bench (Fiction)
  • Jonathan Lethem’s Men and Cartoons (Short Fiction)
  • David Mitchell’s Ghostwritten (Fiction)
  • Linda Gregg’s Flesh and Things (Poetry)
  • Billy Collin’s Sailing Alone Around The Room: New and Selected Poems
  • Best American Poetry 2006
  • Jerry and Esther Hicks’ Ask and It Is Given (New Age/Philosophy)
  • Rattawut Lapcharoensap’s Sightseeing (Short Fiction)
  • Steven King’s On Writing (Non-Fiction)
  • Margaret Atwood’s Oryx and Crake (Fiction)
  • Alexander McCall Smith’s The No. Ladies’ Detective Agency (Fiction)
  • Truman Capote’s Breakfast at Tiffany’s (Fiction)
  • Jean-Dominique Bauby’s The Diving-Bell & The Butterfly (Memoir)
  • Anonymous’s The Bride Stripped Bare (Fiction)
  • Hunter S. Thompson’s Fear and Loathing in Law Vegas (Nonfiction/Journalism)
  • David Allen’s How to Get Things Done (Career/Self-Help)
  • Gangaji’s Diamond in Your Pocket (Spirituality)
  • Seminal: The Anthology of Canada’s Gay Male Poets (Poetry)
  • Patrick Lane’s What the Stones Remember (Memoir)
  • Eckhardt Tolle’s A New Earth (Philosophy)
  • Ben Elton’s High Society (Fiction)
  • Suzanne Chick’s Searching for Charmiane (Biography)
  • Tracy Quan’s Diary of a Married Call Girl (Fiction)
  • Alice Munro’s The View From Castle Rock (Memoir)
  • Margaret Atwood’s Moral Disorder (Short Fiction/Memoir)
  • Alice Niffenegger’s The Time Traveller’s Wife (Fiction)
  • Pablo Neruda’s Isla Negra (Poetry)
  • Milan Kundera’s Farewell Waltz (Fiction)
  • Salman Rushdie’s Grimus (Fiction)

2006

  • Mark Doty’s The Source (Poetry)
  • Mark Doty’s School of the Arts (Poetry)
  • Ken Wilber’s No Borders (Philosophy)
  • Stephen Greco’s The Sperm Engine (Erotica/Memoir)
  • Alice Munro’s Runaway (Short Fiction)
  • Sean Condon’s My ‘Dam Life (memoir/humour)
  • Daniel Gawthrop’s The Rice Queen Diaries (memoir)
  • Yann Martel’s The Life of Pi (Fiction)
  • Joanne Harris’ Chocolat (Fiction)
  • Edmund White’s My Lives (Autobiography)
  • Gregory Maguire’s Wicked (Fiction)
  • Michael V. Smith’s What You Can’t Have (Poetry)
  • George Ilsley’s ManBug (Fiction)
  • Edmund White’s My Lives (Autobiography)
  • Eckhardt Tolle’s The Power Of Now (Philosophy)
  • Shauna Singh Baldwin’s What the Body Remembers (Fiction)
  • Shalini Akhil’s The Bollywood Beauty (Fiction)
  • John Murray’s A Few Short Notes on Tropical Butterflies (Short Fiction)
  • Lorna Crozier’s What the Living Won’t Let Go (Poetry)

2005

  • Jonathan Franzen’s The Twenty-Seventh City (Novel)
  • Gerald Stern’s Last Blue (Poetry)
  • Alain De Botton’s Status Anxiety (Non-Fiction)
  • Michel Houellebecq’s Lanzerote (Fiction)
  • Noel Rowe’s Next to Nothing (Poetry)
  • Alan Hollinghurst’s The Line Of Beauty (Novel)
  • Dorothy Porter’s The Monkey’s Mask (Poetry)
  • Lynne Truss’ Eats, Shoots and Leaves (Non-Fiction)
  • Gerald Stern’s This Time (Poetry)
  • Malcolm Gladwell’s Blink (Non-Fiction)
  • Jill Jones’ Screen Jets Heaven (Poetry)
  • Marshall Moore’s Black Shapes in a Darkened Room (Short Fiction)
  • Sandra Alland’s A Shape of a Tongue (Poetry)
  • Victoria Finlay’s Colour: Travels through the Paintbox (Non-Fiction)
  • Michael Cunningham’s Land’s End (Non-Fiction)
  • Gerald Stern’s Lucky Life (Poetry)
  • Steve Kluger’s Almost Like Being in Love (Novel)
  • Tony Hoagland’s Donkey Gospel (Poetry)
  • Greg Wharton’s Johny Was and Other Tall Tales (Erotica)
  • Kevin Bentley’s Let’s Shut Out the World (Memoir)
  • Randall Mann’s Complaint in the Garden (Poetry)
  • Jameson Currier’s Desire, Lust, Passion, Sex (Short Fiction/Erotica)
  • Ann Hood’s An Orthinologist’s Guide to Life (Short Fiction)
  • Kevin Bentley’s Wild Animals I Have Known (Memoir)

2004

  • Best Gay Erotica 2004 (Erotica)
  • Mark Doty’s Still Life with Oranges and Lemons (Non-Fiction)
  • Peter Carey’s Oscar and Lucinda (Novel)
  • Gerald Stern’s American Sonnets (Poetry)
  • Peter Minter’s Empty Texas (Poetry)
  • The Complete Guide to Spirits and Liqueurs (Non-Fiction)
  • Best Gay Asian Erotica (Erotica)
  • David Sedaris’ Dress Your Family in Corduroy and Denim (Humour)
  • Ian Phillips and Greg Whartons’ Law of Desire (Erotica/Anthology)
  • Meanjin’s Australasian Issue (Review/Anthology)
  • Gerry Turcotte’s Winterlude (Poetry)
  • Philip Hammiel’s In the Year of our Lord’s Slaughter (Poetry)
  • Marshall Moore’s Ideal for Living (Novel)
  • Wayson Choy’s All That Matters (Novel)
  • Jeffrey Eugenides’ Middlesex (Novel)
  • George Ilsley’s Random Acts of Hatred (Short Fiction)
  • Anne-Marie MacDonald’s The Way the Crow Flies (Novel)

Around 2003

  • Best Gay Erotica 2003 (Erotica)
  • Tracey Quan’s Diary of a Manhattan Call Girl (Novel)
  • Jim Gladwell’s The Tipping Point (Non-Fiction)
  • Joel Tan’s Monster (Poetry)
  • Sharon Olds’ The Unswept Room (Poetry)
  • Laurie Moore’s Self-Help (Short Fiction)
  • Luke Davies’ Running with Light
  • Carol Shield’s Unless (Novel)
  • Kevin Bentley’s Boyfriends from Hell (Anthology)
  • David Sedaris’ Naked (Humour)
  • Kate Fagan’s The Long Moment (Poetry)
  • Michael Farrell’s Ode Ode (Poetry)

Around 2002

  • Michael Cunningham’s Home at the End of the World (Novel)
  • David Eberschoff’s Rose City (Short Fiction)
  • Michael Chabon’s Adventures of Cavalier and Clay (Novel)
  • Michael Ondaatje’s Anil’s Ghost (Novel)
  • Martin Foreman’s Butterfly’s Wing (Novel)
  • Noel Alumnit’s Letters to Montgomery Clift (Novel)
  • Michael Smith’s Cumberland (Novel)
  • Michael Cunningham’s Flesh and Blood (Novel)
  • Louis Bernieres’ Captain Corelli’s Mandolin (Novel)
  • Jonathan Franzen’s the Corrections (Novel)
  • Imogen Edward Jones’ My Canape Hell (Novel)
  • Scott Heim’s Mysterious Skin (Novel)
  • Colm Toibin’s The Story of the Night (Novel)
  • Eva Sebold’s The Lovely Bones (Novel)
  • Ursula Leguin’s The Other Wind (Novel)
  • Seamus Heaney’ The Open Ground (Poetry – Collected)

Around 2001

  • Dave Egger’s A Heartbreaking Work of Staggering Genius (Novel/Autobiography)
  • Jhumpa Lamphiri’s Interpreter of Maladies (Short Fiction)
  • Michael Cunningham’s The Hours (Novel)
  • Neal Drinnan’s Glove Puppet (Novel)
  • J.M. Coetzee’s Disgrace (Novel)
  • Nicholas Jose’s The Red Thread (Novel)
  • Blaine Marchand’s Bodily Presence (Poetry)
  • Billeh Nickerson’s Asthmatic Glassblower (Poetry)
  • Mitch Cullin’s From The Place in the Valley Deep in the Forest (Short Fiction)
  • Steve Kluger’s Last Days of Summer (Novel)
  • Neal Drinnan’s Pussy’s Bow (Novel)
  • Elizabeth Knox’s Vintner’s Luck (Novel)
  • Edmund White’s Farewell Symphony (Novel)
  • Francisco Ibanez’s Flesh Wounds and Purple Flowers (Novel)
  • Bruno Bouchet’s The Girls (Novel)
  • Dennis Altman’s Global Sex (Non-Fiction)
  • Micha Ramaker’s Art of Pleasure (Non-Fiction)
  • Marshall Moore’s the Concrete Sky (Novel)

Musical Theatre, Cabaret, Dance and Plays – Shows I’ve Seen

While I’m at it with concerts, why not list a few shows I’ve seen too – big shows and little shows, but memorable for some reason or other.

2012

  • Annie, Lyric Theatre
  • Meow Meow’s Little Match Girl, Spiegeltent, Sydney Festival
  • Babel, Sydney Theatre, Sydney Festival – Amazing Dance and Set and Performance!
  • The Paris Letter, Darlinghurst Theatre
  • This is our youth, Sydney Opera House – I somehow felt that the star power of Michael Cera and Kieran Culkin was perhaps better suited for the screen then the stage. Their performances lacked energy to me. Interesting enough play, but I’d hope for more.

2011

  • Uncle Vanya, January 1st, Sydney Theatre Company – with a cast that included Cate Blanchett, Hugo Weaving, Jackie Weaver, Richard Roxborough, this was amazing theatre.
  • My Bicycle Loves You – Legs on the Wall (Sydney Festival, Sydney Theatre Company)
  • Wayne McGregor’s Entity – a dance performance at the Sydney Theatre Company as part of the Sydney Festival
  • Taylor Mac’s The Ziggy Stardust Meets Tiny Tim Songbook or Comparison is Violence, Sydney Opera House
  • John Bucchino & Friends in Concert, Australian Institute of Music 
  • Rafael Bonachela & Jacopo Godani’s Shared Frequencies, Sydney Dance Company
  • Orange Flower Water, Darlinghurst Theatre Company – Some interesting bits by one of the writers for Six Feet Under, but ultimately unsuccessful in bringing some innovation, some interesting breath to the theme of infidelity and family breakup. Sentimental ending completely at odds with what came before. 
  • Neighbourhood Watch, Belvoir Theatre – Robin Nevin is incredible and I thought there were interesting things about the play – and it was very crowd-pleasing… but I found the other characters not written as strongly.
  • Margaret Cho: Cho Dependent, Sydney Opera House – I think after seeing about 3 or 4 of her shows, will I still find it as funny as before, as shocking? Answer: yes. First minutes into the show, I’m shocked and can’t stop laughing for the whole show.
  • The Threepenny Opera, Sydney Theatre.
  • Tom Ballard – Singe 1989, Belvoir Theatre – Young comic, funny guy.
  • Gross und Klein (Big and Small), Sydney Theatre - starring Cate Blanchett
  • Richard III, Lyric Theatre – starring Kevin Spacey
  • No Way to Treat a Lady, Darlinghurst Theatre Company – I always love seeing things directed by my pal Stephen Colyer. When I heard it was old-fashioned, I wondered if it was the music or the style, but no: the idea of a gay man, psychologically damaged by an overbearing and unloving flim star mother, who becomes a murderer: that’s old-fashioned!
  • The Dark Room, Belvoir Theatre – I think this might have been the best Australian play that I can remember seeing lately. Great script, great acting, especially Brendan Cowell. Wow.

2010

  • Bash’d: A Gay Rap Opera, The Cultch, Vancouver
  • Robert Lepage’s The Blue Dragon, SFU Woodwards, Vancouver
  • Smoke & Mirrors at the Spiegeltent, Sydney Festival, (Jan)
  • Ballet de Rua (Brazilian Street Ballet), Sydney Opera House
  • Hamlet (Schaubühne Berlin), Sydney Theatre Company
  • Waiting for Godot, with Ian McKellan, Sydney Opera House
  • A Little Night Music (Opera Australia), Sydney Opera House
  • Kiss of the Spiderwoman (Darlinghurst Theatre), Sydney

2009 (Mostly Australia)

  • Wicked, Sydney (December)
  • Streetcar Named Desire (September), Sydney Theatre Company – with Cate Blanchett… Amazing. Sublime.
  • Avenue Q, Sydney (August) – The Australian cast made it their own, and I loved it.
  • Pilobolus Dance Theatre, Sydney (May) – Amazing and beautiful, the vocabulary of dance that I am familiar with was upended and expanded. Very erotic.
  • Lipsynch – Robert Lepage
  • The Twink and the Showgirl – Phil Scott & Vincent Hooper – Parramatta Theatre
  • Gutenberg! The Musical – Seymour Centre (2 different casts)
  • Alan Cumming: I bought a blue car – Sydney Opera House
  • Justin Bond is Close to You (Feb 2009, The Studio, Sydney Opera House)
  • Gatz, Elevator Repair Service Company, Playhouse at the Opera House, (May 09)
  • Dirty Rotten Scoundrels (Vancouver, Queen Elizabeth Theatre, Dec)

2008 and before

  • Spiegeltent, at Sydney Festival
  • My Fair Lady
  • Priscilla
  • Mamma Mia
  • Titanic!
  • Into the Woods (New Theatre)
  • Angels in America Part I (New Theatre)
  • Falsettos (New Theatre)
  • Merrily we Roll Along (university production)
  • The Hatpin, Seymour Centre, Sydney
  • Sweeney Todd (two different productions at the Opera House)
  • Avenida Q (mexico city)
  • Pippin, Kookaburra, Sydney Theatre
  • Cabaret
  • Homebody/Kabul, The Belvoir (08)
  • Stringberg’s the Dance of Death with Ian McKelland (03)
  • Chess, Theatre Royal, Sydney
  • Wicked, Melbourne (08) – fantastic!
  • Little Show of Horrors (08, New Theatre)
  • Kaash – Akram Khan Company, August 2002. Great Dance Performance.
  • Laramie Project, Company B Belvoir.

Europe

  • After a time in London, I was encouraged as a gay man to get to know Sondheim. At the Edinburgh Festival, I saw an amazing version of “Into the Woods”, a mediocre “Company” and a god-awful “Funny Thing Happened on the Way to the Forum”.
  • And then in the following two years saw at least 3 productions of “Side by Side by Sondheim”, 2 of “Merrily We Roll Along” (both great), and “Assassins”. Also, a concert version of “Sweeney Todd” and the amazing “Sondheim Tonight” tribute show at the Barbican Centre, London from September 1999
  • Tony Kushner’s Slav’s (Edinburgh)
  • Rent (London production)
  • Fame
  • Miss Saigon
  • The Iceman Cometh (with Kevin Spacey)
  • Naked (with Juliette Binoche)
  • Pippin
  • Godspell (a children’s version – didn’t know until we got there…)
  • Richard II with Ralph Fiennes at the Gainsborough Film Studios, London, 1998

Canada/U.S.A.

  • My brother’s high school put on “My Fair Lady”, “Godspell”, “the Wiz” and “South Pacific” (in which he played the Chinese manservant)
  • And then when I got to high school, there was “Oklahoma” and “Godspell”.
  • I also remember a high school production in Hawaii of “West Side Story”
  • And a touring version of Annie
  • Chorus Line (Touring Cast)
  • The Good Woman of Szechuan (Peterborough)
  • Marat/Sade (I was in it!) (Peterborough)
  • Happy Days (Peterborough)
  • The Caucasian Chalk Circle (Peterborough)
  • Cabaret (Touring Cast)
  • Rent (Vancouver, Touring Cast)
  • Angels in America, parts 1 and 2, new york, summer of 1994 (In Jan 2011, I found the ticket stubs I’d saved. My tickets in the balcony cost $25 each…)
  • Thoroughly Modern Millie, Broadway
  • Avenue Q, Broadway
  • Forbidden Broadway – 20th anniversary celebration – Sept 2003, New York
  • Gypsy (with Bernadette Peters), Broadway. Sept 2003 (Sigh, I passed up Into the Woods with Vanessa Williams and saw this instead.)

Book Review: Anne Tyler’s Back When We Were Grown Ups

Back When We Were Grown UpsBack When We Were Grown Ups by Anne Tyler

My rating: 2 of 5 stars

I’ve read a few Anne Tyler novels, way back when, and obviously liked them enough to keep returning to them. She creates memorable, fully-dimensional characters and writes with wry observation of modern life and a hopefulness, a key theme about learning to accept the life that we are given. As a young man, and I think I read all of her novels in my early, perhaps mid-twenties, I think I would have found this appealing, that we age and whatever complicated circumstances or tragedies that we undergo, we find ways to keep breathing.

But I’m not sure whether this book was somewhat weak, or whether I’ve grown out of Anne Tyler. Rebecca, a 53-year old grandmother and party-planner, has somewhat of a minor crisis, though not one that anyone in her family notices. She wonders what happened to the girl she was, and what would have happened if she had married her college fiancé rather than the man she left him for, inheriting a ready-made family of three step-daughters to which she added a daughter of her own. Not much happens in the book. She visits her mother. She goes to a special day at her step-grandson’s school. She organises her uncle’s 100th birthday party. Through the story, we learn the details of her life. The largest narrative arc is her getting back in touch with her old boyfriend, and then their subsequent meetings.

However, there is a likeability problem. Rebecca doubts herself constantly. She fusses and frets. Sometimes a sharper humour emerges, but she’s generally a martyr, playing a role, and helping everyone around her. Her daughters, and their various husbands and children, circle around. The daughters are quirky, but after the first character descriptions, the jokes don’t deepen (Biddy, the caterer, makes inedible food that is too fancy for anyone’s taste). And they’re vile. They bicker with each other, at their step-mother, and say insensitive things. Her uncle is more amusing and sweet, as is her brother-in-law, Zeb, who shows some caring for her. But she’s mostly unappreciated, unacknowledged and barely listened to. And there’s no character development for any of the supporting characters, and though this is Rebecca’s story, it’s not particularly interesting to be surrounded by this huge cast of unhappy and unpleasant people.

The writing is strong, and occasional wise observations allowed me to finish the novel; but otherwise, it’s not one I’ll be recommending. I did have a quick look at another review: John Leonard writing in the New York Times (http://www.nytimes.com/books/01/05/20/re…) is obviously a fan, and he reminds me of the reasons I probably liked the other books of Tyler that I’ve read — and yet, he recounts six of her novels with basically the same plots or endings to this one. So, perhaps my problem with the book was that I’d read it before.

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Book Review: Anita Desai’s The Zigzag Way

The Zigzag WayThe Zigzag Way by Anita Desai

My rating: 3 of 5 stars

At university, with the incomparable Geoffrey Eathorne as our professor for our Commonwealth Literature course at Trent University in Canada, I read Anita Desai’s Clear Light of Day. It was a stand out. I don’t remember it perfectly but that it had beautiful writing and I enjoyed the story.

Two decades letter, I haven’t read anything by her since and saw ‘The Zigzag way’ on the shelf of a favourite used bookstore. The story is set in Mexico, a young academic, aimless, looking for his past and something to do while his partner is doing research there. He zigzags into one story, an eccentric and mysterious old European woman who has gained a reputation on an expert in a local indigenous group. And then leaving her, he zigzags into the story of his grandfather, a Cornish miner who worked in the mines of Mexico.

I can see the richness of the original idea, and the threads did come together somewhat – but I also got the feeling of a writer who was trying to put some of her travel experiences into a story and perhaps got a grant to do so. Themes of displacement and belonging, travel and immigration, finding one’s way and one’s history: yes. But the story is not particularly deeply felt and the main character has a somewhat weak personality. If I was to climb aboard the idea of a zigzag story, I wanted more than what I got.

I also found that her writing could be beautiful at times, but other times overwritten. Waiting for the formidable Doña Vera to speak, she “considered her reply. Then it came, as ominous as a rumble of pebbles in a dry arroyo, heard at first from a distance, then gathering strength as it approached, finally crashing upon them.”

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(Hmm, goodreads has a pretty nice function for doing a review on their website and copying it to my blog. I think I’ll try it out some more.)

Film Review: We need to talk about Kevin

The film, ‘We need to talk about Kevin’, has gotten some great reviews – I’d heard the buzz, so when my buddy John told me about free tickets to a preview here in Sydney, I readily agreed. Tilda Swinton is an amazing actor, and I find her completely compelling on-screen.

I wasn’t disappointed — in her. But in the film, yes. Everyone will know the story before seeing the film, whether from the book it was based on, a film review, or a trailer. The focus of the movie in on the mother of a son who commits one of those Columbine-style massacres in his high school. The narrative is not traditional: it flashes forwards and back, but mainly, it doesn’t exist. It’s a film mostly of images and snapshots of situations that build on each other.

The images are beautiful, and most of the images are of Tilda Swinton’s face, which is amazing – her beauty seems completely original; a set of plain features that are in perfect relation to each other that produce a sort of alchemical reaction. But Swinton’s presence, beauty and acting aren’t enough to carry the film.

There’s nothing to it. A kid is born, entirely lacking in empathy. The father is cheery and doesn’t see much wrong. The mother battles year after year with her son, and looks tired and drawn and unhappy. As media consumers, we’ve read all about high school mass murderers. So, what’s new here? Is there anything surprising, or that adds to what we know? That’s what I was waiting for, along with some development in characters. The father, played by John Reilly, has a lightness, which is a good contrast to the darkness around him. But nothing changes in him from start to end. There’s no surprise in the development of the son. He starts nasty, and ends nasty. And considering the focus of the film is on Eva, the mother: nothing happens there either. She is frustrated, she tries at times, she is tired and hurt. As a portrayal of grief and depression, she’s compelling to watch. As a character, she’s one-note.

Worst of all are the simplistic repetitions of themes. Eva in a sea of tomatoes. Eva trying to get the red paint off of the front of her house (why not paint it over?). Red jelly on a sandwich. Everywhere, blood and red squishy images (out, out, damn spot), unless it’s a clumsy equation of a lychee fruit with an eyeball. C’mon, are we in film school? Here’s a stereotype of a kid who turns into a mass murderer: he’s collects computer viruses, is interested in weapons, kills family pets and says nasty things. Here’s what a depressed mother looks like: she drinks red wine, often, and also takes pills to dull the pain.

And that’s what I did, after the film, with John. Drink wine to dull the pain of a terrible movie with some good acting and interesting images. The last word goes to him: “Half an hour of Dexter had more to it than this film.”