Category Archives: Writing

Books I’ve Read

I first kept this list on my webpage, but then figured that it would be easier to edit (and access) on my blog. So, I started this list on 7 July 2008 (my 39th birthday), and try to keep it up to date when I can, more for me than anyone else!

I’ve kept an informal list of books I’ve read in the last few years though I’ve missed recording a number. I sometimes get this feeling I don’t read enough – but then realise that I actually read a lot, especially on planes and in hotel rooms, with all the work travel I was doing. Now, with less travel, I’m making more of an effort to make time for reading when I’m not on a plane!

Miscellaneous books that I read and loved (before I started keeping this list)
  • Milan Kundera’s Unbearable Lightness of Being (and others)
  • Alice Munro’s Short Story collections
  • Lorrie Moore’s Birds of America
  • Edmund White’s Boy’s Own Story (and others)
  • Favourite poets (of which I’ve usually read a few of their books): Margaret Atwood (Selected Poems 2 is excellent), Mark Doty, Sharon Olds, Patrick Lane, Pablo Neruda.
  • Anne-Marie MacDonald’s Fall On Your Knees
  • Wole Soyinka’s Season of Anomy
  • Salman Rushdie’s novels (particularly Midnight’s Children, Satanic Verses)
  • Paul Monette’s Becoming a Man: Half a Life Story
  • James Merrill’s Changing Light at Sandover
Bolded means that I think your life is less complete without reading this book (or at least that I really really loved the book).

2013

  • Jonathan Franzen’s Strong Motion (Fiction) – See review on this website

2012

  • Michael Ondaatje’s The Cat’s Table (Fiction) – My god, did I love this. What a great start to the year for reading.
  • Tara Moss’s Split (Crime/Thriller)
  • David Musgrave’s Phantom Limb (Poetry)
  • Barbara Kingsolver’s The Poisonwood Bible (Fiction)
  • Andy Kissane’s Out to Lunch (Poetry)
  • Bernhard Schlink’s The Reader (Fiction)
  • Assaracus, A Journal of Gay Poetry, Issue 6 (Poetry) – Normally I don’t list journals and magazines, but it was a good read and I was honoured to have my poems included in it.
  • Joyce Carol Oates’ I’ll Take You There (Fiction) – Always wondered what her writing was like. I enjoyed it enough, not spectacularly. The story was contained and I didn’t fall into it. But she’s a good writer.
  • Alex Miller’s Lovesong (Fiction) – One of Australia’s more prominent writers – I enjoyed this, a good story, readable, engaging. Something fairly direct about his style. It was an interesting contrast to the Oates book.
  • Armistaud Maupin’s Mary Ann in Autumn (Fiction) – A return to the Tales of the City series that I loved so much. This was a pretty good return to form as I didn’t love ‘Michael Tolliver Lives’.
  • Nicole Mones’ a cup of light (Fiction) – an interesting enough exploration of the world of Chinese porcelain. Well-told.
  • Shane Koyczan’s Our Deathbeds Will Be Thirsty (Poetry)
  • Jennifer Egan’s Emerald City (Short Fiction)
  • Bonny Cassidy’s Certain Fathoms (Poetry)
  • Benjamin Law’s Gaysia (Non-fiction)
  • Leigh Stein’s Dispatch from the Future (Poetry)
  • Karen Russell’s Swamplandia! (Fiction)
  • Kate Fagan’s First Light (Poetry)
  • Ruth Park’s Harp in the South (Fiction)
  • Toby Fitch’s Rawshock (Poetry)
  • David Adams Richards’s Mercy Among The Children (Fiction)
  • Ahn Do’s The Happiest Refuge (Memoir)

2011

  • Mary Oliver’s New and Selected Poems Volume 2 (Poetry) – some gems, and better in small doses, I was surprised that I wasn’t taken by the work of this celebrated poet.
  • John Rock’s Paseando: Out for a walk (Autobiography) – an interesting and engaging book by a friend – travel tales and more
  • Richard Labonte’s Beautiful Boys (Gay Erotica/Anthology) – I thought this was a good, digestable mix of stories – some more traditional erotica, others less so.
  • Michael Cunningham’s By Nightfall (Fiction) – I’ve read everything that he’s written and I’m not stopping now. Many moments of beauty, but I wasn’t as engaged as previous books.
  • Larissa Lai’s Automaton Biographies (Poetry)
  • Tim Winton’s Cloudstreet (Fiction) – This is Australia, it’s language, it’s heart and bones. They should have made me read this when I landed in Sydney.
  • Carol Shields’s The Stone Diaries (Fiction) 
  • Adam Gopnik’s Paris to the Moon (Memoir)
  • Alice Munro’s Too Much Happiness (Short Fiction)
  • Charles Merewether’s Ai Weiwei: Under Construction (Art Criticism/Review)
  • Best American Poetry 2011 (Poetry)
  • Dave Eggers’s Short Short Fiction (Fiction)
  • Tim Miller’s Shirts & Skin (Autobiography/Gay)
  • Joanne Harris’s Coastliners (Fiction)
  • Tina Fey’s Bossypants (Autobiography/Comedy)
  • Patrick Gale’s Rough Music (Fiction)
  • E.B. White’s Charlotte’s Web (Fiction/Children’s)
  • Jennifer Egan’s Welcome to the Goon Squad (Fiction) – my pick for the year. Great writing, great story-telling, of-the-moment, funny, touching. The whole gamut. Loved it.
  • Alan Downs’s The Velvet Rage (Psychology)
  • Charlotte Brontë’s Jane Eyre (Fiction) – As a first foray into trying to read a book on an iphone, this was a good choice – with a linear narrative. Always wondered what the fuss was about, and now I know: really beautiful use of language. Jane is a pretty fabulous character too, though I think I really understood her after seeing this year’s film version (which was great).
  • Margaret Atwood’s Year of the Flood (Fiction) – I love that Atwood did a companion novel set at the same time as Oryx and Crake but from a completely different perspective. Inventive, readable, poetic and engaging. That’s how I like ‘em.
  • Dan Disney’s and then when the (Poetry)
  • Chandler Burr’s The Emperor of Scent (Biography/Science) – Review on my blog.
  • Michael Chabon’s Gentlemen of the Road (Fiction) – Review on my blog.
  • Ian McEwan’s Company of Strangers (Fiction)
  • Anita Desai’s The Zigzag Way (Fiction)
  • Anne Tyler’s Back When We Were Grownups (Fiction) – I traded in a stack of books at Elizabeth’s used book store, and used them to buy the Burr, Chabon, McEwan, Desai and Tyler… I’d say the Burr was the most engaging! What next, what next?
  • Gail Anderson-Dargatz’s A Recipe for Bees (Fiction) – a Canadian novelist who had a hit with her first book. I found this engaging and quite lovely – and enjoyed the older narrator. I’m a bit tired of the trope of the curmudgeonly, cute and cuddly older narrator (i.e. I did love the story of Water for Elephants, but found the narrator a bit much) and found this speaker much richer and more interesting.
  • Dr. Raymond Moody’s Glimpses of Eternity (Spirituality) – a follow-on to his book about near-death experiences, this one is about shared-death experiences. I’m open to what he presents though didn’t love the way he presented it.
  • Michael Ondaatje’s The Cat’s Table (Fiction) – I finished the first half in the last days of 2011…

2010

  • Jee Leong Koh’s Equal to the Earth (Poetry)
  • Eli Jaxon-Bear’s The Enneagram of Liberation (Spirituality)
  • John Miller’s A Sharp Intake of Breath (Fiction)
  • Dr Arthur Agaston’s South Beach Diet (Diet/Health)
  • Tracy Quan’s Diary of a Jet-Setting Call Girl (Chick-Lit) – The adventures of Nancy Chan. Should I admit that I was looking to see if Borders carried my own book (er… no) and found instead another author named Quan? I’ve read all of her books (three so far) and found them very enjoyable. Taking the Sex-and-the-City genre and making the protagonist a sexy, Asian-American call girl living in the Big Apple – how could I resist?
  • Christos Tsiolkas’ The Slap (Fiction) – I’m elevating this to a recommendation. I’m not in love with the actual writing but Tsiolkas’ characters are wonderfully-drawn, the story contemporary and the momentum of the prose unstoppable – and it’s a great portrait of modern Australia.
  • Tom Cardamone’s The Lost Library, Gay Fiction Rediscovered (Essays/Gay History)
  • Eve Escher-Hogan’s Way of the Winding Path: A Map for the Labyrinth of Life (Spirituality)
  • Gabrielle Roth’s Sweat Your Prayers (Spirituality)
  • Blaine Marchand’s The Craving of Knives (Poetry)
  • On The Line: the Creation of the Chorus Line (Non-Fiction)
  • John Barton’s Hymn (Poetry)
  • J.A.G. Roberts’ China to Chinatown: Chinese Food in the West (Non-Fiction)
  • Paul Kane’s Work Life (Poetry) – Holy Cow, I liked this book of poems. Am going to search out more of his work now.
  • Junot Diaz’s The Brief Wondrous Life of Oscar Wao (Fiction) – The writing in this book is so energetic, I read it in a few days, very impressed. Wonder what the experience is for readers who have no Spanish language background at all as he drops Spanish words and slang into the text regularly.
  • Kevin Killian’s Argento Series (Poetry)
  • Jerome Parisse’s The Wings of Leo Spencer (Young Adult) – A friend published his first novel, a story about angels and families. I don’t know if I’ve ever read a “young adult” book but it was engaging.
  • Roberta Lowing’s Notorious (Fiction) – A friend gave me a pre-publication copy of this to read, by someone I know who organised a poetry reading series. It’s an ambitious thriller, or sorts, that moves between Italy and Poland and Morocco.
  • Kate Story’s Blasted (Fiction) – I went to college (and university) with Kate and was excited to order her first novel – it’s engaging and surprising with some really lovely writing.
  • Chris Adrian’s A Better Angel (Short Fiction) – Loved a story by this guy in the New Yorker. This is a beautiful collection.
  • Steig Larsson’s Girl with the Dragon Tattoo, Girl Who Played With Fire, Girl who Kicked the Hornets Nest (Thrillers) – Completely addictive and enjoyable..
  • Jonathan Franzen’s Freedom (Fiction) – As with the Corrections, I loved it. It’s my 2010 must-read recommendation.
  • David Caleb Acevedo’s Bestiario en nomenclatura binomial (Poetry in Spanish)
  • Sara Gruen’s Ape House (Fiction) – What a disappointment. Water for Elephants really grabbed me, but this had poor writing and, one-dimensional characters. The pain of it increased because of my expectations for it. 
  • Jeannette Winterston’s Lighthousekeeping (Fiction)
  • Ken Wilber’s the Integral Vision (Philosophy) – I think this guy is a really interesting thinker and this made me think about a lot of things…
  • Andrew O Hagan’s The Life and Opinions of Maf the Dog, and of his friend Marilyn Monroe – completely surprising. From the cover and title and marketing, I just wasn’t sure, but my pal Chris said it was good, and by the first page, I could see what a beautiful writer Hagan is. I really liked it.
  • Kimberley Mann’s Awake During Anaesthetic (Poetry Chapbook)
  • Bonny Cassidy’s Said to be Standing (Poetry Chapbook) – Vagabond Press produces these absolutely beautiful chapbooks called “Rare Objects” and they’re publishing usually emerging poets. Great stuff, good to read Bonny’s work as I’ve heard her read before.
  • Stuart Cooke’s Corrosions (Poetry Chapbook) – Ditto above, and *great* to read Stuart’s work as I haven’t really heard him read before. Interesting range of poems here.
  • Benjamin Law’s the Family Law (Humour/Family) – Very enjoyable, great voice, great writing from a young, gay Asian writer from Brisbane
  • Graeme Aitken’s The Indignities (Fiction) – A fun, gay romp through Sydney, circa 2004.

2009

  • Anne Enright’s The Gathering (Fiction) – Booker winner, and she went to my international college, many moons ago. I can see why people had trouble with it – as I see it hasn’t gotten universally great reviews. There’s something unsentimental and hard about it, but it’s also an amazing book.
  • Mark Haddon’s The Curious Incident of the Dog in the Night-Time (Fiction) – Now this is the type of book that readers like – engaging, original, accessible. Both gritty and sweet. I can see why it was a best-seller, and enjoyed it myself.
  • Reading Six Feet Under – TV to Die For (Cultural Studies) – not for everyone, academic analyses of different themes in the TV show, but it allowed me, with pleasure, to revisit the best TV show ever.
  • Alice Sebold’s The Almost Moon (Fiction) – it didn’t grab me, or was this just because The Lovely Bones was so unforgettably good.
  • Dorothy Porter’s The Bee Hut (Poetry) – a beautiful short collection, published posthumously and including some of the last poems of this very original voice.
  • Norman Doidge’s The Brain That Changes Itself (Science) – thought about this for weeks, talked about it with friends for weeks. Still affecting the way I view the world.
  • Lorrie Moore’s Collected Stories (Short Fiction)
  • Tara Moss’ Fetish (Crime/Thriller)
  • Robert Bly’s translation of Rumi, The Kabir Book (Poetry).
  • Haruki Murukami’s Dance Dance Dance (Fiction) – Wow, does this man have an interesting mind. Really enjoyed it.
  • Henry James’ The Aspern Papers (Fiction) - since I was passing through Venice, I took a friend’s recommendation to read this slim book set in Venice. Now I can say I’ve read some Henry James…
  • Tim Winton’s Breath (Fiction) - A lot packed into this short novel.
  • Second Person Queer (Essays) – Finally read this anthology that I was included in. A few great pieces, not sure whether the idea works as a whole book.
  • James Robert Baker’s Adrenalin (Fiction) – Phew. A wild ride, read on the high recommendations of friends who are huge fans of his. A piece of gay history.
  • David Ebershoff’s the 19th wife (Fiction) - Interesting topic. Didn’t like it as much as the Danish Girl.
  • Tim Winton’s Dirt Music (Fiction) – God I loved this book. Great introduction for me to a premier Australian writer.
  • Dashiell Hammett’s The Maltese Falcon (Crime) – read for a literary salon which I eventually couldn’t make it too. Darn. Could see it was the model for much of what followed – but didn’t love it.
  • Dorothy Porter’s Monkey’s Mask (Poetry/Crime) – also (re)read this for the salon. Amazing book. Quick read!
  • Michael Ondaatje’s In The Skin of The Lion (Fiction) – I read this aloud to my partner – an interesting experiment. When are they going to make a movie of this?
  • Kate Atkinson’s When Will There Be Good News? (Crime Fiction) – A nice surprise, as I loved her first novel, to see she’s turned to crime… and with a great story and characters. sweartogod.
  • Anne Enright’s Yesterday’s Weather (Short Fiction) – Enjoyed them. Now curious to read her Booker Prize winning novel.
  • Edmund White’s Hotel de Dream (Fiction)
  • Tom Cho’s Look Who’s Morphing (Short Fiction)
  • Ken Wilber’s Grace and Grit (Philosophy/Biography) – I’m loving this book as I read it and it’s changing the way I think about spirituality, enlightenment, disease and the new age movement.
  • Levitt and Dubner’s Freakonomics (Culture/Non-Fiction). A great read. Fun and insightful and challenging.
  • Alice Munro’s Lives of Girls and Women (Fiction). I’m a huge fan of Alice Munro – and it was interesting to read one of her early books.
  • Best American Poetry 2008 (Poetry) – My pal John introduced me to this series years ago. I really like this year’s collection. Some stunning work.
  • Salman Rushdie’s The Enchantress of Florence (Fiction) – completely adored this.
  • Best Gay Poetry 2008 (Poetry) – some amazing work in here
  • The Kite Runner (Fiction) - Good story but I didn’t love the writing itself. Maybe I expected too much because of the hype.

2008

  • Markus Zusak’s The Book Thief (Fiction)
  • Sara Gruen’s Water for Elephants (Fiction)
  • Sean Horlor’s Made Beautiful By Use (Poetry)
  • Lorna Crozier’s Whetstone (Poetry) Stunning.
  • Sharon Olds’ Blood, Tin, Straw (Poetry)
  • Miranda July’s No One Belongs Here More Than You (Short Fiction)
  • Alex Boyd’s Making Bones Walk (Poetry)
  • Fiona Tinwei Lam’s Intimate Distances (Poetry)
  • Anne-Marie MacDonald’s Fall On Your Knees (Fiction)Reread it to see if I still liked it as much. I did.
  • Margaret Atwood’s Moral Disorder (Short Fiction)
  • Jes Battis’ Night Child (Fantasy)
  • Kazuo Ishiguro’s Never Let Me Go (Fiction)
  • Elizabeth Bishop’s Eat Pray Love (Memoir)
  • Alain de Botton’s Essays on Love (Fiction)
  • Sarah McDonald’s Holy Cow (Memoir)
  • Keirsey’s Please Understand Me II (Personality Test)
  • Nam Le’s The Boat (Short Fiction)
  • Brian Rigg’s A False Paradise (Poetry)
  • Augusten Buroughs’ A Wolf at the Table (Memoir)
  • Sarah McDonald’s Holy Cow (Memoir/Travel)
  • Candace Bushell’s Sex and the City (Fiction/Journalism)
  • Martin Harrison’s Wild Bees (Poetry)
  • Alan Weiss’ Getting Started in Consulting (Business)
  • John Gould’s Kilter (Short Short Fiction)
  • A.M.Homes’ Things You Should Know (Short Fiction)
  • Eduardo Galeano’s Memory of Fire (History/Fiction)
  • Paulo Coelho’s The Alchemist (Fiction)
  • Raimond Gaita’s Romulus, My Father (Biography) - Loved this book as a portrayal of immigrant Australia. Great characters, great storytelling.
  • David Marr’s The Henson Case (Non-Fiction) – A clear, lucid account of the Bill Henson controversy
  • Kevin Hart’s Flame Tree: Selected Poems (Poetry)
  • Colin Carberry’s Ceasefire in Purgatory (Poetry)
  • Michael Ondaatje’s Divisadero (Fiction) – Great finish to the year. What a beautiful book.


2007

  • Alain De Botton’s The Art of Travel (Philosophy)
  • Henri von Doussa’s The Park Bench (Fiction)
  • Jonathan Lethem’s Men and Cartoons (Short Fiction)
  • David Mitchell’s Ghostwritten (Fiction)
  • Linda Gregg’s Flesh and Things (Poetry)
  • Billy Collin’s Sailing Alone Around The Room: New and Selected Poems
  • Best American Poetry 2006
  • Jerry and Esther Hicks’ Ask and It Is Given (New Age/Philosophy)
  • Rattawut Lapcharoensap’s Sightseeing (Short Fiction)
  • Steven King’s On Writing (Non-Fiction)
  • Margaret Atwood’s Oryx and Crake (Fiction)
  • Alexander McCall Smith’s The No. Ladies’ Detective Agency (Fiction)
  • Truman Capote’s Breakfast at Tiffany’s (Fiction)
  • Jean-Dominique Bauby’s The Diving-Bell & The Butterfly (Memoir)
  • Anonymous’s The Bride Stripped Bare (Fiction)
  • Hunter S. Thompson’s Fear and Loathing in Law Vegas (Nonfiction/Journalism)
  • David Allen’s How to Get Things Done (Career/Self-Help)
  • Gangaji’s Diamond in Your Pocket (Spirituality)
  • Seminal: The Anthology of Canada’s Gay Male Poets (Poetry)
  • Patrick Lane’s What the Stones Remember (Memoir)
  • Eckhardt Tolle’s A New Earth (Philosophy)
  • Ben Elton’s High Society (Fiction)
  • Suzanne Chick’s Searching for Charmiane (Biography)
  • Tracy Quan’s Diary of a Married Call Girl (Fiction)
  • Alice Munro’s The View From Castle Rock (Memoir)
  • Margaret Atwood’s Moral Disorder (Short Fiction/Memoir)
  • Alice Niffenegger’s The Time Traveller’s Wife (Fiction)
  • Pablo Neruda’s Isla Negra (Poetry)
  • Milan Kundera’s Farewell Waltz (Fiction)
  • Salman Rushdie’s Grimus (Fiction)

2006

  • Mark Doty’s The Source (Poetry)
  • Mark Doty’s School of the Arts (Poetry)
  • Ken Wilber’s No Borders (Philosophy)
  • Stephen Greco’s The Sperm Engine (Erotica/Memoir)
  • Alice Munro’s Runaway (Short Fiction)
  • Sean Condon’s My ‘Dam Life (memoir/humour)
  • Daniel Gawthrop’s The Rice Queen Diaries (memoir)
  • Yann Martel’s The Life of Pi (Fiction)
  • Joanne Harris’ Chocolat (Fiction)
  • Edmund White’s My Lives (Autobiography)
  • Gregory Maguire’s Wicked (Fiction)
  • Michael V. Smith’s What You Can’t Have (Poetry)
  • George Ilsley’s ManBug (Fiction)
  • Edmund White’s My Lives (Autobiography)
  • Eckhardt Tolle’s The Power Of Now (Philosophy)
  • Shauna Singh Baldwin’s What the Body Remembers (Fiction)
  • Shalini Akhil’s The Bollywood Beauty (Fiction)
  • John Murray’s A Few Short Notes on Tropical Butterflies (Short Fiction)
  • Lorna Crozier’s What the Living Won’t Let Go (Poetry)

2005

  • Jonathan Franzen’s The Twenty-Seventh City (Novel)
  • Gerald Stern’s Last Blue (Poetry)
  • Alain De Botton’s Status Anxiety (Non-Fiction)
  • Michel Houellebecq’s Lanzerote (Fiction)
  • Noel Rowe’s Next to Nothing (Poetry)
  • Alan Hollinghurst’s The Line Of Beauty (Novel)
  • Dorothy Porter’s The Monkey’s Mask (Poetry)
  • Lynne Truss’ Eats, Shoots and Leaves (Non-Fiction)
  • Gerald Stern’s This Time (Poetry)
  • Malcolm Gladwell’s Blink (Non-Fiction)
  • Jill Jones’ Screen Jets Heaven (Poetry)
  • Marshall Moore’s Black Shapes in a Darkened Room (Short Fiction)
  • Sandra Alland’s A Shape of a Tongue (Poetry)
  • Victoria Finlay’s Colour: Travels through the Paintbox (Non-Fiction)
  • Michael Cunningham’s Land’s End (Non-Fiction)
  • Gerald Stern’s Lucky Life (Poetry)
  • Steve Kluger’s Almost Like Being in Love (Novel)
  • Tony Hoagland’s Donkey Gospel (Poetry)
  • Greg Wharton’s Johny Was and Other Tall Tales (Erotica)
  • Kevin Bentley’s Let’s Shut Out the World (Memoir)
  • Randall Mann’s Complaint in the Garden (Poetry)
  • Jameson Currier’s Desire, Lust, Passion, Sex (Short Fiction/Erotica)
  • Ann Hood’s An Orthinologist’s Guide to Life (Short Fiction)
  • Kevin Bentley’s Wild Animals I Have Known (Memoir)

2004

  • Best Gay Erotica 2004 (Erotica)
  • Mark Doty’s Still Life with Oranges and Lemons (Non-Fiction)
  • Peter Carey’s Oscar and Lucinda (Novel)
  • Gerald Stern’s American Sonnets (Poetry)
  • Peter Minter’s Empty Texas (Poetry)
  • The Complete Guide to Spirits and Liqueurs (Non-Fiction)
  • Best Gay Asian Erotica (Erotica)
  • David Sedaris’ Dress Your Family in Corduroy and Denim (Humour)
  • Ian Phillips and Greg Whartons’ Law of Desire (Erotica/Anthology)
  • Meanjin’s Australasian Issue (Review/Anthology)
  • Gerry Turcotte’s Winterlude (Poetry)
  • Philip Hammiel’s In the Year of our Lord’s Slaughter (Poetry)
  • Marshall Moore’s Ideal for Living (Novel)
  • Wayson Choy’s All That Matters (Novel)
  • Jeffrey Eugenides’ Middlesex (Novel)
  • George Ilsley’s Random Acts of Hatred (Short Fiction)
  • Anne-Marie MacDonald’s The Way the Crow Flies (Novel)

Around 2003

  • Best Gay Erotica 2003 (Erotica)
  • Tracey Quan’s Diary of a Manhattan Call Girl (Novel)
  • Jim Gladwell’s The Tipping Point (Non-Fiction)
  • Joel Tan’s Monster (Poetry)
  • Sharon Olds’ The Unswept Room (Poetry)
  • Laurie Moore’s Self-Help (Short Fiction)
  • Luke Davies’ Running with Light
  • Carol Shield’s Unless (Novel)
  • Kevin Bentley’s Boyfriends from Hell (Anthology)
  • David Sedaris’ Naked (Humour)
  • Kate Fagan’s The Long Moment (Poetry)
  • Michael Farrell’s Ode Ode (Poetry)

Around 2002

  • Michael Cunningham’s Home at the End of the World (Novel)
  • David Eberschoff’s Rose City (Short Fiction)
  • Michael Chabon’s Adventures of Cavalier and Clay (Novel)
  • Michael Ondaatje’s Anil’s Ghost (Novel)
  • Martin Foreman’s Butterfly’s Wing (Novel)
  • Noel Alumnit’s Letters to Montgomery Clift (Novel)
  • Michael Smith’s Cumberland (Novel)
  • Michael Cunningham’s Flesh and Blood (Novel)
  • Louis Bernieres’ Captain Corelli’s Mandolin (Novel)
  • Jonathan Franzen’s the Corrections (Novel)
  • Imogen Edward Jones’ My Canape Hell (Novel)
  • Scott Heim’s Mysterious Skin (Novel)
  • Colm Toibin’s The Story of the Night (Novel)
  • Eva Sebold’s The Lovely Bones (Novel)
  • Ursula Leguin’s The Other Wind (Novel)
  • Seamus Heaney’ The Open Ground (Poetry – Collected)

Around 2001

  • Dave Egger’s A Heartbreaking Work of Staggering Genius (Novel/Autobiography)
  • Jhumpa Lamphiri’s Interpreter of Maladies (Short Fiction)
  • Michael Cunningham’s The Hours (Novel)
  • Neal Drinnan’s Glove Puppet (Novel)
  • J.M. Coetzee’s Disgrace (Novel)
  • Nicholas Jose’s The Red Thread (Novel)
  • Blaine Marchand’s Bodily Presence (Poetry)
  • Billeh Nickerson’s Asthmatic Glassblower (Poetry)
  • Mitch Cullin’s From The Place in the Valley Deep in the Forest (Short Fiction)
  • Steve Kluger’s Last Days of Summer (Novel)
  • Neal Drinnan’s Pussy’s Bow (Novel)
  • Elizabeth Knox’s Vintner’s Luck (Novel)
  • Edmund White’s Farewell Symphony (Novel)
  • Francisco Ibanez’s Flesh Wounds and Purple Flowers (Novel)
  • Bruno Bouchet’s The Girls (Novel)
  • Dennis Altman’s Global Sex (Non-Fiction)
  • Micha Ramaker’s Art of Pleasure (Non-Fiction)
  • Marshall Moore’s the Concrete Sky (Novel)

Book Review: Jonathan Franzen’s Strong Motion

Strong MotionStrong Motion by Jonathan Franzen

My rating: 4 of 5 stars

In Jonathan Franzen’s 1992 novel, ‘Strong Motion’, we see the prodigious talent that would bring him worldwide fame with ‘The Corrections’ and the more recent ‘Freedom’.

I enjoy reading earlier novels of authors who I’ve discovered when they’re more famous: you see where they’ve come from, what techniques they use that will be repeated, and how something that is good or even great becomes extraordinary.

In ‘Strong Motion’, Franzen displays his formidable intellect and how he uses it to explore, in depth, and with impressive displays of detailed knowledge, issues related to the global economy and the environment. For example, the premise of the book, a man-made cause to earthquakes is an interesting precursor to the environmental issues that he tackles in ‘Freedom’.

Franzen also shows how he grabs a theme and runs with it for the whole book, the idea of ‘freedom’, the idea of children correcting their parents’ faults, and here, possibly a less defined theme of how ‘strong motion’ whether in history, or in personal relationships, or geology, plays out.

Franzen’s amazing descriptions, wit, observations on familial dysfunction, his laments of alienation in a commodified world, and his leaps between his characters’ points of view are all here. He ties this all in with an engaging narrative, a bit of a detective-style thriller for modern America.

I would hazard a guess at some of the reasons why this book didn’t bring him the fame of ‘The Corrections’. Even though the main character is a young man in his early twenties and bald, I couldn’t help but picture all those author photos I’ve seen of Franzen and imagine him as described in the book (by a raccoon describing himself!) as ‘an individual living in a world that consisted entirely of his sorrow-like compulsions and afflictions and the pleasurable exercise of his abilities.’

The majority of the book is told from Louis’ point of view, and he’s a pretty drab character, sad and not particularly self-aware: he is full of sorrow. He rails often against consumer greed and sabotages himself and relationships. I found it hard to have sympathy for the main relationship in the book when the two characters seemed to have such strange, short interactions, a relationship driven by instinct and need rather than any sort of communication. I found Renée, the secondary character (or perhaps meant as the other main character, but certainly with less focus than Louis), as interesting but detached, cerebral, and somewhat cold.

It feels to me that in Franzen’s most recent novels, by spreading the rich narrative between many characters, he gives us more to hang onto, more to relate to, even if it is to the various neuroses of the characters rather than their virtues. As a writer, he really managed to develop his great strength of creating funny, difficult and complex characters, both men and women, and of different ages. In this book, I think he’s in the category of a great writer, rather than his later crowning as a ‘great American novelist’.

Franzen’s amazing ability to capture both the important and mundane parts of life are wondrous. A mother is described as such: ‘Of her relative proximity to death, or her inability to relax and enjoy a lunch, of her estrangement from the world of things that young people talk about. This really does happen to parents who are unhappy, even those who truly love their children.’

He often seems to describe, perfectly, some great truth about Western life. But also a small observation such as ‘ red pillow marks on his face—sleep’s tantalizing glyphs, which every morning signified nothing in a different way.’ The book is filled with amazing writing that I gasped at, each piling up one on top of the other in response.

I wasn’t quite as taken with his narrative experimentation as in his later books. Occupying the narrative point of view of a raccoon didn’t quite do it for me, neither did falling into Olde English for a historical account of the Indians, before colonisation, though it only lasted a few pages. As a minor complaint, I hate how the Chinese character in the book and his relatives speak in Chinglish, ‘He not here’. Howard’s lack of proficiency is described as a deliberate character trait but he displays no great gifts of character that make him likeable, not that he needed to be, but I personally recoil at an unpleasant Asian who speaks English poorly.

Right to the end, though I’d enjoyed the writing and the story, albeit not as much as ‘Freedom’ and ‘The Corrections’, I was still feeling uncomfortable and frustrated about the narrator and the book’s main relationship, a lack of resolve, an unpleasant heaviness.

But then suddenly, Franzen seemed to sniper-fire my complaints away and the characters show self-awareness and some measure of hope, and an important part of the sorrow and the weight of negativity somehow gives way.

Considering Franzen’s winding and lengthy narrative technique, I think that a similarly meandering book review is appropriate. I also feel that Franzen’s narrative rails against making simple conclusions or exhortations such as: ‘if you’re a fan of Franzen’s other books, you’ll like this’, ‘Great book, read it!’ or ‘See how Franzen became famous through one of his earlier books’.

So I won’t.

[P.S. Amazing interview with Franzen in the Paris Review… I read it after I wrote this review. http://www.theparisreview.org/intervi...]

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Guest Poet: Josh Stenberg

Josh Stenberg is an Asia-based Canadian writer and translator. His writing has been published in the Asia Literary Review, Kartika Review, and Vancouver Review. He has also  translated two volumes of Chinese short fiction.

the swan

the swan is blackening on the spit.
in the ravening hollow, white tigers
are caught by the toe. we had used
to get together whenever i was in
town. the doctors have drilled into
me through the nose; at their usual
rate. i have made love again to a cipher.
we are establishing vectors of disease. people
are groping for the way out. there are
grounds for suspicion; we are grinding
ourselves into fine white meal. we are
received with open arms. we are guilty by
association. the primary purpose
of language is to communicate. sure,
we are occlusions of meaning. the
masters are busy at the smith. smudges
of blood on the sharp ebony teeth of
my comb.

fujian lychees

the fruit leaves the branch,
oversweetens, is rushed precipitately
from the maritime border to the
centre, to the capital. there it is
ingested, assimilated, its reproduction
spat out. the pericarp sugars the
bloodstream. the warm current washes
out into the ocean. on its wild dissolving
route, the self is absolved. everyone
else does it. people may have to drown
for this alaska crab, this pinch of
saffron, this ten-thousand-li delight
for the palate. all distances are
immoral. food is the densest luxury.
the elderly are crushed by the
ravaging bewildered wagonwheel.
the lines of oil vein and thread us.
the concubine, twelve hundred years
dead, smiles. who is this portly
skeleton? why does she grin?
her yellow teeth skin the flesh off
the hard brown pit.

march 2002, montreal

those things too are becoming long ago.
winter was new to you then. we built
a man of shabby snow. the city to me was
pages in a book, signs of false remembrance.
took you down to watch the frozen saint
and think of the spring crawling north,
icebergs mooning down.

all the people we knew there have left.
and we have left. and what is left?
there are no seasons here, over here.
my students say, what is this tongue,
the same word to remain or to go,
for staying and passing, out, away?
                              but i say:
who cannot remember is never bereft.

Book Review: Paul Kane’s Work Life: New Poems

Work Life: New PoemsWork Life: New Poems by Paul Kane

My rating: 4 of 5 stars

Poetry is mostly undercover these days, so I think it’s interesting how you stumble across a book. I happened to be at a reading in Glebe in Sydney, Australia where three poets had been invited to read, Robert Gray, Kevin Hart, and Paul Kane. Kane was the poet that I hadn’t heard of but I found his reading engaging, both lyrical and light-hearted, and I decided to give his book a try -

Which is one of those great strokes of luck, when you find a poet who you like enough to vow to search down his or her other books, and whose work you really, really like.

I really enjoyed ‘Work Life’. While the voice is consistent, I like the range of subjects treated in the 5 sections of the book: the forbidding and political first, the elegies of the second, the long poem “psyche” in the third, nostalgia and teenage years and the hilarious two-liners in the fourth, and a final section that gathers together religious imagery and myth.

Kane’s intellect and wisdom is evident, as is the breadth of his life experience: they manifest in lines that are clear and accessible and at the same time complex in idea. I like that I don’t have immediate comprehension of “Psyche” or some of the other poems – that I’ll have to work at them, faced with intelligence greater than mine.

At the same time, I marvel at how he takes a few plain words and transforms them with poetic ability to something magical: “What are we to ask of a shadow? / At noon, night flickers around us / as we walk in the cold sun’s light.” (‘The Night Heron’). I find this simple, graceful and bloody beautiful.

And though I’m perhaps making Kane sound like an intellectual poet, his work is full of feeling as well, a tenderness that in lesser hands would come off as sentimental, but I found resonant and touching. “What do I owe / the past”, he writes in ‘Third Parent’, “except to settle the accounts / I bring into the present as my special sorrow?”

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Books I read in 2011

With a comment or two, if I felt so inclined.

  • Mary Oliver’s New and Selected Poems Volume 2 (Poetry) – some gems, and better in small doses, I was surprised that I wasn’t taken by the work of this celebrated poet.
  • John Rock’s Paseando: Out for a walk (Autobiography) – an interesting and engaging book by a friend – travel tales and more
  • Richard Labonte’s Beautiful Boys (Gay Erotica/Anthology) – I thought this was a good, digestable mix of stories – some more traditional erotica, others less so.
  • Michael Cunningham’s By Nightfall (Fiction) – I’ve read everything that he’s written and I’m not stopping now. Many moments of beauty, but I wasn’t as engaged as previous books.
  • Larissa Lai’s Automaton Biographies (Poetry)
  • Tim Winton’s Cloudstreet (Fiction) – This is Australia, it’s language, it’s heart and bones. They should have made me read this when I landed in Sydney.
  • Carol Shields’s The Stone Diaries (Fiction) – Again. I started it and realized I’d read it before.
  • Adam Gopnik’s Paris to the Moon (Memoir)
  • Alice Munro’s Too Much Happiness (Short Fiction)
  • Charles Merewether’s Ai Weiwei: Under Construction (Art Criticism/Review)
  • Best American Poetry 2011 (Poetry)
  • Dave Eggers’s Short Short Fiction (Fiction)
  • Tim Miller’s Shirts & Skin (Autobiography/Gay)
  • Joanne Harris’s Coastliners (Fiction)
  • Tina Fey’s Bossypants (Autobiography/Comedy)
  • Patrick Gale’s Rough Music (Fiction)
  • E.B. White’s Charlotte’s Web (Fiction/Children’s)
  • Jennifer Egan’s Welcome to the Goon Squad (Fiction) – my pick for the year. Great writing, great story-telling, of-the-moment, funny, touching. The whole gamut. Loved it.
  • Alan Downs’s The Velvet Rage (Psychology) – essential reading for gay men. If it doesn’t help you understand yourself, you’ll recognise your friends!
  • Charlotte Brontë’s Jane Eyre (Fiction) – As a first foray into trying to read a book on an iphone, this was a good choice – with a linear narrative. Always wondered what the fuss was about, and now I know: really beautiful use of language. Jane is a pretty fabulous character too, though I think I really understood her after seeing this year’s film version (which was great).
  • Margaret Atwood’s Year of the Flood (Fiction) – I love that Atwood did a companion novel set at the same time as Oryx and Crake but from a completely different perspective. Inventive, readable, poetic and engaging. That’s how I like ‘em.
  • Dan Disney’s and then when the (Poetry)
  • Chandler Burr’s The Emperor of Scent (Biography/Science) – Review on my blog.
  • Michael Chabon’s Gentlemen of the Road (Fiction) – Review on my blog.
  • Ian McEwan’s Company of Strangers (Fiction)
  • Anita Desai’s The Zigzag Way (Fiction) – Review on my blog.
  • Anne Tyler’s Back When We Were Grownups (Fiction) – I traded in a stack of books at Elizabeth’s used book store, and used them to buy the Burr, Chabon, McEwan, Desai and Tyler… I’d say the Burr was the most engaging! What next, what next?
  • Gail Anderson-Dargatz’s A Recipe for Bees (Fiction) – a Canadian novelist who had a hit with her first book. I found this engaging and quite lovely – and enjoyed the older narrator. I’m a bit tired of the trope of the curmudgeonly, cute and cuddly older narrator (i.e. I did love the story of Water for Elephants, but found the narrator a bit much) and found this speaker much richer and more interesting.
  • Dr. Raymond Moody’s Glimpses of Eternity (Spirituality) – a follow-on to his book about near-death experiences, this one is about shared-death experiences. I’m open to what he presents though didn’t love the way he presented it.
  • Michael Ondaatje’s The Cat’s Table (Fiction) – I finished the first half in the last days of 2011…

Feel free to share in comments your favourite book of 2011.

Book Review: Anne Tyler’s Back When We Were Grown Ups

Back When We Were Grown UpsBack When We Were Grown Ups by Anne Tyler

My rating: 2 of 5 stars

I’ve read a few Anne Tyler novels, way back when, and obviously liked them enough to keep returning to them. She creates memorable, fully-dimensional characters and writes with wry observation of modern life and a hopefulness, a key theme about learning to accept the life that we are given. As a young man, and I think I read all of her novels in my early, perhaps mid-twenties, I think I would have found this appealing, that we age and whatever complicated circumstances or tragedies that we undergo, we find ways to keep breathing.

But I’m not sure whether this book was somewhat weak, or whether I’ve grown out of Anne Tyler. Rebecca, a 53-year old grandmother and party-planner, has somewhat of a minor crisis, though not one that anyone in her family notices. She wonders what happened to the girl she was, and what would have happened if she had married her college fiancé rather than the man she left him for, inheriting a ready-made family of three step-daughters to which she added a daughter of her own. Not much happens in the book. She visits her mother. She goes to a special day at her step-grandson’s school. She organises her uncle’s 100th birthday party. Through the story, we learn the details of her life. The largest narrative arc is her getting back in touch with her old boyfriend, and then their subsequent meetings.

However, there is a likeability problem. Rebecca doubts herself constantly. She fusses and frets. Sometimes a sharper humour emerges, but she’s generally a martyr, playing a role, and helping everyone around her. Her daughters, and their various husbands and children, circle around. The daughters are quirky, but after the first character descriptions, the jokes don’t deepen (Biddy, the caterer, makes inedible food that is too fancy for anyone’s taste). And they’re vile. They bicker with each other, at their step-mother, and say insensitive things. Her uncle is more amusing and sweet, as is her brother-in-law, Zeb, who shows some caring for her. But she’s mostly unappreciated, unacknowledged and barely listened to. And there’s no character development for any of the supporting characters, and though this is Rebecca’s story, it’s not particularly interesting to be surrounded by this huge cast of unhappy and unpleasant people.

The writing is strong, and occasional wise observations allowed me to finish the novel; but otherwise, it’s not one I’ll be recommending. I did have a quick look at another review: John Leonard writing in the New York Times (http://www.nytimes.com/books/01/05/20/re…) is obviously a fan, and he reminds me of the reasons I probably liked the other books of Tyler that I’ve read — and yet, he recounts six of her novels with basically the same plots or endings to this one. So, perhaps my problem with the book was that I’d read it before.

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Book Review: Anita Desai’s The Zigzag Way

The Zigzag WayThe Zigzag Way by Anita Desai

My rating: 3 of 5 stars

At university, with the incomparable Geoffrey Eathorne as our professor for our Commonwealth Literature course at Trent University in Canada, I read Anita Desai’s Clear Light of Day. It was a stand out. I don’t remember it perfectly but that it had beautiful writing and I enjoyed the story.

Two decades letter, I haven’t read anything by her since and saw ‘The Zigzag way’ on the shelf of a favourite used bookstore. The story is set in Mexico, a young academic, aimless, looking for his past and something to do while his partner is doing research there. He zigzags into one story, an eccentric and mysterious old European woman who has gained a reputation on an expert in a local indigenous group. And then leaving her, he zigzags into the story of his grandfather, a Cornish miner who worked in the mines of Mexico.

I can see the richness of the original idea, and the threads did come together somewhat – but I also got the feeling of a writer who was trying to put some of her travel experiences into a story and perhaps got a grant to do so. Themes of displacement and belonging, travel and immigration, finding one’s way and one’s history: yes. But the story is not particularly deeply felt and the main character has a somewhat weak personality. If I was to climb aboard the idea of a zigzag story, I wanted more than what I got.

I also found that her writing could be beautiful at times, but other times overwritten. Waiting for the formidable Doña Vera to speak, she “considered her reply. Then it came, as ominous as a rumble of pebbles in a dry arroyo, heard at first from a distance, then gathering strength as it approached, finally crashing upon them.”

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(Hmm, goodreads has a pretty nice function for doing a review on their website and copying it to my blog. I think I’ll try it out some more.)

Book Review: Michael Chabon’s Gentlemen of the Road

Michael Chabon is one of those names that I scan bookshelves for, all on the basis of one book: The Amazing Adventures of Kavalier and Clay. It was a big, substantial novel with ideas and history, whimsy and sadness, and unforgettable characters. And a comic-book theme: as a former collector, I loved it.

I think I read Mysteries of Pittsburgh, which was OK but didn’t stay with me. So, here’s another try – I found it on the shelves of a used bookshop, and the description of a swashbuckling adventure tale in A.D. 950 sounded fun. I like the fantasy genre. As well, it’s a thin book, and I felt like reading something light.

What struck me most of all was its mixture of readability and dense poetry: fifteen short chapters of a coherent adventure with requisite peaks and valleys and cliff-hanging moments, with a narrative drive supplied as much by the wonderful characters as the action. And yet, his prose is lyrical, precise and condensed – it felt as if in a different order than most prose I’ve read lately, and I had to concentrate on the words, slow down to make sure I’d caught every bit of meaning. It’s also a treat that such skill is applied to humour – various exchanges of insults, or even over-the-top descriptions of battle and slaughter, made me laugh out of loud.

There’s an odd afterword which usefully describes some of his research and writing process but has a strange defensive and apologetic section of how a serious writer of literary fiction came to write comic adventure. I’d say writing like this needs no explanation.

 

R.I.P. Visual Library, hello Goodreads?

Through facebook I discovered the application ‘Visual Library’ and I really did like it. You typed in a book name, and it showed up on your screen where you could not only click that you’ve read it, or owned it, but even find the particular cover of your addition.

I found it a handy and fun way to write a few thoughts down about what I thought about some of my reads, enjoyed the intelligent reviews shared by other members, and liked being able to see a visual, facebook list of the books on my shelf (or ones that I’ve read but gave away).

Lately, I’ve found it a bit of a shock to realize that the old idea that what’s on the internet is there forever is just not true. In transferring over material from the old website to the new website, I saw how many websites (and companies/newspapers/organisations) had been shut down – and that it’s lucky I saved my book reviews in Word files (at the time I was wondering if I was being too anal retentive). But no, websites disappear, along with what’s on them!

So, it was an unhappy surprise to find out that Visual Bookshelf had been shut down – that they’d somehow given everyone a month or two warning (possibly, I would have turned off receiving news and notifications from them).

Information, feelings, thoughts – all are fleeting. I’ll try not to be too mournful but if I could have, I would have scanned the many reviews and possibly copied over a few here and there to this website. The major book reviews that I’ve done are here on the website, but there are shorter ones that I missed.

Oh well. And do I now give Goodreads a try? I can’t remember the exact reason why I didn’t try it before (possibly because I’m loyal – i.e. I am not bothering with Google Plus unless they somehow prove to be better than facebook, or extraordinarily useful to my life in some way!). In the meantime, I guess I’ll try to write more substantial thoughts on the books I review – if they’re going to go up on this blog.

Book Review: The Emperor of Scent by Chandler Burr

A while back, I read an article in The Guardian about two perfume experts who fell in love and wrote a guide called ‘Perfumes: A-Z’. I made a mental note to buy the book sometime. I’m not passionate or well-versed in scent, but perhaps that was what was appealing. The descriptions of each perfume were funny, beautiful, original. Literary magic.

So, when I saw this book at Elizabeth’s Used Bookshop, a story about Luca Turin, the Italian scent-expert, I grabbed it. And glad to have done so: the story of a genius Italian scientist who develops a theory of scent which goes counter to the orthodoxy is gripping. Turin proposes that we smell by detecting a vibration, rather than the ‘shape theory’ in which something in our nose matches up with the shapes of molecules. Turin is a great personality, and it’s a story of a rebel and pioneer against a scientific establishment revealed to be sadly corrupt – not only closed but hostile to ideas that threaten their positions and authority.

What really amazed me though was the ability of Chandler Burr to render complex scientific theories into a gripping story – he grabs metaphors, rearranges sentences, repeats ideas, quotes Turin and explains what he’s saying, shows diagrams when necessary and reviews sets of theories and schools of belief. I was never great at science and page after page, I was astonished at the skill of the author to convey complicated ideas. Part of the trick is telling a great story, capturing the man as well as the ideas. But well done, Mr. Burr. I’m off to buy Perfumes A-Z now.